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Wilhelm Wagenfeld (1900-1900)

If only one object from the Bauhaus has reached an iconic standing in world design it is the Bauhaus lamp by Wilhelm Wagenfeld. It is still produced in its original dimension and materials and is one of the design classics from last century. It was such a success in interior design in the last 3 decades that many copies were produced and sold.

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The only original one is done by Tecnolumen, but for much less you can buy an excellent copy. But beside the lamp Wagenfeld designed many more items. teapots, cutlery, candle sticks, door knobs but all with one specific design element. The design had to be “clean”. No curls and no ornaments…just functional design. Wagenfeld was  a true master of this clean design and influence with his designs many of the 20th century designers, including some dutch designers like Kho Liang Ie and Martin Visser , who’s designs were simple and functional .

the Bauhaus Lamp is probably the most iconic piece of lighting to come out of the Bauhaus, William Wagenfeld’s lamp, constructed of precisely cut glass and metal, is among the first objects to emerge under the Bauhaus’ technology-focused regime.

This a description as it is found on the internet, but i would like to add something else…William Wagenfeld is probably the first designer who respected the material and functionality of an object and taught this to his students. It is not the lamp that is iconic, but for me it is the designer, who is the grand master and who designed/invented the iconic Bauhaus lamp. www.ftn-books.com has some nice publications on Wagenfeld ( also one by Sandberg).

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Wally Elenbaas (1912-2008) & Esther Hartog.

An artist couple that survived WWII but of whom Wally was put in prison, because of Nude photography which was still forbidden in the sixties. Wally spent 9 months in jail because of these beautiful photographs, taking all the blame and preventing that his wife would be punished too for making the same kind of photographs. Now in these modern times it is almost unthinkable that an artist would be put in prison, but in the early sixties it was done. Why took Wally all the blame on him?…… because he feared that esther would become insane since her family lost their lives in prison and concentration camps and by all means he wanted to prevent this to happen. A sad, but also beautiful love story which was the fundament of all their great photographs they made together and of each other.

It is now almost 10 years after Elenbaas died, but since his death a growing appreciation is there for the photography of both these artists which resulted in a beautiful impressive book published by nai010 which is also available at www.ftn-books.com

ellenbaas

 

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Ben Vautier / Fluxus and Basel

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People who follow this blog , know of my love for Ben Vautier. Not only because he is one of the most original and consistent artists from the last 100 years, but also because there is always some humor just around the corner. Unfortunately  I have missed the most important Vautier exhibition from the last 10 years. It was held at the Tinguely Museum in Basel :

Ben Vautier. Is everything art?

21.10.2015 – 22.01.2016

Ben Vautier has been on the scene since the late 1950s as an artist, performer, organizer, linguistic inventor, and re-thinker of art. He is one of the pioneers of the Fluxus movement in Europe and, as a comrade-in-arms of the École de Nice, a close friend of artists such as Arman, Yves Klein, Martial Raysse, and others. He is known for his text images, which, using brief, pithy phrases, equally question and challenge life and art. Ben Vautier has the first comprehensive retrospective in Switzerland dedicated to him at the Museum Tinguely. Alongside an overview of the first 20 years of his creativity, Ben sets up in Basel more than 30 rooms as he comments on various social, artistic, and political topics and takes a stance. In total, the show exhibits far in excess of 400 works by the artist, who is still very active to this day.

Still what remains is one of the best and certainly one of the most beautiful books on Vautier’s art. It has a simple brown cover, but is filled with iconic Ben “paintings” from hs first 20 years as an artist and published as only the Suisse can publish art /museum catalogues. The print is exceptionally good, the lay out superb and the contents…..well all BEN, making this one of the most collectable books i recently offered on www.ftn-books.com

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Sigurdur Gudmundsson (1942)

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Gudmundsson has a loyal following in the Netherland. That must be because he has been present in multiple group exhibitions and solo exhibitions in both museums and art galleries. The Stedelijk Museum presented this artist on several occasions and the catalogues’/ artist books published with these are in high demand. The “Circles” book for instance has been sdold out with me for over 5 years and i have not found another copy at a reasonable price. The same with ” Situations” sold out and nowhere to be found anymore.

Gudmundssons works fascinate. These are symbiosis of IN SITU and performance. Making this a true conceptual artis whose works have been spread all over the world.

Gudmundsson studied in the Netherlands at ao Ateliers 63 and after that study settled in the Netherlands and launched his career in the 1960s as a member of the legendary Icelandic SÚM group. His public sculptures can now be found widely, including in Rotterdam, Groningen and Den Haag in the Netherlands. He later became a teacher at the AKI in Enschede. He is now living in China, the artist prides himself of having been a foreigner for the past 50 years and i am curious to learn how this does influence his works. www.ftn-books.com has still some nice Gudmundsson titles available.

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Narcisse Tordoir (1954) …painting as an act

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A key figure in the Antwerp art scene and also very well known in the dutch art scene because he is an advisor to the Rijksakademie Amsterdam.

But besides his presence in the art scenes of both the Low Countries, he has become world famous because of his approach to painting. Tordoir considers painting as an act and with this he has had performances in France, the UK, USA , Austria and many more countries, thus introducing his very personal approach to the art of painting to a new art scene each tine he had a performance or an exhibition outside Belgium or the Netherlands.

It is hard to find a reasonable priced work by Tordoir, but about 10 years ago i got lucky and bought a tetralogy at a local auction. It is a work typical for the works Tordoir produced during the eighties on which he combined several smaller ” paintings into a unique work of art. This work consists of 4 framed works of abstract figures forming together a unique Narcisse Tordoir. This work is now for sale at FTN art together with the books www.ftn-books.com has on Narcisse Tordoir.

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Gerhard von Graevenitz (1934-1983). on show at Haus Konstruktiv

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The artist that walked the line between ZERO art and Kinetic art. Born in Belgium and died in Switzerland van Graevenitz lived for a long period of his life in Amsterdam /The Netherlands ( from 1970) and because of a plane accident his life ended far too early. I write this blog because on our way back from Italy , i decided to make a small detour to Zurich, because i always wanted to visit HAUS KONSTRUCTIV. Not for their special exhibitions, but because i had discovered they had a wonderful collection. The visit was a slight disappointment because no works from their collection were on show instead they had 2 solo exhibitions of which one was on Gerhard von Graevenitz. Only about 50 works were on show, but because of their mouvement it took a while before i had seen all of them. It was well worth the visit and if you are near Zurich make the detour yourself to discover von Graevenitz. He deserves to be known by all admirers of Modern art. Unfortunately it was not allowed to photograph the works but i found a nice Haus Konstruktiv contribution on You Tube in which the show on Von Graevenitz is discussed and shown.

the von Graevenitz exhibition is on show until the 6th of May and www.ftn-books.com has some nice pubications available on him.

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Olle Baertling (1911-1981), in search of the Open Form

Baertling is hardly known outside Scandinavia. He had the occasional exhibition in Switzerland at the von Barth gallery ( catalogue available at www.ftn-books.com) but that’s it, but look at auction results from the last decade of Baertling paintings and you will notice that prices are on the rise and not only because there is a raised interest in his works from Sweden. After the large Retrospective exhibition in the Moderna Museet, people began to notice his works and appreciate them.

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They recognized in them the link between Modern constructivist art and architecture. This is what i noticed myself when i first encountered a book on Baertling 2 years ago. This is not an artist for the masses, but see one of his paintings or sculptures and you certainly will be impressed. This is constructivist art in “optima forma” with a highly personal approach. Impressive and his sculptures of thin materials seems to vanish in the air. Not being there, but at the same time present.

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In memory of 
Olle Bærtling
There is one Swedish artist who has made an entirely original contribution to the art of our time, comparable with the foremost masters of modern art history, and that is Olle Bærtling. It is all too easy to use presumptuous words on a matter like this. And yet, I wish to maintain that Bærtling, with his ‘open form’ and his ‘two-dimensional sculptures’, is the only Swede-besides Viking Eggeling, whose achievement came to a stop at its very beginning-who has added something unique to the store of forms available to art. His work of the last three decades has an innovative quality and an international range which may be compared – mutatis mutandis – with the finest achievements of scholarly research. It is not by chance that his works have found a place in many universities around the world.
 
Gunnar Berefelt 
Doctor of Philosophy, Professor emeritus of the History of Art at the University of Stockholm
Here is what Baertling had to say on his approach of OPEN FORM
“Invisible wealth is to be found in open form. 

It radiates a compressed concentration of highly-charged power that is transformed with suggestive radiant force into infinite space in strong dynamics and unknown dimensions. Art at its most sublime is a hymn of praise to creation, an invisible but ever-present force. 
A sense of the infinite, a flight to an invisible destination. 
A positive change of man’s inner life, a realization of his world of ideas. An intellectualization, a visualization of the positive source of creative power, a visualization of its ethereal beauty.”

Olle Bærtling

baertling

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Hans Haacke (1936)

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His career spans now a period of nearly 60 years and he has always been a frontrunner in the world of art. Perhaps yu can compare him with Damien Hirts, but do not forget that there is a difference of time between them of 3 decades. Haacke never reached the stature of a Damien Hirst, but when his works emerged and were introduced into the art scene… literally every large and important Modern Art museum in the world wanted a piece of the action. Haacke was “hot”. Moma , Tate and Museum Ludwig all started to collect Hans Haacke at a large scale.

In 1978 Haacke was asked for a one man show at the van Abbemuseum / Eindhoven ( catalogue available at www.ftn-books.com)  and with this show, the Netherlands started to know Hans Haacke as an artist. Nowadays his art is less prominent present in the collections of these large museums, but i am convinced this will change in the not so far away future, because i think Haacke is important for the art of Seventies and Eighties. A forerunner for the art made by the well respected British artist like Hirst and Tracey Emin. Haacke deserves a place among them. His contribution to art is a valuable one and deserves to be recognized as such.

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Pjeroo Robjee (1945)

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The Flemmish Pjeroo Robjee is first of all a writer and secondly a painter. As a writer he is considered to be the Flemmish James Joyce. This is not what i want to write about, but i want to introduce Robjee as a painter to you. Robjee has followed some day courses in painting and started to paint in a very personal way, inventing his own style . What does it look like?… i can not describe it , but i encounter something of illustrations in his paintings. The use of Pop Art colors combined with the simplicity of Botero. Shake it and the result is Robjee.

This mix of styles resulted in an invitation by the Belgian gallery Lens Fine art , where he had at least 2 exhibitions in 1975 and 1977. Both publications with these Robjee shows are available at www.ftn-books.com.

I really do not know what to think about these Robjee paintings, but somehow they fascinate me and must be considered as an important cultural heritage for Belgium since Robjee is an important writer who had also another quality…. he made some great timeless paintings that still fascinate.

 

 

 

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Wim Crouwel..design of the Atelier series for the Stedelijk Museum.

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The focus of this blog is on the covers of a very impressive series Wim Crouwel designed for the Stedelijk Museum during a period of roughly 14 years in the Sixties and Seventies ( between 1965 and 1979). This series has the typical Crouwel layout and typography and beside these elements these designs are ” clean” without any frills ….just function. These were done when the Total Design agency had their “GOLDEN YEARS” and Wim Crouwel was one of the most important members of Total Design ( founded in 1963). This is a great series of 16 publications . Some with loose pages in portfolio, others in the shape of posters or just ordinary booklets, but all have the quality design Wim Crouwel stands for. Most of these publications are available at www.ftn-books.com and if your are looking for other Crouwel publications search for them at the same site.