It took me along time to fianally appreciate the sculptures by van Dijk. At first i thought them to be too much copies of Judd sculptures, but i discovered them to be completely different. Why….surface , composition and construction differ from the one by Donald Judd. Still i consider his sculptures to be Minimal art and not constructivist.
He was born in 1952 in Pernis, is a Dutch artist. The steel sculptures of Cor van Dijk are characterised by clear lines and geometric shapes. From first stages of their design, the material used for these works – steel – and their realisation are inextricably linked. To create his work, the artist uses separate sheets of solid steel, which he joins together with extreme precision. Van Dijk bases the dimensions of his sculptures on the standard gauge of the sheet metal. As a result, the mill scale found on the rolled steel is left intact in the finished works.
Viewing Van Dijk’s sculptures, one’s eyes constantly move across their surface and one’s attention keeps shifting from areas of open space to sections that take up space. The seams between the different segments play a key role in the works, since they lend a sense of scale to the mass of steel and define its different volumes. The artist strives to show interior space – its layout, possible compartments, the spaces between the segments and the massive quality of the steel itself. The different dimensions all interact with one another. Ultimately, this is also what gives the sculptures their specific presence: the precise handling of volumes and the perfect connection of individual sections in space. Each newly-realised concept is intended to bring even greater clarity to the context of the preceding work – while also pointing ahead, suggesting new concepts that are still waiting to be developed.
Van Dijk’s most recent sculptures comprise a single segment. The location of the open space and its dimensions determine the scale of the work as a whole. The result is an object in which mass (matter) and open space interact more intensively than ever before. In technical terms, the steel used for the sculptures shows no traces of machining or processing. Thanks to their mass, the open space and the interaction of these two elements, these tranquil objects seem to speak directly to the viewer.
Because i have a long time admiration for the works by Frank van Hemert , i started to collect his publications and since 2007 i even could buy a painting and some drawings by the artist. In the meantime i visited many bookmarkets and whenever i find a book by van Hemert , i can not resist it and I buy it. I am almost complete now for my own library, but i have bought so many of his titles that i have now several double or triple in my lown ibrary. These i have now put up for sale, so please take a look at www.ftn-books.com to find some very nice van Hemert titles available.
Michel Seuphor…wrote a monumental biography on Piet Mondriaan and is one of the great names in constructivist art by himself. In the twenties he became friends with Joaquin Torres Garcia. For me their works are worlds apart from each other but somehow they became friends and started the artist mouvement CERCLE ET CARRE.
the Netherland was not too far away for Seuphor …the result he had his exhibitions at galleries and museum in the Netherlands. Specially DEN HAAG was a well now city for him. He spent much time at the Gemeentemuseum to study Mondrian for his biography on this famous dutch abstract painter and ….he had an exhibition of his own at the Gemeentemuseum, soon followed with a gallery exhibition at the Nouvelles Images gallery ( closed now) . Both catalogues and a print by Seuphor are available at www.ftn-books.com
A few days ago it was a shock for me to learn that gallery Nouvelles Images will close its doors permanently. This gallery has been a long time institution in the dutch art world and one of the galleries that gave direction to the dutch art world. Ton Berends and later on Erik Bos were visionary gallery owners that meant a lot to the young artists and because of their influence opened doors to museums and foreign galleries. Beside that they were great art dealers who presented and represented many artists for the very first time in the Netherlands and on art shows.
I visited the gallery dozens of times and i always enjoyed the spacious rooms. My personal favorites were of course Dirkx, van Hemert, Geurts and Willem Hussem who’s heirs they have represented for more than 30 years now. Nouvelles Images will not exist any more in the near future. So take a look at a great art institution in The Hague while you can. The gallery will close on the 1st of October 2018.
Sinds de oprichting in 1960 is NOUVELLES IMAGES (NI) een beeldbepalende en invloedrijke galerie in Nederland; eerst onder de visionaire leiding van initiator Ton Berends en vanaf 1989 onder de bevlogen aanpak van zijn opvolger Erik Bos.
Erik Bos is in december 2016 overleden en liet zijn nalatenschap ten goede komen aan de beeldende kunsten, in het bijzonder de fotografie via het Erik Bos Fonds, een fonds op naam van het Gemeentemuseum Den Haag. De galerie voortzetten was voor alle betrokkenen een grote wens.
Sinds vorig jaar maart werkten wij, de nieuwe directeur Marie Jeanne de Rooij en rechterhand Sander Creman, voortvarend aan de continuering van de galerie voortbouwend op de geschiedenis en reputatie van NOUVELLES IMAGES met een zichtbare focus op de gewenste vernieuwing.
Helaas is door de aanhoudend ongewisse kunstmarkt en de complexe overdracht van de galerie door de direct betrokkenen met pijn in het hart besloten de galerie met ingang van 1 oktober 2018 te sluiten.
NOUVELLES IMAGES dankt alle kunstenaars voor hun kunstenaarschap en vriendschap, en alle kunstliefhebbers die de kunst en de kunstenaars door de jaren heen met hun aankopen gesteund hebben.
NOUVELLES IMAGES organiseert van zaterdag 1 september t/m zondag9 september een laatste verkooptentoonstelling met werken uit de collectie NI waarvan de opbrengst aangewend zal worden om de galerie goed af te sluiten voor de kunstenaars van de galerie en voor de direct betrokkenen. Meer informatie over deze tentoonstelling wordt op korte termijn bekend gemaakt.
I know the work of Margriet Smulders from the time she had her first exhibition at gallery Nouvelles Images in Den Haag and from this very start it intrigued me . I was not the kind of admirer of her work who wanted to buy a work for my collection, but still i admired her craftsmanship and excellent feel for composition. She mainly depicts and arranges flowers , which gives a very classic feel almost like you are looking at a 17th century painting, however these are not paintings but highly detailed photographs using glass and mirror surfaces to arrange the flowers which gives the perfect reflection.
She has developed this technique into perfection and now has made herself a name outside the Netherlands too. Her compositions are printed on extremely large sizes. Making them at first glans from a distance completely abstract, but study them in detail and they reveal the objects that form together the composition. They still intrigue every time i encounter them. Galleries, Art fairs …no exception, they are recognizable and executed with great knowledge of material and composition, but for me they are too artificial and that is why i’m holding back and will not one to my colection. But this is personal and i can really understand why others want these colorful works by Margriet Smulders. For more information visit her website at http://www.margrietsmulders.nl and www.ftn-books.com for some publications on her works.
Personally i am not the greatest fan of Jeroen Henneman, but i Recognize the importance of the artist for dutch art in the 20th century. Specially the time bracket between 1965 and 1980 is important, because in this period his works found their way into private collections. They were accessible and of high quality, but they never had great appeal to me personally. Nevertheless i encountered his works at auction and exhibitions and i always had an extra look at them, because when you first see them they have something extra, therefore i made the occasional book purchase because i like the institutions were he had his exhibitions. Specially the Nouvelles Images Gallery and the Stedelijk Museum made some great publications with his exhibitions which are both available at www.ftn-books.com
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Henneman is certainly one of the best known “modern” artists in the Netherlands and admired by some well known dutch famous collectors, but i am not one of them. Many dutch people know of his portrait of the former Queen Beatrix and his silhouetted portraits are well known too, but as said….i am not a fan.
Nearly 100 years , Gottfried Honegger died at the age of 98 in 2016 and left us a beautiful ouevre of Geometric and constructivist art.
was a Swiss artist and graphic designer. He was married to the Swiss illustrator Warja Lavater. He studied shop-window display at the Zurich Kunstgewerbeschule and taught there from 1948. His early work was commercial graphic design.
From 1955-1958 he was art director at Geigy. He lived in New York City between 1958 and 1960, and held his first exhibition there. In 1961 he moved to Paris and concentrated on painting, which concentrated on exacting explorations of circles and squares, and (from 1968), sculpture.
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Honegger also spent time in Dallas, Texas as the artist in residence at the University of Dallas. Honegger died at his home in Zürich, Switzerland from a short-illness on 17 January 2016, aged 98. The first time i heard of this artist when i acquired a beautiful series of books which included 2 special prints by Honegger. The first artist i thought of was Ellsworth Kelly, but no this was for me an unknown Swiss artist who had the same quality as Kelly only only a much smaller scale. These works are time less and deserve to be collected by all great museum in the Modern Art world, but until now only in a few museums in Switzerland and Germany i encountered these works. It was easier for me to find some great publications on this artist which are now available at www.ftn-books.com
I have been fascinated by the works of Toon Teeken for some decades now. I first encountered his works in the Bonnefanten Museum Maastricht in 1986 where he had an exhibition at that museum together with Fons Haagmans. I loved both, but slightly preferred the works by Teeken.
Since, i followed his exhibitions at museums and galleries. Because Teeken is represented by gallery Nouvelles Images which is quite nearby and easy for me to visit. I could follow his development as an artist. I love his works but saw them rise in price with every new exhibition and becoming financially out of reach for me, but sometimes you are in luck….. I found one of the most important works by Teeken coming up for sale and made a direct bid for it ….. and won.
I hoped to find a large wall for it at our home, but i miscalculated the space needed for such a large painting and had to store it. It is now stored for some years and it has become clear that there is no space available for it in the future and therfore it is now for sale at ftn-art at a price half of the gallery price. A bargain price for a painting which is much larger than the standard sized ones usually for sale. But this one really needs space being 260 x 200 cm. it is an unsually large work , but when you have an office or conference offices i can highly recommend this one. Affordable and impressive and artistically an important work by a great dutch artist…Toon Teeken.
Its provenance…Artesia bank / Maastricht who had it in their entrance.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20