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Co Westerik (1924)

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One of the last grand “old” masters of the dutch Art scene. Of course C ( Jacobus) Westerik has had his exhibitions abroad, but beside the Netherlands, germany and Belgium his name is not that well known. I met Westerik at the time he was making the portrait of Theo van Velzen. One of the former directors of the Haags Gemeentemuseum. The portrait was presented as a farewell present when van Velzen resigned to be hung in a gallery with portraits of other former directors. A small portrait which he managed to squeeze in and complete it in between 2 other paintings. His canvasses are not too big , but they are scarce because Westerik has a very small production yearly. I really do not know if he still is active as a painter, but at the time the van Velzen portrait was made , his production was 3 paintings a year. All were sold up front to collectors and museums. Among them Frits Becht (1930-2006) .He was the private collector with the largest Westerik collection .

He who was a personal friend for his entire life and followed his career through the years and bought many works. beside a painter Westerik was also known for his graphics in which he excelled. His production as a graphic artist was much much larger and there are almost a thousand different prints known by him. Westerik is a very important artist for dutch art and because i followed him over the years www.ftn-books.com has many publications on Westerik available.

A short documentary on Westerik can be found at this address: http://hollandsemeesters.info/posts/show/7738

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Asger Jorn ( 1914-1973)

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I appreciate all the COBRA mouvement artists, but if i had to chose one…it would be Asger Jorn. His paintings have a mysterious quality and within their abstraction one can always recognize a realistic element. Wether its a face, a human figure, an animal they are there …hidden within the picture, brightly colored and sometimes outlined with black. Before COBRA, Jorn was painting realistic scenes, and was an assistant to Le Corbusier, but after he met Appel, Constant and Corneille, with whom he founded COBRA and travelled to France, his style became completely abstract and strongly influenced by child drawings. He discussed this frequently with Christian Dotremont , because they both were ill with tuberculoses and treated within the same hospital in Silkeborg. In this same city, nearby his birth town an Asger Jorn museum was founded and financed by Jorn. http://www.museumjorn.dk/da/

This museum has become one of the most important ones in Denmark.

Jorn is now a classic among modern art lovers and will become more important every decade to come. www.ftn-books.com has some great Asger Jorn titles available in its inventory.

 

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GÜNTER BRUS (1938)

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First of all aq uote by Peter Weibel…GÜNTER BRUS, An observer of the second order, he explored the contexts of body and painting, the body’s social and sexual functions, the social and cultural functions of painting. By treating painting and body as a single system, and by analysis of these media of expression, he ultimately pursued an anatomy of society and its social systems.”

It was one of the first artists Rudi Fuchs introduced to the collection of the Gemeentemuseum Den Haag and since that occasion , GÜNTER BRUS fascinated me. Specially his drawings are my favorites and 2 years ago i saw some movies by Brus in Vienna in an exhibitions on Aktionismus. Self mutilation does not make this an easy art form, but fascinating it is. You do not have to watch the video, but for those interested know that this is not a pleasing art form and could be shocking to some. There are some more examples to be found on you tube and for those interested in Brus, know that there are some nice publications available at www.ftn-books.com

https://youtu.be/8kiAG1M67Io

 

 

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Antoni Tapies (1923-2012)

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It must have been some 12 years ago that i first visited Barcelona and found myself amazed and surprised by this city full of Gaudi and other modernista marvels, but the best find for me was the discovery and first visit of the Fundacio Antoni Tapies.

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The building itself is already worth visiting and the inside is even more spectacular. An old facade houses a very modern museum inside which houses the works donated by Antoni and Theresa Tapies. I loved its collection and it proved to me that Tapies his art is timeless, very spanish and cosmopolitan at the same time. Tapies is possibly , next to Picasso and Dali , the most important spanish name in Modern Art. He often uses large canvasses and on them paints with “earth” colors impressive abstract compositions and uses  matter in them.

In these matter paintings , the materials used are no longer simple media used to express an idea; they are the idea itself. That process produces a complete identification between material and form, between concept and language. Those works become opaque surfaces, walls on which the artist writes his graffiti and attaches the forms of objects or people. His identification with the work through his surname (in Catalan Tàpies means “walls”) expresses a more profound desire to break with Western dualism and blend with the material in a continuous formlessness.
Over the post-war years there was a general interest among artists on both sides of the Atlantic in material. Awareness of the atomic bomb and the new scientific discoveries aroused a strong curiosity in science, the new ideas about space-time and substance, while inventions such as the electronic microscope provided a new view of nature.
At the same time, Tàpies had developed an interest in Eastern philosophy, because of its emphasis on material, the identity between man and nature and its denial of the dualism of our society.

There are some excellent Tapies publications available at www.ftn-books.com

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Frida Kahlo (1907-1954)

Today a celebration and many congratulations to my wife who has been married for 12,5 years to me. For our honeymoon we travelled to Mexico together with our son Lucas. So for that reason i chose to make a blog on Frida Kahlo, the most famous Mexican artist.

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During the time i was working at the Gemeentemuseum Den Haag we had a show on Frida Kahlo in the Museum Paleis Lange Voorhout in 1993. It was by far the best show, with the highest number of visitors, this little museum has ever had. The show lasted only about 70 days but was extended twice because of the high number of visitors. Mainly women attended the exhibitions and i found out that for them Kahlo was a liberated woman who has been a role model for many. What struck me most in her works were the very personal sometimes even surrealist elements in her paintings and where i had imagined large paintings and works of art , these were in many cases small paintings. Still….a terrific exhibition and the last one to have been organized in the Netherlands in the last 25 years. What remains is the catalogue which is a classic among Kahlo collectors and available at www.ftn-books.com. Last but not least…congratulations to my wife Linda. These were 12,5 years filled with love, travels, fun and health…may the next 12,5 years give the same to us….    Schermafbeelding 2017-04-16 om 09.41.37 Schermafbeelding 2017-04-16 om 10.01.23

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100 years ….DE STIJL

It was 50 years ago Sgt. Pepper’s Lonely Hearts Club Band by the Beatles was released on the 1st of June, but 50 years before that date the DE STIJL group was founded in Leiden in 1917 with the publishing of the book de NIEUWE BEWEGING IN DE SCHILDERKUNST by Theo van Doesburg. Leiden , Utrecht ( home of the famous Rietveld huis) and Den Haag ( largest Mondrian/de Stijl collection in the world will be presenting exhibitions on DE STIJL and its influence on Modern Art. One basic thing about DE STIJL. Use of primary colors, dividing the surface in abstract elements. Mondrian and van Doesburg were originally friends and worked along these lines until van Doesburg thought his works were limited by the use of horizontal and vertical lines and wanted to use the “diagonal” too. This cooled down the friendship and van Doesburg decided to leave the group in 1924. Was it the end of the DE STIJL…no certainly not . The group stopped, but the ideas were there and were later found in BAUHAUS and constructivist modern art. To acknowledge the importance of DE STIJL is done now by these many exhibitions and certainly more than a few will be well worth visiting. Prepare yourself and look at the many DES TIJL/ Mondrian /van Doesburg publications available at www.ftn-books.com

PS . there is a very special bank by Ko Verzuu in blue and yellow which is exclusively available at ww.ftn-books.com. This was a prestige edition by the makers of ADO.

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Alberto Magnelli (1888-1971)

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Born in Florence / Italy, Magnelli stayed his entire life true to a mix of abstract art mixed with futurism. Not the most likely combination because in a time when his artists friends were making futurist paintings he chose the opposite road and made brightly colored still lives. Still, there are many examples of paintings in one can see shapes and movements appear in them.

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Magnelli has not become the world famous name in art people and admirers had hoped for , but his works show quality and are still showed whenever there is a an exhibition on italian painting of the first half of the 20th century. A nice french catalogue is available at www.ftn-books.com and he is one of the artist who appeared in the catalogues on italian art which were published by the Stedelijk Museum in the 50’s and 60’s.

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Brice Marden (1938)

It took some while for me to appreciate Brice Marden, that was because the first works i encountered by him where his monochromatic paintings, which i did not like very much at that time ( now i do!),  but influenced by Robert Rauschenberg ( he was his assistant during a couple of years) , multi panelled and more colorful paintings began to emerge from his studio.

That was the same period i became interested in Brice Marden. There was a nice exhibition in 1981 in the Stedelijk Museum Amsterdam, which Crouwel designed catalogue is now a true collectors item ( available with other Marden publications at www.ftn-books.com ).

The list of collections in which Brice Marden is present is almost endless and contains all major Modern Art Museums in the world. One has to be mentioned, because The MOMA was the first to present a large retrospective on this young artist. It was in 1975 and this early interest resulted in having one of the largest Marden collections in the world.

 

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Niele Toroni (1937)

Born in Switzerland in 1937, Niele Toroni rose to fame in an era that other Swiss artists were very much under the influence of constructivism…. Lohse and Honegger among them. Toroni left that stage behind him and developed a minimal style of his own. The main difference between these two and Toroni is that Toroni progressed his art into a form of MINIMAL ART in which he altered the space by painting with a regular space between them brushstrokes in squares onto a surface using one specific color. He usually uses one specific brush no 50. The imprints made with this n°50 paintbrush are repeated at regular intervals of 30 cm. His works are found in many modern art museum collections including the Stedelijk museum and the Gemeentemuseum Den Haag. In which one of the 4 Staircases is painted by Toroni ( the others by LeWitt, Forg and Tuzina).

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These four staircases are there for over 25 years now and have proven to be very important In Situ works of art. All artist have become famous contemporary artists and really make one look at these staircases with different eyes. They are not ordinary staircases any longer , but works of art and part of a great collection.

Books on Toroni can be found at www.ftn-books.com

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Ettore Sottsass (1917-2007) ,first retrospective in the Netherlands in April-October 2018

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Ettore Sottsass was one of the founding members of the Memphis group in 1981. He made some iconic designs for Alessi and Artemide and now is announced that a large retrospective will be held in the Stedelijk Museum in the April-October period in 2018 Prepare your self for this exhibition and look at the books available on Sottsass at www.ftn-books.com