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Hannah van Bart (1963)

 

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Lets keep it simple today. Pictures tell a better story in this case. Here is Hannah van Bart, a great dutch artist who’s works i encountered for the first time at the time she had her exhibition at the Gemeentemuseum den Haag (Schijngestalten/illuminations ) this book is now available at www.ftn-books.com

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In september next an exhibition will open at the Marianne Boesky Gallery

Amsterdam-based artist Hannah van Bart (b. 1963) paints portraits, still lifes and landscapes. She brings together figures, interiors and exteriors as if to suggest there are no distinctions between the subjects. Figures or anthropomorphized figures appear and reappear in van Bart’s paintings, and her style is marked by distinctive outlines, repeated patterning, and layered brushwork in matte palettes. In September of 201

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Ans Hey (1932-2010)

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A typical career of a dutch artist. an artist who has had her share of admirers during her life but who never has reached true “stardom” in the dutch art scene.

This is changing rapidly. Since a few years her works are offered at auction. Affordable auctions which prove that her works are better than average since the auction results pass their estimates by a fair percentage. Ans Hey is foremost a sculptor who loved to work with stone. She sculpted and modelled and polished her stones sculptures until the result reached a level of perfection. Het inspiration was nature and the human body, making these sculptures understandable for practically all/ www.ftn-books.com has a nice etching by Ans Hey and of course the very best publication which was acquired recently at a local book market.

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Go to the Richard Long exhibition at DE PONT

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Last week we were in Tilburg to visit the Textielmuseum with the Bauhaus Textiles with our friends David and Monica from the US. Linda and I preferred to see the modern art at the DE PONT instead and we were treated to one of the best contemporary art exhibitions from the last years. In DE PONT there was a special exhibition by Richard Long, who took full use of all the spaces available. The cabinets were all filled with smaller Long works ( except for the Kapoor cabinets ) and the great hall served as the exhibition space for his stone circles, lines and crosses.

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The result….impressive. Here are the pics i took from the space. I gladly share these with you since these pictures do not justice to the real experience.

The ” look and feel” of the space is so impressive, that you must see this yourself and to prepare your visit you can chose one of the nice Richard Long publications www.ftn-books.com has for sale. This is not meant as a spoiler. Just hurry up and go there as long as the Richard Long exhibition is there.

 

 

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Hiroshi Sugimoto (1947)….杉本博司

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A few days ago i read an article on the portraits by Hiroshi Sugimoto and i remembered the book i had available at www.ftn-books.com. I searched for it and looked through it and noticed that style wise there is no difference the photographs he makes presently compared to the ones he made some 20 years ago. These photographs are truly fascinating and prove that Hiroshi Sugimoto is an outstanding photographer.

Here follows the article by Spencer Bokat-Lindell who makes his observations on the recently published “Portraits” book by Sugimoto.

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Hiroshi Sugimoto has spent a career photographing fictions. When he moved to New York from Japan in 1974, by way of Los Angeles, he intended to find work as a wedding photographer. Instead, he took his camera to the Museum of Natural History, where he developed a lifelong fascination with dioramas. He photographed the taxidermy there, already frozen in their meticulously staged tableaux, and, as he writes, “I realized that I too could bring time to a stop. My camera could stop time in the dioramas—where time had already been halted once—for a second time.” This doubling of perspective, which has since become a signature of Sugimoto’s work, can produce unexpected and uncanny transformations: a 1976 photo from his “Dioramas” series, for example, shows a stuffed polar bear on a faux icescape, looming over a seal, its teeth bared, as though ready to strike. Twice removed from its natural setting, the scene unfreezes. It could easily be confused for a photo of a real bear, a real icescape. “My life as an artist began,” Sugimoto writes, “when I saw with my own eyes that I had succeeded in bringing the bear back to life on film.”

Sugimoto achieves similar feats in his latest collection, “Portraits,” which will publish this month. For this series, Sugimoto traveled to the Madame Tussauds wax museums in London and Amsterdam, where he selected subjects that span some two thousand years of history. As in his Diorama series, the imposition of photographic distance has a kind of embalming effect on Sugimoto’s subjects, rendered somehow more lifelike in the act of preservation. “Photographs,” Susan Sontag once wrote, “are a way of imprisoning reality.” But in Portraits, Sugimoto uses his camera to opposite effect, creating counterfeit realities that give history back to the dead: “However fake the subject,” he writes, “once photographed, it’s as good as real.”—Spencer Bokat-Lindell

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New site for FTN books and discount code

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It was a necessary step to make the site more accessible, so i changed the lay-out made it much more clear for all visitors to find their way among the 8000+ items that are for sale at www.ftn-books.com.

The result a clean and pleasing site in a blue and creme color scheme. Pleasing to the eye, with a great search engine to find those titltes you are looking for . Please take a look at www.ftn-books.com and when you order use the discount code: FTNnew (10% discount on all items), which is valid until the 6th of February 2019.

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Gerard Verdijk (1934-2005)… paintings now available at FTN-art

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As promissed a few weeks ago, i have now added some of Gerard Verdijk’s paintings that are for sale from this date on at www.ftn-blog.com / Ftn-art

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These pages are developed in cooperation with Josephine Sloet who helped me select the works that she considers important and which are available. Many of those are also depicted in the epic book on Gerard Verdijk///THE MOUNTAIN OF EINSTEIN,  which is also available at www.ftn-books.com.

Please visit : https://ftn-blog.com/gerard-verdijk-for-sale/

and for inquiries sent me a request at wvdelshout@ziggo.nl

and for news on Gerard Verdijk check these pages frequently.

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Ronald de Bloeme (1971)

 

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It took me a very long to finally acquire a Ronald de Bloeme painting for our collection , but finally we found one and added it on the 2nd of October 2018. It is one from the series “Oil On Postal bags” and comes from the former Hans Sonnenberg collection.

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This collection was split up and auctioned some months ago and this work found in the end its way to our collection. It is an impressive painting and shows exactly why de Bloeme becomes more and more important in modern art. The series of postal bag paintings was partially painted at the time he was in residence at the Kunstlerhaus Bethanien where he made several of these large paintings. Postal bags stitched to each other and with their original postal prints still on them, de Bloeme made a composition on them in which points, arrows, dots, numbers and stripes are attached to each other, making a composition in which you can see that the subject is COMMUNICATION in all its appearances and the essence of this series of paintings. The feel of the canvas is totally different than expected.  You expect a coarse surface, but this is not the case. The surface feels like nylon and it looks and feels more like a sail or a tent canvas.

The painting that we now hold in our collection has all these symbols included. Planes, dots, postal bags from czechoslovakia, Turkey and India symbolize the routing of the planes and the dots could stand for all the places that are reached in these countries. Of course this is my personal interpretation, but it is for certain a very impressive and important painting.

The painting is depicted in the Ronald de Bloeme Bethanien catalogue on page 33 and it is available at www.ftn-books.com

 

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Ewerdt Hilgemann (1938)

 

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For me Hilgemann was one of the first Zero artists i learned to appreciate, but there is so  much more to Hilgemann as an artist. Here is an excellent article i found on Hilgemann  at the Borzo site / www.borzo.com

Borzo still sells his works and perhaps now is right the time  for Hilgemann.

A child of about six in the war, Ewerdt Hilgemann searches through the rubble of the bombed ruins of his hometown Dortmund for shrapnel. He finds them interesting, exciting too, these sharp-edged metal splinters.

Forty years later, and now an artist, Hilgemann works in the marble quarries of Carrara (1975-1985). A truck transports a perfectly sawn one and a half metre cube of marble that he has carefully polished, to the top and then with a thunderous crash sends it toppling off the steep mountainside. And a marble sphere of a similar size, polished to a perfect sheen, has explosives inserted and is then blown up.

Both conceptual ‘performances’ are recorded on film. The artist creates perfect forms, which are then deformed using forces of nature: a sort of reverse creative process.

Thirty years later, in the summer of 2014, Hilgemann exhibits his Magnum Opus. In response to an invitation from the City of New York he places a series of implosion sculptures on Park Avenue. ‘Dancers’, ‘Triples, ’Flowers’ and ‘Cubes’, six metres high, gleaming in the sun, the deformed surfaces of these Titans of steel distort and reflect the overwhelming architecture of the buildings on each side of Park Avenue.

From his earliest days in a devastated Dortmund to the Park Avenue manifestation in New York, Hilgemann has been consistent in his fascination and his art. In his own words: “To deform a perfect shape without me hammering on it”.

From the start the cube and the square are his best-loved shapes. Hilgemann studies and comes to understand these solid forms. He learns it at the Saarbrucken Art Academy under his tutor Oskar Holweck. (In 1958 Holweck had joined the Zero movement, founded that year by Mack and Piene). Here the young art student Hilgemann learns to respect material and form in their most elementary states. Plasticity is achieved through the effect of light on the surface and the – mathematic – interventions performed thereon by the artist.

In 1970 Hilgemann and his wife Antoinette settle in Gorinchem and here a close friendship develops with Ad Dekkers, Marinus Boezem and herman de vries. In these days Gorinchem is apparently a hotbed for avant-garde art. Irritated – provoked even – by a conservative artistic climate in this small town on the River Merwede, these artists discover common ground for their minimalistic and conceptual ideas.

Their haven at the time is Riekje Swart’s legendary Amsterdam gallery. Hilgemann exhibits his white objects oriented according to mathematical studies here from 1966.

In 1973 the four artist friends – and their partners! – take the initiative for a much discussed and now legendary symposium, whereby the town wants to be a centre for “examining the position of the visual arts in our society”. Fifteen European artists stay together in Gorinchem for six weeks. These include now famous artists such as Kenneth Martin, Morellet, Panamarenko, Pohl, Prantl and Winiarski. Exceptional works of art, lectures and performances fill the town. For Hilgemann ‘Gorinchem’ is an extraordinarily significant period in which his art reaches full maturity and he also establishes his international orientation.

Hilgemann produces his first sculpture created through implosion in 1984 for the exhibition “Beelden aan de Linge” by collector Piet Cleveringa from the neighbouring town of Acquoy. He moves to Amsterdam the same year and from that moment on this visual language of imploded constructions will always typify the art of the ‘air-smith’ Ewerdt Hilgemann.

m has some Hilgemann publications available.

 

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Bettina Rheims ( 1952 ) and Morceaux Choisis

It is possible that i like the photography of Bettina Rheims so much because we are from the same generation. The french hotel rooms that are a little worn are familiar to me too and these are in many cases the backgrounds of the models that Bettina Rheims uses in her photography. Whenever i find a book or special publication by Rheims , i buy it. The MORCEAUX CHOISIS title that is available at www.ftn-books.com was found in Bilbao at a local bookstore when we visited it together with the Guggenheims. Still packed and in pristine condition . another title published a few years ago was found in Paris and the last one i added ” BONKERS” in Rotterdam. The collection of Rheims publications will be expanding in the years to come , but has now grown into quite a few titles.

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A new look and feel for the daily FTN blog and FTN art.

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These pages with the daily blogs on “books and art” needed some changes. I had to give the “Piet Dirkx daily” a more prominent spot, the place it deserves and made a new and better focus on FTN art . I found a better template and layout and because of that the items which are for sale are far more easy to access. A search option for blog and art is now included in a much better place.

The new blog site will be changed and adjusted in the coming weeks. I have to find out what works best and how to make it better, but for the moment ….enjoy!

PS. I am sorry if i published some test versions and you were wrongly notified for the new blogs published.