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Berend Strik (1960)

Berend Strik creates images with embroidery. Using thread and needle his images get an extra dimension, The result a strange picture of a realistic composition enhanced by an almost abstract image created with thread. Original , very personal and sometimes very explicit images occur. loo at the series CANDLE 1. 2 and 3 . And from a distance you see abstract elements but look closer you will see 3 explicit scenes. Strik is a highly original artist and i still feel regret of not having bought a nice embroidered “painting” when i had the chance a few years ago, but who knows what the future will bring.

Here follows the text from the Berend Strik site in which Rem Koolhaas commented on the works by Strik:

I don’t know quite why, but in this society at this point in time we are being urged to curb our enthusiasm. Enthusiasm creates vulnerability, it’s not cool and often seems rather ridiculous. Enthusiasm is a risk; you can get it completely wrong. But this afternoon I want to openly proclaim my enthusiasm for this new work by Berend Strik. I am fascinated by this work.
I won’t try to convince you; I just want to share with you why I am so enthusiastic. The painting is based on Strik’s photo of the floor in Jackson Pollock’s studio – part of a series of ‘artist’s studios’, all based in principle on an invasion of privacy. The floor is covered in smudge splashes. You can spot the outline of the canvases that once lay on the floor. Strik surreptitiously inserts his own work in that relatively clean, empty space. In this way, Strik introduces a new genre: the involuntary collaboration. It is a stroke of strategic genius, disguised as homage. Inserting yourself in a history that seemed to be closed…
Pollock was a real man in the days when white men were still popular. A carefully staged action painter. An artbeast.
His work appears macho but you can also see it as meticulous doodles, a tissue of threads made of ink and paint. Pollock’s surface is harmonious rather than wild – Berend isn’t wild either – so why does his combination have this strong conviction? Perhaps it is the planks that give this work its unique impact. Neither Pollock nor Strik – both really embroiderers – want to give their work visible structure but here the subdivision created by the planks has raised both to a more powerful level, given them more authority. It is time to take a fresh look at Berend Strik’s work – and eenwerk is a unique space – really a machine – that can function as a magnifying glass. See here the new Strik – a new force with new depths.
I hope you see what I see – in this unique one-off setup – and that your observation will have consequences for Strik’s future.

www.ftn-books.com has several titles on Strik of which the BODY ELECTRIC title is the most important one with an original embroidered cover

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Edmond Baudoin (1942)

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For me personally, Bauoin is one of my comic heroes. Of course there are Herge and Franquin and many others from the golden age of European Comics that deserve your admiration, but from the later generations there are only a few artists that will be historically important. Jean Giraud, Druillet and Tardi have all proven to be important, but for me there is another artist, a comic hero, who belongs in this row of great names. One that is lesser known but somebody who moves on the crossroads of comic and graphic novel.

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Edmond Baudoin is that artist. Left school at the age of 16 and has been drawing and writing comics since. The style….realistic…the stories poetic and taken from his personal life.

http://www.ftn-books has the LE PORTRAIT book by Baudoin now available.

baudoin portrait

 

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Luciana Matalon (1937)

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Perhaps the true importance of Luciana Matalon is that she initiated the founding of an art space in Milano as a platform for young aspiring artist to have their first exhibitions.

http://www.fondazionematalon.org

Luciana Matalon was born in the Veneto region but moved to Milan where she made her debut in 1968. As a multifaceted artist she dedicated herself to painting, scuplture and the creation of jewellery.

Her artstic studies took place mainly at Milan’s Accademia di Brera and during periods spent in a variety of foreign countries. Since 1966 she has taken part in numerous exhibitions and has organized her own in Europe, America and Japan.

In 2000 the artist set up a self-titled foundation in Milan, where she aspired to create a new museum space to become an international crossroads of new ideas and new artistic orientations. Moreover, since 2006 she has been promoting the Premio Beniamino Matalon per le Arti Visive (Beniamino Matalon Prize for Visual Arts), which has a duration of two years, with the aim of stimulating artists under the age of 35 to produce work that is meaningful and worthy, whilst supporting them in their  path of artistic growth.

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http://www.ftn-books.com has the 1981 Matalon catalogue for her EP galerie presentation available.

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Piet Dirkx weekly

Piet Dirkx was invited on many occasions to shine his artistic light on color and architectural solutions. On this occasion he was invited to make an “in situ” work at the police station in Raamsdonkveer

dirkx rijksgebouwen

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Günther Förg at the Gemeentemuseum in 2003

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An important discovery among the many invitations i acquired recently. It is an original sketching by Förg for what presumably could be a wall drawing in one of the rooms of the Gemeentemuseum during and after his 2003 exhibition. In that time Förg was experimenting with loosely painted forms on canvas and walls.

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On the painted paper sheet is the studio stamp of Günther Förg in Freiburg and the paper is devided into two parts. The upper part is painted with a deep green and handwritten the text Gemeentemuseum in blue ballpoint, underneath in pencil Den Haag 2003.  Left of the green a text in blue ballpoint ” Moikan (?)” The lower part of the design/drawing/painting is in a “leather brown” color and in pencil beside “Israel” is written . On the lowest part of the sheet the studio stamp in black ink.

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My educated guess is that this is a proposal for a wall drawing in one of the rooms of the Gemeentemuseum Den Haag and this highly collectable item is now available at www.ftn-books.com.

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Jaroslawa Dankowa (1925-1999)

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Dankowa has made more than 400 sculptures, but will always be remembered for her masterpiece ” het INDISCH MONUMENT” , erected at the Prof Teldersweg in Den Haag. She was chosen among many with her design of a group of famished people who mourn and grieve, with in the background bars to symbolize the occupancy of the Indonesian people during WWII.

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The sculpture had to be finished before 1988 and it was because of this set date the pressure to finish and complete the sculpture was immense. While making the sculkpture she fell from a ladder, but despite breaking a hip during this fall, she finished in time and the sculpture has been since in the centre of the remembrance ceremony of the victims who were killed during WWII in Indonesia.

http://www.ftn-books.com has now a monograph on Dankowa available.

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New Business Card FTN books & Art

visitekaartje ftn

Some recent changes made it necessary to translate these changes into a new business card. The most important one being two new email addresses. One personal one and the other for the FTN books & Art contacts. So here is all the new business information to contact me and keep track of my activities, the daily blog and additions to my inventory.

Wilfried van den Elshout / FTN books

Veursestraatweg 106c

2265CG Leidschendam,  the Netherlands

www.ftn-books.com

www.ftn-blog.com

new email : wilfriedvandenelshout@gmail.com

new email : ftnbooksandart@gmail.com

 

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Paul Wunderlich (1927-2010)

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Paul Wunderlich can be considered as a second generation surreal painter/sculptor. First there was the generation of magritte and Dali who were recognized as being important. This generation was followed by artists who stayed true to Surrealism for their entire artist careers. Labisse, Fuchs, Tanguy and ….Paul Wunderlich . The artist for who the human figure was the start of many art work. He specially was fond of the male figure, which he used on many occasions in his art, but that was not the first art work by Wunderlich i encountered. I know exactly what and where it was. Somewhere in the early Seventies a newspaper article was published and in the article the NIKE sculpture by Wunderlich was mentioned. I learned who sold it and hoped to acquire it for my staring collection, because its edition size was large ( 1000 copies). It was not to be….visiting the gallery Steltman who exhibited and sold the sculpture i learned that the price was 1100 guilders. A price far too steep for me…so i dit not buy it. A few years later my parents decided to buy it together with another Wunderlich sculpture which is now still in my collection.

My sister has the NIKE statue. Both statues/sculptures still grace our living rooms. Wunderlich is perhaps not the most fashionable artist to have in your collection, but i can guarantee you that his works will grow on you.

http://www.ftn-books.com has some nice Wunderlich publications available .

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Till Hohn,(1945) Musician, artist, performer

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Not many will have heard of Till Hohn, since he is mainly a local celebrity in Dusseldorf.

because he is known in the Dusseldorf region he has had his exhibitions and performances mainly in this region and one was held in the IM EHRENHOF venue in 1995. With the exhibition/Performance was a a small catalogue published which is now in high demand , because Hohn is such an artist who stays true to his believe in his chosen way in art . It is fascinating to see the development over the years and the scenery he builds for his performances is like an architectural sculpture.

The Till Hohn / Unser Dusseldorf soll schoner werden publication is now availabel at www.ftn-books.com

till hohn

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Jean Villeri (1896-1982)

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One of the nicest things of writing a daily blog is that you keep discovering “unknown” artist. One of these artists is Jean Villeri. I found a signed book on the bookmarket ( now for sale at http://www.ftn-boks.com) . An artist who lived through some very important periods, post impressionism was one of them and from his earliest beginning he started as a post impressionist painter. He met and was influenced by Bonnard, he later became an abstract painter/sculptor. The result …in the end his works were presented and collected by french museums and his art was sold at galleries in France. He has had some some exhibitions outside France, but his main public were the french gallery public. The book/catalogue that is now for sale is for his 1963 Galerie Blumenthal exhibition and shows in an excellent way his strength as an artist.

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