Hap Grieshaber is one of the great graphik artist from the 20th Century.
Personally i consider Hap Grieshaber, H.N.Werkman and Josua Reichert to be the top in graphic artists from the 20th century. Reichert is the best, but Grieshaber and Werkman are close in second spot.
Grieshaber is a typical 50’s /60’s artist. The first time i encountered his works i had a strong asscociation with the Catholic bid prints, inserted and collected in bibles by young people in the early 60’s.
But there is so much more to be discovered in his works than simple figures. The combination of abstract patterns in the background of slhouetted figures are typical Greishaber and make the composition to appear totally abstract. Willem Sandberg was a Grieshaber admirer and together they made one of the most iconic of all Sandberg / Stedelijk Museum catalogues
Grieshaber was honoured with numerous prizes and retrospective exhibitions. He exhibited works at the documenta in 1959 and 1964. In honor of his 70th birthday in 1979, large retrospectives were shown in various museums in both parts of Germany. The last prize that Grieshaber was awarded in 1980 was the art prize of the town of Konstanz. Grieshaber died in 1981 in Eningen unter Achalm aged 72 years.
It took me a while, but finally i purchased the small and interesting collection of Josua Reichert prints/posters i had my eye on. It contains 2 of his best and signed lino cut prints and 3 Museum publications from the Sixties. The one i want to point out is the one Reichert specially made for the Werkman exhibition in Baden-Baden. Two print masters united in one print makes this very special to me and shows the genius and complexity Reichert could realize with prints. all prints are available at www.ftn-books.com
Some combinations are hard to beat and this one is surely a classic. Wim Crouwel was not yet promoted to the position of designer of the catalogues of the Stedelijk Museum Amsterdam and had just left the van Abbemuseum with his designs. In the in between period he did some free lance works and one of these was the catalogue he designed for the H.N.Werkman exhibition of 1964 in the Groninger Museum and this catalogue became the standard for all his future designs. He chose a slim sized catalogue, but within the book he used some of the papers which he had used in the van Abbemuseum catalogues and would use again for the Stedelijk Museum catalogues. Making it simple but still complex.
On the cover a bold and typical Werkman print which emphasized the graphic quality of the catalogue. The back…. a typical red with clear black and white lettering. This is in my opinion one of the very best graphic designs ever made in the Netherlands and i am proud to still have a copy for sale of this beautiful and splendid Wim Crouwel catalogue.
Reichert is a typographer, designer, author and printer combined in one person. Take a little bit of Werkman, put in a dash of Piet Zwart combine this with the authenticity of Reichert and you have some idea of the fantastic prints he makes. Study his prints and you see mouvement and a highly original approach to printing which makes them typical Josua Reichert prints.
One of the publications http://www.ftn-books.com has for sale is the excellent Wim Crouwel designed catalogue for the 1966 Stedelijk Museum exhibition on Josua Reichert and his prints.
It is only 4 pages , but the fairly standard design by Wim Crouwel in blue was altered and printed on by Reichert with 3 special prints for this occasion. This combination of Reichert prints with Crouwel typography/design makes this for me personally one of the most valued and appreciated publications by the Stedelijk Museum in the Sixties.
Because i get notified by Pinterest which items are shared and saved, i found out that this is one of the most appreciated photographs of all publications on www.ftn-books.com
This publication was published on the occasion of the Werkman exhibition in Groningen in 1964 and one of the first designs that Wim Crouwel made for a dutch museum. In this same period he designed the publications for the van Abbemuseum which were followed from the early sixties on by the publications of the Stedelijk Museum. What makes this one special is the condition it is in and the highly unusual appearance. The use of multi colored papers, its odd size and a cover chosen in relation with the Werkman print which is used as a cover. This publication is the top in dutch lay-out and design and must be considered as one of the very best publications of the sixties. Curious?………take a look at
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20