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Elly Strik (1961)

Elly Strick lives and works in Brussels and started teaching at the age of 25. She herself studied at the Academy in Groningen and at the Academy in Minerva and Jan van Eyck in Maastricht.
She specializes in working on paper and uses mainly materials such as graphite, pigments and oil paints, but she also uses wood stove ash and silver and gold leaf to achieve proper alchemy. increase. For them, the potential for transformation underlies our existence. Her exploration of human nature combines a visual language that is both poetic and radical. Ellie Strick held a solo exhibition at MHKA in Antwerp (B, 1999). De Pont, Tilburg (Netherlands, 2006). Van Abbe Museum, Eindhoven (Netherlands, 2006). Mainz Museum (Germany, 2012). Reina Sofia National Museum in Madrid (Spain, 2014) and 1700 La Poste, Montreal (California, 2018).
Her work has won the Philip Her Morris Award, the Charlotte Koehler Award and the Jeanne Austing Award. has some very interesting Elly Strik titles available.

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Berend Strik (1960)

Berend Strik creates images with embroidery. Using thread and needle his images get an extra dimension, The result a strange picture of a realistic composition enhanced by an almost abstract image created with thread. Original , very personal and sometimes very explicit images occur. loo at the series CANDLE 1. 2 and 3 . And from a distance you see abstract elements but look closer you will see 3 explicit scenes. Strik is a highly original artist and i still feel regret of not having bought a nice embroidered “painting” when i had the chance a few years ago, but who knows what the future will bring.

Here follows the text from the Berend Strik site in which Rem Koolhaas commented on the works by Strik:

I don’t know quite why, but in this society at this point in time we are being urged to curb our enthusiasm. Enthusiasm creates vulnerability, it’s not cool and often seems rather ridiculous. Enthusiasm is a risk; you can get it completely wrong. But this afternoon I want to openly proclaim my enthusiasm for this new work by Berend Strik. I am fascinated by this work.
I won’t try to convince you; I just want to share with you why I am so enthusiastic. The painting is based on Strik’s photo of the floor in Jackson Pollock’s studio – part of a series of ‘artist’s studios’, all based in principle on an invasion of privacy. The floor is covered in smudge splashes. You can spot the outline of the canvases that once lay on the floor. Strik surreptitiously inserts his own work in that relatively clean, empty space. In this way, Strik introduces a new genre: the involuntary collaboration. It is a stroke of strategic genius, disguised as homage. Inserting yourself in a history that seemed to be closed…
Pollock was a real man in the days when white men were still popular. A carefully staged action painter. An artbeast.
His work appears macho but you can also see it as meticulous doodles, a tissue of threads made of ink and paint. Pollock’s surface is harmonious rather than wild – Berend isn’t wild either – so why does his combination have this strong conviction? Perhaps it is the planks that give this work its unique impact. Neither Pollock nor Strik – both really embroiderers – want to give their work visible structure but here the subdivision created by the planks has raised both to a more powerful level, given them more authority. It is time to take a fresh look at Berend Strik’s work – and eenwerk is a unique space – really a machine – that can function as a magnifying glass. See here the new Strik – a new force with new depths.
I hope you see what I see – in this unique one-off setup – and that your observation will have consequences for Strik’s future. has several titles on Strik of which the BODY ELECTRIC title is the most important one with an original embroidered cover