Posted on Leave a comment

Oliver Boberg ( 1965 )

Schermafbeelding 2018-12-01 om 14.40.47

The first time i was confronted with the work by Oliver Boberg was when he had  a large Retrospective exhibition. This was in 2004 at the Fotomuseum and i was very much impressed. Specially the large scale photographs had a feel of desolation and now i have bought for FTN Art two of his greatest photographs at a much smaller scale but still these are originals and very well worth collecting. The book i had on Boberg was sold years and years ago, but this is even better for the true admirer. The photographs are both from a very small edition of 20, numbered and signed and in pristine condition. Framed in a quite expensive frame and come from a collector from the US.

Memorial by Oliver Boberg , 2002,  edition 20, number 14/20, C-Print and signed by Boberg.

Frame measures 51 x 42 cm. C print is 35 x 25 cm. , condition is MINT

boberg memorial a

 

“Erdgeschoss” by Oliver Boberg , 2001, edition 20, number 13/20, C-Print and signed by Boberg.

Frame measures 51 x 42 cm. C print is 38 x 15 cm. , condition is MINT

boberg erdgeschoss a

Please visit the FTN art section on this page for more information

Oliver Boberg was born in Herten, Germany, in 1965. He studied art history at the University of Würzburg, Germany, from 1985–86, before transferring to the Art Academy Nürnberg to study painting from 1986–93. Since 1997 Boberg has garnered attention for his photographs of what appear to be bleak, uninhabited architectural sites but are in fact models constructed by the artist in his studio. The sense of neglect that haunts these scenes contradicts the painstaking meticulousness applied to their fabrication. In Boberg’s work from the late nineties, the elegant formalism of his compositions contrasts with the subject matter—color-drained stairwells, roof decks, and building facades painted to dissemble age and dilapidation. Works such as Park (1998) and Playground (2000) offer barren sites of disrepair despite their sunny titles. Boberg created his first films for the series Night Sites (2002–03). In these films, the artist utilizes familiar Hollywood devices—fluorescent blue lighting that typically permeates suspenseful night scenes and eerie settings like an abandoned alley or fog-coated forest—to promise a drama that never unfolds. In 2003, with his Building Shell series, Boberg returned to his characteristic photography of elaborate models, this time recreating multistory edifices in the midst of the construction process. In 2004 the artist began to work for the first time with black-and-white photography for his Pagesseries. In Pages and Walls (2007), Boberg revisited his photographic investigation of highly constructed, formalist sites of inattention. Inattention gives way to tragic neglect in his series Slums, begun in 2008, which focuses on the derelict makeshift dwellings composed of serrated tin and other urban debris. For this series, the artist juxtaposed his photographs with computer-generated drawings.

Solo exhibitions of Boberg’s work have been organized by the Museum of Contemporary Photography in Chicago (2001), Musée de l’Elysée in Lausanne (2002), Kunstverein Hannover (2003), and Duolun Museum of Modern Art in Shanghai (2005). His work has also been included in major group exhibitions such as Experiment at the San Francisco Museum of Modern Art (2000), Moving Pictures at the Solomon R. Guggenheim Museum in New York and the Guggenheim Museum Bilbao (2003), and Artist’s Choice: Herzog & De Meuron, Perception Restrained at the Museum of Modern Art in New York (2006). Boberg has been recognized with the Bayerischer Staatsförderpreis für junge Künstler, Fotografie (1997) and Förderpreis für bildende Kunst der Stadt Nürnberg (2005), among other awards. Boberg lives and works in Fürth, Germany.

 

Posted on Leave a comment

Mark Rothko (1903-1970)….Walls of light

OLYMPUS DIGITAL CAMERA

I discovered that in the over 1000 blogs i published i never have written one about Mark Rothko and you must know that Rothko is one of the painters i admire most. There are several exhibItions i have seen on Rothko  . The first one was the Spiritual In Art, which had some Rothko’s within the exhibition and then there was recently the exhibition in the Gemeentemuseum Den Haag which i liked very much and which had a near perfect chronological overview of his painting including the one he just made before his suicide, which was presented next to Piet Mondrian’s final painting,

Schermafbeelding 2018-03-04 om 10.07.36

 

but the exhibition which impressed me most was the Rothko special exhibition at the Guggenheim Bilbao (2004). I did not know it was there and when Linda and I entered the room we both were overwhelmed with the paintings on show.

Large scale paintings, executed in colors which were either very bright or very close to each other with hardly any contrast in them. It was the first time we visited the Guggenheim Museum in Bilbao and on show were large scale works by Oldenburg which on another occasion were replaced for the Richard Serra work MATTER OF TIME and then , surprise….. one of the greatest and best overviews of Rothko paintings imaginable. Here is the text belonging to the announcement by the Guggenheim Museum

MARK ROTHKO

WALLS OF LIGHT

June 8, 2004 – October 24, 2004

Born Marcus Rothkovitz in Dvinsk, Russia, in 1903, Mark Rothko emigrated with his family to the U.S. in 1913, settling in Portland, Oregon. Rothko attended Yale University on scholarship from 1921 to 1923, when he left without a degree and moved to New York. He began to paint in 1925 and had his first solo show in 1933. He continued to refine his technique as he developed his famous mature style in the late 1940s and early 1950s. Since his tragic death in 1970, his art has continued to enjoy undiminished popularity. Today Rothko counts among the great pioneers of American postwar art and, alongside Barnett Newman and Jackson Pollock, as one of the major representatives of Abstract Expressionism.

In 2003, to mark the hundredth anniversary of Rothko’s birth, the Beyeler Foundation, Basel, in collaboration with the artist’s children Kate R. Prizel and Christopher Rothko, installed a sequence of Rothko rooms, now on view in an extended version at the Guggenheim Museum Bilbao. The exhibition features a representative cross-section of works from all phases of Rothko’s career and provides a moving homage to the artist and his work.

Schermafbeelding 2018-03-04 om 10.02.50

 

The Mark Rothko exhibition is still in our minds and we have on our wishlist to go at one time to the Rothko chapel and experience once again the timeless abstract art by Mark Rothko. Rothko is truly timeless and undoubtedly one of the greatest painters the art world has given humanity. There are several Rothko titles available at www.ftn-books.com

Posted on Leave a comment

Agnes Martin …the Islands (2004)

Schermafbeelding 2018-01-14 om 11.23.46

Yesterday i spoke about the Josef Albers Museum in Bottrop and their excellent poster publications. Today i will present the very best of them. It is the magnificent Agnes Martin poster for the “the ISLANDS’ exhibition. Executed as an original silkscreen this poster is a true work of art.

martin islands poster a

Publisher: Quadrat /Josef Albers Museum, 2011 Measurements: 31.4 x 24 inches Condition: mint-

This is a highly collectable and important poster> not only because the exhibition was important, but because of the printing technique this is a masterpiece.

Poster and exhibition catalogue are both available through www.ftn-books.com

catalogue design by Walter Nikkels

Posted on Leave a comment

Richard Long (1945)

Schermafbeelding 2017-11-04 om 14.45.16

Hamish Fulton and Richard Long…. Two artist who i learned to appreciate in the time that Rudi Fuchs was director at the Gemeentemuseum. Long was nominated 4 times for the prestigious Turner price , but only won it once in 1989 for White Water Line.

Schermafbeelding 2017-11-04 om 14.50.29

Since i first saw works and publications i have seen Richard Long his works on many occasions and one of the most recent ones was at the Guggenheim Bilbao museum. Each time the lines, circles and labyrinths look random, but this is not true. The placement of the stones and paint is strict and makes it free whitin the object , but it has very strict boundaries making it perfectly shaped. The way each work is created is described and laid down in drawings i a way that each work can be re-cretaed at any other place than it was first was created. It is somewhat the saem as with the walldrawings by Sol LeWitt who uses the same method . The art work is the sketch/drawing and materials and can be re-created anywhere as long as you have the original drawing belonging to the work.

What makes Richard Long stand out from other contemporary artists is that many of his publications are also artist books which hold beside the works, photography and word “sculptures” by Long and www.ftn-books.com has some of these titles available.

Posted on Leave a comment

John Chamberlain (1927-2011)

Schermafbeelding 2017-08-17 om 16.47.17

I was trying to write a short blog on John Chamberlain, but of course i found something far better than any short story i could write myself. Here is the start of the site i found:

John Chamberlain is known internationally for his long career of making vividly colored and vibrantly dynamic sculptures using discarded automobile parts that he twisted and welded into monumental shapes. He used the early modernist techniques of collage and assemblage at a magnified scale and he emphasized the brilliant colors of automotive paint. Chamberlain’s sculptures appeared in New York at the same time as the paintings of the Abstract Expressionists; some were his mentors and they shared a similar critical reception.

You can find the complete history on Chamberlain over here:

http://www.theartstory.org/artist-chamberlain-john.htm

and for some moving material :

and for some book titles visit www.ftn-books.com

 

Posted on Leave a comment

Frank Lloyd Wright (1867-1959)

Schermafbeelding 2017-03-15 om 14.00.20

Arguably the greatest architect of all time is Frank Lloyd Wright and the villa Fallingwater in Pennsylviania is one of the “must see” buildings i still have on my wish list. The Guggenheim Museum in NY i already visited but Fallingwater not.

FLW was a visionary architect. His designs were the very first modernist designs in architecture and very much based on constructivist principles. I just learned that as a child he build buildngs with FROBEL blocks and these wooden blocks must have been an endless source of inspiration. FLW was an architect whose designs were practically all executed in the USA, but that does not mean that one can not find FLW inspired buildings elsewhere. For instance, in the Netherlands his designs were admired by the DE STIJL mouvement and Dudok and van ‘t Hoff made buildings inspired by FLW.

A great architect and fortunately we had in the past decades several large exhibitions on his architecture and projects . One of the first was the exhibition in the Boymans van Beuningen Museum in Rotterdam in 1952. What makes it even more special is that it was one of the first designs Benno Wissing made for the Boymans museum.

OLYMPUS DIGITAL CAMERA

Wissing since 1952 has had a tremendous career and is, together with Sandberg and Crouwel one of the absolute great designers from the last century. So visit www.ftn-books.com and search for Frank Lloyd Wright or Benno Wissing and discover the many beautiful books both these great artist have made over the years.

 

Posted on Leave a comment

Christian Boltanski (1944)

Schermafbeelding 2017-03-14 om 11.39.48

Christian Boltanski participtaed in over 150 exhibitions world wide and his works are in the collections of the DE PONT museum and Stedelijk Museum Amsterdam. 2 reasons to devote this blog to Bo;latnski. Firts is that i acquired and important publication by Boltanski  which he designed and contributed. Published by Agnes B, there is a complete series of regularly published magazines titles Points d’Ironie. Boltanski was one of the founders of this highly collectable series and because of this acquisition i remembered the very impressive installation at the Guggenheim Museum Bilbao….”HUMANS”

Schermafbeelding 2017-03-14 om 11.37.33

This is what the Guggenheim says on the installation HUMANS by Christian Boltanski

At once personal and universal in reference, Humans is one of several large-scale works by Boltanski that serve as monuments to the dead, hinting at the Holocaust without naming it explicitly. Through its size and tone, the work evokes the contemplative atmosphere of a small theater or a space for religious observance. The installation consists of more than 1,100 images that the artist rephotographed from sources he had previously used: school portraits, family photographs, newspaper pictures, and police registries. Simultaneously illuminated and obfuscated by dangling lightbulbs, the snapshots provide no context with which to identify or connect the unnamed individuals, or to distinguish the living from the dead or victims from criminals. Each of these traces of human life has been reduced to a uniform size to obscure distinguishing features and to suggest the equality of the photographs’ subjects. The collection of images is installed at random, thereby prohibiting the imposition of a single narrative. Within this haunting environment, Boltanski intermingles emotion and history, juxtaposing innocence and guilt, truth and deception, sentimentality and profundity.

Point d’Ironie and other Boltanski publications are available at www.ftn-books.com

Posted on Leave a comment

Anselm Kiefer (1945)

It is 31 years ago that i saw a  work by Kiefer for the first time I and was really impressed . I remember the occasion….the occasion the Anselm Kiefer exhibition at the Stedelijk Museum Amsterdam. Grey, sombre , large paintings with scenes that reminded of war, devastation and ruins .  Later i learned that the German history and the Holocaust were main themes Kiefer always used in his works. The history of Germany being one of the main subjects in his extremely large paintings. The Stedelijk Museum bought one of the paintings for its collection. “Innenraum” is a large painting ( 280 x 311 cm.)  , but small compared to other Kiefer works.

schermafbeelding-2017-02-26-om-10-55-55

The exhibition was a great succes and since i  encountered several other Kiefers in museums. One stands out, impressive and it’s size is overwhelming. ( almost 10 meters in length) and is a must see whenever you visit the North of Spain.

schermafbeelding-2017-02-26-om-11-02-45

 

Anselm Kiefer

Only with Wind, Time, and Sound (Nur mit Wind, mit Zeit und mit Klang), 1997

Acrylic and emulsion on canvas

473 x 944 x 22 cm

Guggenheim Bilbao Museoa

 ( the following text comes from the Art Story site)

It is the Anselm Kiefer’s monumental, often confrontational canvases were groundbreaking at a time when painting was considered all but dead as a medium. The artist is most known for his subject matter dealing with German history and myth, particularly as it relates to the Holocaust. These works forced his contemporaries to deal with Germany’s past in an era when acknowledgment of Nazism was taboo. Kiefer incorporates heavy impasto and uncommon materials into his pieces, such as lead, glass shards, dried flowers, and strands of hay, many of which reference various aspects of history and myth, German and otherwise. Influenced by his contemporaries Joseph Beuys and Georg Baselitz, as well as by postwar tendencies in Abstract Expressionism and Conceptual art, Kiefer is considered part of the Neo-Expressionist movement, which diverged from Minimalism and abstraction to develop new representational and symbolic languages.

Of course there are some nice publications available at www.ftn-books.com including the Anselm Kiefer / Stedelijk Museum catalogue from 1986
Posted on Leave a comment

Jeff Koons / Ushering in Banality

 

The first time i could see the works by Jeff Koons in a museum setting was during his first exhibition in the Stedelijk Museum Amsterdam. It was 1992 and Wim Beeren, the former director of the Stedelijk, had just bought Ushering in Banality. It was  a scandal , because of the price he had paid for the sculpture. ( If i remember well it was 300.000 guilders / is $ 120.000) …. a steal, but more important it is still on show and one of the works that raises many smiles. I even saw people taking photographs leaning on the statue. Of course this is not allowed , but it shows the popularity of this impressive work.

Since, i have encountered on many occasions the works by Koons in different settings and he always amazes me. There are several in the Guggenheim in Bilbao ( In and outside the building), of which the most important is the very large PUPPY outside covered with flowers. Koons is an artist who shocks and pleases, but in almost all cases , you look differently at an object after you have seen the work  Koons has made after it.

For me it means …i can not pass a shop with “Hummel” statues without thinking about the USHERING IN BANALITY by Koons.

For some nice publications on Koons visit my shop www.ftn-books.com

Posted on Leave a comment

Egon Schiele

schiele-set-a

My recent visit to Slovania reminded me of our last years visit to Vienna. We collected “Boris” our Irish Glen of Imaal terrier dog with an Austrian breeder and the time we visited her we had a three day chance to visit Vienna with its magnificent Museums.

dsc_0411

The museum that struck me most was the Leopold museum with probably the largest Egon Schiele collection in the world. I knew the works from Schiele from different other exhibitions. There was this time, some 10 years ago, we encountered a special Schiele exhibition with his works on paper in the Guggenheim/Bilbao museum and of course the Schiele/Klimt exhibition in the Gemeentemuseum Den Haag, during that exhibition i bought some excellent prints 1:1 with the original works . Schiele an artist with a very short life, but with a large production. Within my inventory i have a Marlborough gallery catalogue which shows that some 40 years ago Schiele works were still widely available and at reasonable prices, but in these crazy ART times it is different and Schiele works fetch high prices at auction.

for my blog readers i put together a special set of Postcards containing works by Schiele for only $ 12.00 including worldwide shipping. Please select the 7 postcards Schiele set and use the discount code:  schiele12 and have a look at my many other Schiele items i have available at www.ftn-books.com