It took me along time to fianally appreciate the sculptures by van Dijk. At first i thought them to be too much copies of Judd sculptures, but i discovered them to be completely different. Why….surface , composition and construction differ from the one by Donald Judd. Still i consider his sculptures to be Minimal art and not constructivist.
He was born in 1952 in Pernis, is a Dutch artist. The steel sculptures of Cor van Dijk are characterised by clear lines and geometric shapes. From first stages of their design, the material used for these works – steel – and their realisation are inextricably linked. To create his work, the artist uses separate sheets of solid steel, which he joins together with extreme precision. Van Dijk bases the dimensions of his sculptures on the standard gauge of the sheet metal. As a result, the mill scale found on the rolled steel is left intact in the finished works.
Viewing Van Dijk’s sculptures, one’s eyes constantly move across their surface and one’s attention keeps shifting from areas of open space to sections that take up space. The seams between the different segments play a key role in the works, since they lend a sense of scale to the mass of steel and define its different volumes. The artist strives to show interior space – its layout, possible compartments, the spaces between the segments and the massive quality of the steel itself. The different dimensions all interact with one another. Ultimately, this is also what gives the sculptures their specific presence: the precise handling of volumes and the perfect connection of individual sections in space. Each newly-realised concept is intended to bring even greater clarity to the context of the preceding work – while also pointing ahead, suggesting new concepts that are still waiting to be developed.
Van Dijk’s most recent sculptures comprise a single segment. The location of the open space and its dimensions determine the scale of the work as a whole. The result is an object in which mass (matter) and open space interact more intensively than ever before. In technical terms, the steel used for the sculptures shows no traces of machining or processing. Thanks to their mass, the open space and the interaction of these two elements, these tranquil objects seem to speak directly to the viewer.
www.ftn-books.com has the monograph on van Dijk now for sale