Posted on Leave a comment

Lewin Alcopley (1910 – 1992)

Schermafbeelding 2019-01-09 om 13.37.11

Do not make the mistake i originally made. Lewin Alcopley and Al Copley (cply) are 2 completely different artist where CPLY is rooted in the Pop Art scene. Alcopley is the more abstract artist and rooted in abstract expressionism.   I now have added one of the rarest of his publication to the inventory of www.ftn-books.com. It is a book published in a roman numbered edition by galerie Parnass in 1961 and one of only 65 roman numbered copies which contains, beside 32 prints in black on white paper, a beautiful and impressive lithograph used as special cover. Book in slipcase and signed by the artist and author. Numbered in inkt. This book is numberXXXIX from LXV This book is very special and an absolute must have for the serious Alcopley collector.

copley voies s

 

Posted on Leave a comment

Then I ducked my Head and the lights went out, and two guns blazed in the Dark……

Schermafbeelding 2018-02-04 om 09.45.35

This brilliant title is given by William N. Copley to a painting he made in 1966. Copley must be one of the wittiest artists.

copley title

He had no trouble at all in finding or coming up with original titles. ( a little like Piet Dirkx/ follow the Piet Dirkx daily at this blog). I love Copley and artists who can come up with original and fun titles for their works. Compare the above and for example” Mount Venus and the Hula-Hula Graces in the Glade” to titles like composition I and composition II. This does not mean that “composition” is a worse painting, but when there is a story in a title it says something about the artist himself. Looking for some more great titles for paintings? visit www.ftn-books.com for other Copley publications.

( and search within my blog to find another blog on Copley)

Posted on Leave a comment

William N. Copley / CPLY (1919-1996)

Schermafbeelding 2017-08-12 om 11.21.27

I always believed that Copley was as much appreciated in the US as he was appreciated in the Netherlands and Germany, But the reality must have been different since i read a short article on his life. His sixties works were not appreciated and understood in the US. People thought his work was pornographic, but in Europe there was a different understanding about these works . Here they were thought to be erotic and because of this different approach to these great works, they were presented in a solo exhibition within the Stedelijk Museum Amsterdam in 1966. Accompanied by a great Wim Crouwel catalogue, which is available at www.ftn-books.com.

OLYMPUS DIGITAL CAMERA

This appreciation of his art in the Netherlands, must have resulted in the admiration for dutch artist from the sixties and seventies by his daughter Claire who had an influential gallery in the early seventies in which she presented Ader, Dibbets and van Elk who all have become well known outside the Netherlands

If you look at these paintings now you can only ask yourself why these are being found to be pornographic…..These are great “erotic” Pop Art paintings.

 

CPLY X-Rated

Copley’s works in the 1970s focused on his own understating of differences and challenges between men and women in romantic and sexual relationships. His works were now erotic, even pornographic. In 1974 he exhibited these new works at what was then the New York Cultural Center in Columbus Circle, New York in a show titled “CPLY X-Rated.” These pieces were a sudden change from his previous romantic whimsical periods. The American public had difficulty with the material, for which Copley expressed, “Americans… don’t know the difference between eroticism and pornography. Because eroticism has always existed in art. And pornography has never necessarily been in art. Copley’s experienced greater feedback in Europe, where the work was then well received. In conjunction with the New York Cultural Center Show there was a special “CPLY X-Rated Poster and Catalog.

The Claire S. Copley Gallery was a Los Angeles gallery on La Cienega Boulevard that existed from 1973-1977. Together with the galleries of Eugenia Butler, Rolf Nelson, Nick Wilder, and Riko Mizuno, the Claire Copley Gallery played an important role in the Los Angeles art scene of the 1960s and 1970sThe gallery provided a venue for emerging American and European minimalist and Conceptual artists, among them Bas Jan Ader, Terry Allen, Michael Asher, Daniel Buren, Jan Dibbets, Ger Van Elk, On Kawara, Joseph Kosuth, avid Lamelas, William Leavitt, Allan McCollum, and Allen Ruppersberg. ( part of the above information was found on Wikipedia)