The work of TIONG ANG spans a wide array of media, from collective performance, experimental film, through video and installation to painting, photography, and the display of objects. His practice across these forms centers around the social, emotional and existential consequences and negotiation of dislocation, disparate identities, and dispersion of imagery. _ Recurring themes are the impact of mass and digital media on individual perspective and collective memory, and the anxieties evoked by mobility and globalization. In these hybrid contexts, Ang addresses multiple modes of human presence and representation, using social intervention and juxtaposition, chance and communality, mockery and disguise. He explores subjective positions in divided, ambivalent, and collective conditions, be it on ethical, ethnic, or sociopolitical grounds. _Initially an object/painting based studio artist, from the mid-1990s Ang has expanded his production including experimental film, performative and relational enactments, interdisciplinary collaborations and curated projects. In a divergent practice, he examines authority and sustainability of images and narratives. The common thread in the work is the conflict between detached objectivity and engaged subjectivity; it demonstrates how universal media not only affect our perceptions of places and events but also denote our concept of reality. Elements of selfhood, cultural meaning, and social absorption have emerged in a diversity of mediated images. Thus, human perception and behaviour converge in complexities of disparate truths. The persona of the artist, distorted by media based projections, is the ultimate body to explore the human experience.
The above text comes from the Tiong Ang site.
www.ftn-books.com has recently added 2 important Tiong Ang publications to its inventory.
An artist who’s works i encounter regularly whenever i visit a European museum is Marie-Jo Lafontaine. Hardly known outside Europe but one of the better known contemporary artists since her Documenta appearance in 1987. The famous Kassel exhibition was at that time curated by Rudi Fuchs and Lafontaine made a name for herself with Larmes d’Acier
This does not mean that her works before 1987 were not interesting. They certainly were , but Video related art is not the most accessible kind of art and these installations by Lafontaine . are no exception. Still the importance of her works is recognized by many and one hopes that a retrospective will be held in the near future. Showing the true quality of her poetic video art.
Paul de Nooijer , filmaker and photograph announced his retirement in 2012. He did not want to repeat himself. So he focussed on his cooperation with his son Menno de Nooijer who is an artist too. De Nooijer is/was a pioneer in dutch staged photography and he even made some video clips for MTV. You can consider his photography and films like short stories in images in which he often uses stop-motion techniques.
This medium is hard to translate into a printed publication, but some efforts have been made and these are available at www.ftn-books.com
Rightfully he may be called one of the true pioneers of Video art.
Because of his early contribtions to the collection of the Stedelijk Museum resulted in an exhibition ( which catalogue is available at http://www.ftn-books.com) and the hsitory and development of Video art during the last 50 years. Th Stedelijk has made a permanent presentation of his :
LAND ART. FERNSEHAUSSTELLUNG I
Schum made Land Art as part of his Fernseh-Galerie Gerry Schum. The German television station Sender Freies Berlin broadcasted this film on 15 April 1969. Schum was looking for a way to show modern visual art to a wide audience. He achieved this by broadcasting his film and video productions on television, bypassing the traditional institutions. The TV programme showed recordings of artistic interventions in the landscape by eight artists, including Jan Dibbets, Barry Flanagan and Richard Long. Schum’s own sober camera work is an essential element of the visual end result. Jan Dibbets’ contribution 12 Hours Tide Object with Correction of Perspective shows a tractor leaving behind a trapezium-shaped track on a beach. The position of the camera and the effect of the perspective mean that the viewer sees this shape as a rectangle. Dibbets was casting doubt on the reliability of representation via the camera and on the perception of the eye, as he had done previously in his ‘perspective corrections’.
It takes time to appreciate Video as an art form , but when you finally do so , there is an artist not te be missed and that is Gerry Schum.
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btw. The Gerry Schum catalogue was designed by Wim Crouwel.
It took a few meetings and some fine tuning but now , after a month of preparations, the page with Josephine Sloet paintings is now “live” at ftn-blog.com/josephine-sloet/
These paintings that are presented are all for sale and come from different periods from her career. One of my personal favorites is the TIME MOVING painting. It is a large, bold work of art and not for the faint of hearted, because it stands out and dominates its surroundings and beside that you can not avoid it since it is a very large work of art. It measures an impressive 206 x 206 cm.
A beautiful and impressive painting by Josephine Sloet. For more inquiries on this and other paintings by Josephine Sloet offered by FTN-art, please inquire at firstname.lastname@example.org
You have to dig in a little deeper to appreciate the art of Wallace Berman. Wallace Berman a Collage artist who was of great influence to 60’s art in California.
He was anAmerican visual and assemblage artist and has been called the “father” of assemblage art.
I started to take an interest in Berman when i first acquired an impressive title on Berman at a huge discount at de Slegte bookstores in the Netherlands. They had stacks and stacks of these books , because the Berman ICA exhibition was not popular at all and many of the printed books were unsold. Published in 1992, it is now 25 years ago and has not lost its importance. This is an excellent book on Berman and shows the qualities of Berman as an Underground artist and the publisher of the ground breaking magazine Semina of which only 9 issues were published .
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This excellent Berman book which was published with the Berman / ICA Amsterdam exhibition was printed by the best printer (Lecturis), has an excellent design and typography and is considered by me as one of the best exhibition publications in the Netherlands from the 90’s.
There are not many Australian artist ( born in Brisbane) who have become known for their works outside Australia, but Tracey Moffatt is certainly one of them and build a reputation in the nineties as one of the most prommissing photographers. If you ask me to describe her works i would say it is a cross between Cindy Sherman and Erwin Olaf , possibly influenced by both but also original and a very gifted photographer/ video artist. I will show you some examples so you see what i mean.( left is Moffatt)
Still…. i like her works and therefore i have collected some books at www.ftn-books.com which are for sale.
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Here is an impression of the presentation she gave at the Venice Biennale 2017
Today i realized that there have been so many great Suisse artist during the last 100 years and certainly Pipilotti Rist is one of them a deserves a small blog to draw attention to her works.
As a video and installation artist she has one element which returns in every one of her projects and it is the use of bright colors. The use of color makes them like 60’s halucinations.
During her studies Pipilotti Rist began making super 8 films. Her works generally last only a few minutes, and contained alterations in their colors, speed, and sound. Her works generally treat issues related to gender, sexuality, and the human body.
Her colorful and musical works transmit a sense of happiness and simplicity. Rist’s work is regarded as feminist by some art critics. Her works are held by many important art collections worldwide.
Because of the use of Video in most of het installations it is hard to find good publications on Rist, but there are some on the market and certainly one of them is available at www.ftn-books.com
Yesterday i became the winner at auction of a small painting by Frank van Hemert. Followers of the blog know of my admiration for this artist and this small paintimng fits perfectly between the drawings i have in our collection from the same series . The painting “Initiatie” was painted in 1992, measures 50 x 41 cm and has the typical van Hemert touch. Green and red Paint is “worked’ into a composition as a background for a grid of orange stripes.
For those that want to know more about this painter who has stayed true to his approach to art and has presented his works all over the world , here is a link to a nice ( english subtitled ) video in which van Hemert presents and explains his work.
Alex Vermeulen is a dutch multi-media rtist who has had several museum presentations in the Netherlands. In 1993 Vermeulen moved to Amsterdam and founded in 1995 “SOH-States of Humanity” and the Syndicaat foundation. A year later he presented his final film-book, as part of a large installation, Fuga Futuri, at Amsterdam’s Stedelijk Museum (1996). The chief character introduced in this show for the first time, was the stylized humanoid “Eggy”, named after his egg-like shape. In the following fifteen years sculptures of various forms of the enigmatic Eggy would appear in a number of projects mounted in public places around the world including New York (1996) where Vermeulen asked those who passed to select their favorite Eggy and relate it to their personal life.
There is an excellent piece to be foumnd on Wikipedia, but to show something of his qualities as an artist here is the A SMILE FOR A SMILE video
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20