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Angelo Savelli (1911-1995)

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Savelli is the Italian master of “WHITE”. Practically all works by Savelli from 1959 on are executed in White. The difference is their shape and the materials used. This makes this Italian artist almost on par with the dutch Jan Schoonhoven , who used “WHITE” too. The difference… Schoonhoven is rooted in the Zero mouvement whereas Savelli is more an abstract constructivist who uses different kind of materials and execute them in WHITE.

Savelli is not very known outside Italy, but in prepaartion of this blog i found that some of his paintings are in famous museum collections. Moma and White Chapel gallery have work in their collections and when you look into his oeuvre you notice that his art must be now in fashion. it tends to Zero and has some qualities of the arte Povera. Both mouvements in art that now are in “Fashion” and are collected worldwide.

Perhaps the next 2 decades Savelli will be discovered by many and become a household name like Jan Schoonhoven’s name has become nowadays. www.ftn-books.com has Savelli publications available.

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Giovanni Nicolai (continued)

 

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Not just an ordinary painting, but this time a very special painting by Giovanni Nicolai. Giovanni sent me this beautiful painting of an Italian gentleman. In bright greens and red colors . A classic composition , but when studied from up close there is an abstraction in the painting that is very appealing. Giovanni Nicolai is a typical italian artist with his roots in classic painting. It will be interesting to follow his career. If you are interested in his paintings and drawings , know that i have some drawing for sale at www.ftn-blog.com and that for other works you can approach him at : giovinicolai@hotmail.com

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Giovanni Nicolai ( continued )

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This is to announce that FTN Art will represent Giovanni Nicolai with his art work.

From now on a selection of his art will be available in the FTN Art section of these pages. Feel free to contact me if you want more information. The start will be  a series of affordable sketches at euro 150,–. Executed in different techniques with Crayon , pencil and paint on paper. If you desire information on his paintings please sent me a mail and i will propose you  a selection of paintings currently available.

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Massimo Rao …a new addition

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Those of you following this blog, know that i admire the art of Massimo Rao  (1950-1996). Rao was during his life represented by Gallery Steltman and Steltman published in 1992 a special edition of their Massimo Rao publication. This book was published exactly the same as the non numbered edition, but with two large differences. First, there was a very special etching included and secondly the book was published with a beautiful bright red slipcase. The etching is a true masterpiece and when you look closely at the etching ( see the close up photograph) you see that Rao “paints” with an etching needle. This very nice copy will grace my personal library and will replace the Massimo Rao publication which i had and cherished until now. It is now available at www.ftn-books.com

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Giovanni Nicolai…. Update

For those of you who remember the blog i wrote on a promising young Italian artist…. Giovanni Nicolai…and are interest in following his career, here are 2 articles in Italian magazines on the artist and his works.

http://www.corrierealtomilanese.com/2017/05/30/giovanni-nicolai-leleganza-del-tratto-e-poesia/

and

http://www.cagliariartmagazine.it/giovanni-nicolai-la-classe-e-arte/

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Alberto Magnelli (1888-1971)

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Born in Florence / Italy, Magnelli stayed his entire life true to a mix of abstract art mixed with futurism. Not the most likely combination because in a time when his artists friends were making futurist paintings he chose the opposite road and made brightly colored still lives. Still, there are many examples of paintings in one can see shapes and movements appear in them.

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Magnelli has not become the world famous name in art people and admirers had hoped for , but his works show quality and are still showed whenever there is a an exhibition on italian painting of the first half of the 20th century. A nice french catalogue is available at www.ftn-books.com and he is one of the artist who appeared in the catalogues on italian art which were published by the Stedelijk Museum in the 50’s and 60’s.

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Francesco Clemente (1952)

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There is no larger Modern Art Museum in the world that has no Clemente in its collection. From Amsterdam to New York the works by Clemente have spread all over the world. But for us in the Netherlands, it was important that Clemente had some exhibitions with the Art & Project gallery and from one of these exhibitions a beautiful little book was the publication result edition of only 800 copies). This and other Clemente books are available at www.ftn-books.com.

Clemente’s work spans four decades. His work is stylistically varied, inclusive, erotic, and nomadic. It embraces diverse mediums and diverse cultures as well, aiming at finding wholeness through fragmentation and witnessing the survival of contemplation and pleasure in our mechanical age.

Clemente’s work is rooted in political utopia and expresses an anti-materialistic stance. In the 1970s he moved from photography to drawing and anticipated the return to painting of the 1980s.

His work is also nomadic. In the 1980s he divided his time between India and New York. While briefly associated with Neo-Expressionism he took an interest in collaborative works both with Indian craftsmen and with painters like Basquiat and Warhol, and poets like Robert Creeley and Ginsberg in New York. In an interview with The Brooklyn Rail, Clemente commented “these poets had been looking at the East for inspiration and I was also anxious to evade the materialism of the West.”

In the 1990s Clemente explored intensely erotic imagery, inspired by the Tantra traditions both of India and Tibet, and turning contemporary preoccupations with identity and sexuality into an occasion to ask questions about the nature of the self. In the 2000s Clemente underwent a darker and grotesque phase, returning in recent years to luminous images of repose and transformation.

Since the 1980s until today, Clemente has also chronicled New York intellectual and social life through a great number of portraits, contributing to the revival of a genre until then somehow discredited.

Clemente’s art has been presented in solo and group shows internationally. Major retrospectives have been held in the 1990s at the Philadelphia Museum of Art, at The Royal Academy in London, at the Centre Pompidou, Paris and at the Sezon Museum of Art, Tokyo. Clemente’s art was also featured in 1999-2000 at the Solomon R Guggenheim Museum, New York, and at the Guggenheim Museum, Bilbao. In the 2000s retrospectives were held at the Irish Museum of Modern Art in Dublin, at the Museo MADRE, Naples and at the Schirn Kunsthalle, Frankfurt. An exhibition of self-portraits and of Clemente’s own version of the Tarot Cards was held at the Uffizi Gallery, Florence in 2011. (the text and information above comes from Wikipedia).