Posted on Leave a comment

Oliver Boberg ( 1965 )

Schermafbeelding 2018-12-01 om 14.40.47

The first time i was confronted with the work by Oliver Boberg was when he had  a large Retrospective exhibition. This was in 2004 at the Fotomuseum and i was very much impressed. Specially the large scale photographs had a feel of desolation and now i have bought for FTN Art two of his greatest photographs at a much smaller scale but still these are originals and very well worth collecting. The book i had on Boberg was sold years and years ago, but this is even better for the true admirer. The photographs are both from a very small edition of 20, numbered and signed and in pristine condition. Framed in a quite expensive frame and come from a collector from the US.

Memorial by Oliver Boberg , 2002,  edition 20, number 14/20, C-Print and signed by Boberg.

Frame measures 51 x 42 cm. C print is 35 x 25 cm. , condition is MINT

boberg memorial a

 

“Erdgeschoss” by Oliver Boberg , 2001, edition 20, number 13/20, C-Print and signed by Boberg.

Frame measures 51 x 42 cm. C print is 38 x 15 cm. , condition is MINT

boberg erdgeschoss a

Please visit the FTN art section on this page for more information

Oliver Boberg was born in Herten, Germany, in 1965. He studied art history at the University of Würzburg, Germany, from 1985–86, before transferring to the Art Academy Nürnberg to study painting from 1986–93. Since 1997 Boberg has garnered attention for his photographs of what appear to be bleak, uninhabited architectural sites but are in fact models constructed by the artist in his studio. The sense of neglect that haunts these scenes contradicts the painstaking meticulousness applied to their fabrication. In Boberg’s work from the late nineties, the elegant formalism of his compositions contrasts with the subject matter—color-drained stairwells, roof decks, and building facades painted to dissemble age and dilapidation. Works such as Park (1998) and Playground (2000) offer barren sites of disrepair despite their sunny titles. Boberg created his first films for the series Night Sites (2002–03). In these films, the artist utilizes familiar Hollywood devices—fluorescent blue lighting that typically permeates suspenseful night scenes and eerie settings like an abandoned alley or fog-coated forest—to promise a drama that never unfolds. In 2003, with his Building Shell series, Boberg returned to his characteristic photography of elaborate models, this time recreating multistory edifices in the midst of the construction process. In 2004 the artist began to work for the first time with black-and-white photography for his Pagesseries. In Pages and Walls (2007), Boberg revisited his photographic investigation of highly constructed, formalist sites of inattention. Inattention gives way to tragic neglect in his series Slums, begun in 2008, which focuses on the derelict makeshift dwellings composed of serrated tin and other urban debris. For this series, the artist juxtaposed his photographs with computer-generated drawings.

Solo exhibitions of Boberg’s work have been organized by the Museum of Contemporary Photography in Chicago (2001), Musée de l’Elysée in Lausanne (2002), Kunstverein Hannover (2003), and Duolun Museum of Modern Art in Shanghai (2005). His work has also been included in major group exhibitions such as Experiment at the San Francisco Museum of Modern Art (2000), Moving Pictures at the Solomon R. Guggenheim Museum in New York and the Guggenheim Museum Bilbao (2003), and Artist’s Choice: Herzog & De Meuron, Perception Restrained at the Museum of Modern Art in New York (2006). Boberg has been recognized with the Bayerischer Staatsförderpreis für junge Künstler, Fotografie (1997) and Förderpreis für bildende Kunst der Stadt Nürnberg (2005), among other awards. Boberg lives and works in Fürth, Germany.

 

Posted on Leave a comment

Erwin Olaf donates 500 “key” works to the Rijksmuseum Amsterdam

This morning you could read in the Volkskrant that Erwin Olaf donated 500 of his key works to the Rijksmuseum. Why the Rijksmuseum….because the last 5 year a bond between these 2 major forces in the art world grew now resulting in the extremely generous and large gift of the 500 most important works from Erwin Olaf’s career.

At the same time as this gift was announced, it was announced that the Gemeentemuseum Den Haag and the Fotomuseum will both open an Erwin Olaf exhibition in February 2019. Please check  both their sites in half a year when the details will be known for both these exhibitions. If you can not wait until February…… Check Erwin Olaf’s site and visit www.ftn-books.com for his publications.

Posted on Leave a comment

Wally Elenbaas (1912-2008) & Esther Hartog.

An artist couple that survived WWII but of whom Wally was put in prison, because of Nude photography which was still forbidden in the sixties. Wally spent 9 months in jail because of these beautiful photographs, taking all the blame and preventing that his wife would be punished too for making the same kind of photographs. Now in these modern times it is almost unthinkable that an artist would be put in prison, but in the early sixties it was done. Why took Wally all the blame on him?…… because he feared that esther would become insane since her family lost their lives in prison and concentration camps and by all means he wanted to prevent this to happen. A sad, but also beautiful love story which was the fundament of all their great photographs they made together and of each other.

It is now almost 10 years after Elenbaas died, but since his death a growing appreciation is there for the photography of both these artists which resulted in a beautiful impressive book published by nai010 which is also available at www.ftn-books.com

ellenbaas

 

Posted on Leave a comment

Hellen van Meene (1972)

Schermafbeelding 2017-09-20 om 16.27.13.png

Hellen van Meene is known for her (mostly) square photographic portraits of teenage girls. Her work was first exhibited in 1996 and has been shown around the world since then. Her photos are in the collection of many museums, incl. Guggenheim NYC & MoMA. She lives and works in Heiloo and her subjects now include still lifes, dogs and other animals.

This is how her biography on her personal site starts. A poor site with not much information on which i stumbled because i was looking for more information on Hellen van Meene. However there is one highlight on the site which is available. The page with the photographs shows exactly why i think van Meene is important.

http://hellenvanmeene.com/photos

The use of the square format and mofre the way light is used in an almost “GOLDEN AGE”like way make these beautiful little portraits.

 

www.ftn-books.com has one tilte by van Meene available.

The Fotomuseum gives better info on van Meene than her own site so here is the text the Fotomuseum published on their pages:

For the last 20 years, Hellen van Meene (b. 1972) has ranked among the world’s top photographers. Her highly distinctive style and timeless, intimate images of young girls on the brink of adulthood have attracted international acclaim. Solo shows and group exhibitions have won her admirers in places as far away as Japan, Korea and the US. The Hague Museum of Photography now presents the first ever major retrospective of her entire oeuvre.

Hellen van Meene career took off in a big way immediately after her graduation from the Rietveld Academie (Amsterdam) in 1996. Following various group exhibitions and a solo show at the Paul Andriesse gallery in Amsterdam, her international breakthrough came with a solo exhibition at the Photographers’ Gallery in London. Since then, her work has been acquired by major museums in the Netherlands and around the world. Collections in which it can now be found include those of the Gemeentemuseum Den Haag, Victoria & Albert Museum (London) and MoMA (New York).

Although Van Meene has continued to develop and her choice of subject has widened over the past twenty years, her work has always displayed the same consistent and distinctive personal style. Whatever the nature of her photographs – whether autonomous art works, images commissioned by the New York Times or Tank Magazine, portraits of young girls in Tokyo or Los Angeles, or portraits of dogs – each of them is always and unmistakeably ‘a Hellen van Meene’.

Van Meene’s unique style is characterized by the timeless and mysterious atmosphere in her images and by her consistent use of natural light. Due to the crucial importance of lighting in her photographs, but also because of the particular way she stages her pictures of adolescent girls, her work is sometimes compared with that of major painters of the past, from Botticelli and Velázquez through to the Pre-Raphaelites of the nineteenth century.

Van Meene draws her models – often young girls – from her immediate social circle or spots them in the street. She doesn’t care who the girl is or where she comes from. For that reason, she deliberately refrains from titling her photographs; the identity of the subject is irrelevant. The photographic image represents a mere moment in time, carefully staged by the photographer; the subject may look quite different the next day – especially if she is a girl in an ‘in-between phase’, hovering on the brink of adulthood. Time flies by: The Years Shall Run Like Rabbits. What remains is a timeless image that frequently offers no clue as to whether it was produced at the start of Van Meene’s career or just this year.

To underline the intimacy of her photographs, Van Meene presents them in the form of small-format prints, forcing the viewer to come close to see them. The retrospective at the Hague Museum of Photography, consisting of over ninety photographs, is accommodated in six vivid, enclosed spaces. It extends from Van Meene’s earliest photographic works, produced in 1994, right through to her most recent images, never previously seen in the Netherlands.

Posted on Leave a comment

Paul Kooiker – Hotel New York

The first time i saw work  by Kooiker was about 15 years ago and he never stops to amaze and surprise me. His first exhibitions were with Willem van Zoetendaal in Amsterdam and during that time he was first presented as one of the upcoming and leading photographers in the Netherlands. Together with Arno Nollen he was considered to have a highly original point of view on contemporary photography and because of his subjects ( young and older women ) he was presented in an exhibition in the Fotomuseum together with the godfather of this kind of photography…. Gerards Petrus Fieret.

The book on Hotel New York was printed in a very small edition and is one of the nicest collectable photography books i have encountered in recent years. Beautiful publication which was presented to the residents of Hotel New York Rotterdam as a reminder of their stay. Text and photography, design and printwork all are excellent. Hard to find….. but still available at www.ftn-books.com

 

wilfried