It must have been written in the stars since many dutch artist swho became household names in the 80’s and 90’s were born and raised in the city of Eindhoven. There are of course Henk Visch and Piet Dirkx to whome i have devoted multiple blogs and now you can add Peer Veneman to that list. Also born and raised in Eindhoven, but this time with a different career. Where Dirkx and Visch stayed initially in Eindhoven, Veneman moved to Amsterdam and soon became part of the LIVING ROOM art scene. Here he had his first successful exhibitions and later his name would become more familiar and his works more successful resulting in exhibitions at galerie Onrust and at galerie Hafemann.
He became known in the 1980’s with colorful sculptures that somehow filled the space between abstraction and figuration. Ever since he took the liberty to make abstract and figurative works at the same time, denying the traditional gap between the two. One constant factor evident throughout all his work is his apparent refusal, even within a single piece of sculpture, to do the same thing twice. He aims to give new meaning to sculpture (form), painting (the surface) and architecture (spatial construction). Not only are the formal aspects of visual art questioned by Veneman in his work, but his connotative intentions also undergo that process as well.
The first thing that i thought when i saw the poster for the Jerry Zeniuk exhibition at the Josef Albers Museum was…..it looks like a large Piet Dirkx. Of course i know the works by Piet Dirkx very well and there are quite some similarities between them . They both prefer large sizes. Zeniuk even larger ones. And the use of color is almost the same.
on the left Jerry Zeniuk on the right Piet Dirkx
Zeniuk follows in the tradition of American art after 1950 with his largeformat works. The wall-filling aspect of his painting does not however seek to redefine real space; it retains its pictorial identity, which allows the painter as well as the viewer to be present in the painting. “To be present, mentally, emotionally, physically” – this was Zeniuk’s motivation as well as his challenge when creating a painting measuring four by eight meters, as he did in 2001 in Mainz, or five by five meters in Munich in 2013. These two works, which act like brackets in relation to the rest of Zeniuk’s oeuvre, are the focus of the current presentation. The oil paintings on canvas were created without the aid of a preliminary sketch. The choice and combination of colors, the movement involved in the application of paint, and the artist’s wealth of experience alone gave rise to these authentic “depictions.” Jerry Zeniuk (b. 1945 in Bardowick near Lüneburg) is one of the foremost representatives of so-called “elementary” or “essential” painting.
This is what if ound on this 1991 Piet Dirkx. Signed by Piet and titled “l’idee”.
This work belonged for a long time to the collection of Otto Schaap, who purchaseed it at Galerie Loerakker around 1991. It was part of this collection for nearly 3 decades and now it has found a new home in our collection. This is what we had when unpacked.
and this is the complete work presented on two nails as indicated by Piet. 51 cm apart, with the yellow “sandwich” on the right.
and here it is between some other works by Piet Dirkx.
for those interested in Piet Dirkx , please note that publications, cigar boxes and paintings are for sale. Please inquire at email@example.com
This is the last of the “Piet Dirkx weekly” . After i had finished the cigarboxes 2 years ago and now the series publishing almost 80 Piet Dirkx weekly’s . This series has now come to an end.
Small, important, rare kinds of Piet Dirkx publications and collectibles have come along. Does this mean that there will no longer be any Piet Dirkx publications/ blogs anymore? Certainly not….. i will be preparing in the next months the material for another 60+ works by Piet Dirkx and will publish these in a “PIET DIRKX MONTHLY”.
For now i have decided this beautiful and cherished 2009 New Years wish by Piet Dirkx to conclude this series. It is a pencil and watercolor drawing. Signed and colored by Piet.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20