Posted on Leave a comment

Hans Biezen (1947)

A new era for Dutch photography begins in the early 1970s. It is no longer just the content of the photo that the photographer focuses on. It goes beyond that. Space, light, and timing are played with. Constantly searching for hidden elements, creating light and shadows, abstractions, and a certain surrealistic feeling. All of this suggests a world beyond the frame of the photo. This work pays tribute to the great masters who were able to portray space, light, and the depth of bright tones in their paintings in a mysterious way (source: Lorenzo Merlo, Contemporary photography in the Netherlands 1980).

During the same period, Rudi Fuchs is appointed as the director of the Van Abbemuseum in Eindhoven. Thanks to him and the aforementioned developments, artists from Eindhoven are once again in the spotlight. Fuchs actively participates in conversations in the ateliers in Eindhoven, thus getting to know the attitudes and positions that will partly determine the policy of the Van Abbemuseum. Hans Biezen, René Daniëls, Piet Dirkx, and Stijn Peeters are some of the well-known Brabant artists of that time. Inspiring projects such as the artists’ initiative De Fabriek arise in the vicinity of the Van Abbemuseum, something that would still be unthinkable in the Randstad (source: Michiel Morel, under the smoke of Van Abbe 2011).



Hans Biezen finds himself at the heart of the art world in Eindhoven during these developments. As a sculptor by training, Biezen is self-taught in the field of photography. This is not a coincidence, as he wants to photograph as honestly and unbiasedly as possible. Photography is more than sculpting to him; it is a means to interpret reality in his own way and with feeling. Initially, Biezen focuses his photography on situations that allow him to take beautiful and powerful photos. But at some point, he begins to see this as a limitation of his photographic possibilities. Therefore, Biezen simplifies his photography into mainly a documentary form.

http://www.ftn-books.com has now one of the very first Biezen publications he made for the van Abbemuseum available.

Posted on Leave a comment

Piet Dirkx (continued)

I thought i had all publications on Piet Dirkx, but surprise surprise …….. last week I found a publication on artists with their origins in de Mierden-Reusel. For all those that followed my blogs on Piet Dirkx this is my latest addition:

for more publications on Piet Dirkx find these at www.ftn-books.com

Posted on Leave a comment

Peer Veneman (1952)

a classic photo of Peer Veneman

It must have been written in the stars since many dutch artist swho became household names in the 80’s and 90’s were born and raised in the city of Eindhoven. There are of course Henk Visch and Piet Dirkx to whome i have devoted multiple blogs and now you can add Peer Veneman to that list. Also born and raised in Eindhoven, but this time with a different career. Where Dirkx and Visch stayed initially in Eindhoven, Veneman moved to Amsterdam and soon became part of the LIVING ROOM art scene. Here he had his first successful exhibitions and later his name would become more familiar and his works more successful resulting in exhibitions at galerie Onrust and at galerie Hafemann.

He became known in the 1980’s with colorful sculptures that somehow filled the space between abstraction and figuration. Ever since he took the liberty to make abstract and figurative works at the same time, denying the traditional gap between the two. One constant factor evident throughout all his work is his apparent refusal, even within a single piece of sculpture, to do the same thing twice. He aims to give new meaning to sculpture (form), painting (the surface) and architecture (spatial construction). Not only are the formal aspects of visual art questioned by Veneman in his work, but his connotative intentions also undergo that process as well.

www.ftn-books.com has some nice Living Room and Veneman publications available.

Posted on Leave a comment

Jerry Zeniuk (1945)

Schermafbeelding 2021-09-08 om 14.31.23

The first thing that i thought when i saw the poster for the Jerry Zeniuk exhibition at the Josef Albers Museum was…..it looks like a large Piet Dirkx. Of course i know the works by Piet Dirkx very well and there are quite some similarities between them . They both prefer large sizes. Zeniuk even larger ones. And the use of color is almost the same.

on the left Jerry Zeniuk on the right Piet Dirkx

Zeniuk follows in the tradition of American art after 1950 with his largeformat works. The wall-filling aspect of his painting does not however seek to redefine real space; it retains its pictorial identity, which allows the painter as well as the viewer to be present in the painting. “To be present, mentally, emotionally, physically” – this was Zeniuk’s motivation as well as his challenge when creating a painting measuring four by eight meters, as he did in 2001 in Mainz, or five by five meters in Munich in 2013. These two works, which act like brackets in relation to the rest of Zeniuk’s oeuvre, are the focus of the current presentation. The oil paintings on canvas were created without the aid of a preliminary sketch. The choice and combination of colors, the movement involved in the application of paint, and the artist’s wealth of experience alone gave rise to these authentic “depictions.” Jerry Zeniuk (b. 1945 in Bardowick near Lüneburg) is one of the foremost representatives of so-called “elementary” or “essential” painting.

www.ftn-books.com has the Josef Albers Museum (signed) poster available.

For more information on the Piet Dirkx paintings please inquire since ftn art has these together with other Piet Dirkx paintings for sale.

zeniuk a

Posted on Leave a comment

Piet Dirkx…the new acquisition “l’Idee”

This is what if ound on this 1991 Piet Dirkx. Signed by Piet and titled “l’idee”.

This work belonged for a long time to the collection of Otto Schaap, who purchaseed it at Galerie Loerakker around 1991. It was part of this collection for nearly 3 decades and now it has found a new home in our collection. This is what we had when unpacked.

 

and this is the complete work presented on two nails as indicated by Piet. 51 cm apart, with the yellow “sandwich” on the right.

dirkx idee a

and here it is between some other works by Piet Dirkx.

dirkx idee c

for those interested in Piet Dirkx , please note that publications, cigar boxes and paintings are for sale. Please inquire at ftnbooksandart@gmail.com

 

Posted on Leave a comment

a new acquisition……

Tomorrow i will reveal a new acquisition for our personal collection. this was bought recently and what i hope to discover is the provenance of this item. if you can help please let me know.dirkx ob b

Posted on Leave a comment

Piet Dirkx …lost and found item

Piet Dirkx publication/ folder for his IN DE GEBOUWEN exhibition from 1992 in the Stadsgalerij Heerlen.

dirkx gebouwen

Posted on Leave a comment

Piet Dirkx weekly

A forgotten invitation . Another Ferdinand van Dieten gallery invitation is this one.

dirkx dieten uitn

Posted on Leave a comment

the final … Piet Dirkx weekly

This is the last of the “Piet Dirkx weekly” . After i had finished the cigarboxes 2 years ago and now the series publishing almost 80 Piet Dirkx weekly’s . This series has now come to an end.

Small, important, rare kinds of Piet Dirkx publications and collectibles have come along. Does this mean that there will no longer be any Piet Dirkx publications/ blogs anymore? Certainly not….. i will be preparing in the next months the material for another 60+ works by Piet Dirkx and will publish these in a “PIET DIRKX MONTHLY”.

For now i have decided this beautiful and cherished 2009 New Years wish by Piet Dirkx to conclude this series. It is a pencil and watercolor drawing. Signed  and colored by Piet.

measures 14 x 9 cm.

dirkx nieuwjaar mond

Posted on Leave a comment

Piet Dirkx weekly

Piet Dirkx contributed to the MADE BY RIETVELD exhibition and book in 2007.