Italian artist Roberto Fanari imagined such a vivid story-telling collection of sculptures Seconda B 2012. Each piece forms itself in a barely visible outline. Sweet subjects are wrapped in iron wire, appearing more dense toward the feet, hands, and head. Royal placement sets some high on a pedestal where a bit of romance introduces a ceramic glazed gentlemen.
An excellent expose on the art of Roberto Fanari is found at this site:
Enrico Baj was born in Milan on October 31, 1924, and studied at the Accademia di Brera. In 1951 he, along with Sergio Dangelo and Gianni Dova, promoted the Nuclear Movement, and had his first solo exhibition in Milan at the Galleria San Fedele. Upon meeting Asger Jorn in 1953, the two founded the International Movement for an Imaginist Bauhaus, which reacted against the forced rationalization and geometry of art, and the following year organized the International Ceramics Meetings at Albisola in Liguria, Italy.
Baj’s artistic experiments resulted in multicolored collages made from many different materials. On one hand, his work emphasises the joyful experience of painting with diverse materials; however, it also provides a social commentary and strong criticism of the contemporary world. Such is true for his Generali and Parate militari of the 1960s, and it is even more evident in works dating from the 1970s, such as I funerali dell’anarchico Pinelli (1972) and Apocalisse (1979). In the 1980s, he abandoned collage temporarily and made a series of works called Metamorfosi e Metafore (1988) in which his images were based on imagination and fantasy. In 1993, he started his Maschere tribali cycle, which consisted of assemblages that used waste materials of modern civilization to create ironic and brightly colored masks. These pieces were followed by Feltri (1993-98) and Totem (1997).
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Throughout his life, Baj was in close contact with poets and intellectuals, both in Italy and abroad, and collaborated on numerous occasions to produce prints or original multiples for several artist books. In 1999, the artist once again reconfirmed his strong links to literature by producing a series of 164 portraits inspired by the Guermantes of Marcel Proust. He also collaborated with many artists, including Lucio Fontana and Piero Manzoni. In 2001, he started a series of works dedicated to the history of Gilgamesh, the King of the Sumers. Enrico Baj died in Vergiate (Varese), Italy, on June 16, 2003.
Pascali has become a legend over the last decade or so. He counts many admirers and many consider his art timeless and as contemporary as his present ” brothers in arms”.
Pino Pascali was born on October 19, 1935 in Bari, Italy.In 1955, Pascali left the science-oriented school that he attended in Bari, and went to a secondary school specialized in the arts in Naples. Later, in 1956, he enrolled at the Accademia di Belle Arti di Roma, on the scenic design course held by Peppino Piccolo with the help of his assistant Fabio Vergoz.He also studied under the guidance of Toti Scialoja, whose open teaching approach encouraged students to experiment with diverse mediums and forms. In the context of the Accademia, Pascali met fellow Arte Povera artist Jannis Kounellis. Pascali also took part in a number of collective shows for young artists: 1956, the Painting Exhibition at the Istituto Tommaseo di Tivoli; 1956, Second Exhibition “Pennello d’argento” at the Circolo Culturale dell Vittorie in Rome; 1959, Scenic Design Show, at the 2nd Festival dei Due Mondi in Spoleto. Before Pascali graduated in 1959 he worked as an assistant scenic designer in many RAI productions and additionally collaborated with the Studio Saraceni, Lodolofilm and Incom as a set designer, graphic design, scriptwriter, and creative writer for television advertising, making sketches, creating characters and shorts for the ads.
In the early 1960s, Pascali exhibited his sculptures in a number of art exhibitions. In 1965 Pascali exhibited at Galleria La Tartaruga. In January 1968, he had an exhibition at the Galleria Ars Intermedia in Cologne, Germany.
Pascali died at the age of thirty-two on September 11, 1968 in Rome, Italy, following a tragic motorcycle accident. His short career has served as an important contribution to post-war art.
The very first time when i saw work by the Italian CHia was when he was presented together with contemporary artist from Italy presented at the Stedelijk Museum and i decided at that moment that fro me personally i liked the works by Chia the best. Not cucchi, not Clemente and not Palladino i liked most but the semi bombastic paintings by Chia i liked most. They have a classical quality, but look very contemporary. Bright colors and filled with action his paintings still fascinate me.
Sandro Chia is an Italian painter and sculptor. A native of Florence, he was a key member of the Italian Transavanguardia movement, along with fellow countrymen Francesco Clemente, Mimmo Paladino, Nicola De Maria, and Enzo Cucchi. The movement was at its peak during the 1980s and was part of a wider movement of Neo-Expressionist painters around the world.
Ever since i added to my personal collection of Stedelijk Museum catalogues the Willem Sandberg designed exhibition catalogue for the Campigli / 1950 exhibition at the Stedelijk Museum i became an admirer of this italian artist. Combining abstract element with figurative painting he developed a style of his own which is time less and authentic and very typical for Italian art.
His paintings have a sense of friendliness and “Joie de vivre” nd are still rooted in classic Italian art. This artist is a true Italian master painter, but also made some beautiful and highly collectible lithographs and etchings. If you look into Campigli his exhibition history you will notice that somehow people has lost interest in this great Italian artist, possibly considered “old fashioned” since one of his last major exhibitions was held in 2000 ( catalogue available at www.ftn-books.com). Still i am a fan and consider him one of the founders of great Italian Modern Art in the 20th century.
Almost forgotten this sculptor from Italy, but because of a recent addition to my inventory i rediscovered the sculptures by Negri.
Mario Negri had a dutch exhibition in 1970 in the van Abbemuseum, curated by Hammacher who made a publication possible which is quite scarce. The 8 page fold out is designed by Jan van Toorn and depicts several works by Negri and a photograph of his studio.
A bright green is chosen as a cover to draw attention and it oozes Seventies design. I love this great fold out and it even comes with a handwritte price list in Lire for those who want to complete their archives on the sculptor this is an absolute musey. A great sculptor and a great publication are brought together in this typical early Seventie van Toorn design. The Negri publication is now available at www.ftn-boooks.com
At many times you come across an artist of whom you never have heard before, but because of the found book(s) you are starting to look into the life and works of an artist. One of these artist is Vito Boggeri , the book …published on the occasion of the exhibition held at the Fondazione Campania in 2007. The works look like NEUE WILDE paintings with an Italian touch. This is really appealing. If there is one artist with whom i would like to compare his works it is the dutch John van ‘t Slot. I prefer van ‘t Slot bis works but still these are very nice paintings which i would like to see sometime in a museum setting.
Savelli is the Italian master of “WHITE”. Practically all works by Savelli from 1959 on are executed in White. The difference is their shape and the materials used. This makes this Italian artist almost on par with the dutch Jan Schoonhoven , who used “WHITE” too. The difference… Schoonhoven is rooted in the Zero mouvement whereas Savelli is more an abstract constructivist who uses different kind of materials and execute them in WHITE.
Savelli is not very known outside Italy, but in prepaartion of this blog i found that some of his paintings are in famous museum collections. Moma and White Chapel gallery have work in their collections and when you look into his oeuvre you notice that his art must be now in fashion. it tends to Zero and has some qualities of the arte Povera. Both mouvements in art that now are in “Fashion” and are collected worldwide.
Perhaps the next 2 decades Savelli will be discovered by many and become a household name like Jan Schoonhoven’s name has become nowadays. www.ftn-books.com has Savelli publications available.
Not just an ordinary painting, but this time a very special painting by Giovanni Nicolai. Giovanni sent me this beautiful painting of an Italian gentleman. In bright greens and red colors . A classic composition , but when studied from up close there is an abstraction in the painting that is very appealing. Giovanni Nicolai is a typical italian artist with his roots in classic painting. It will be interesting to follow his career. If you are interested in his paintings and drawings , know that i have some drawing for sale at www.ftn-blog.com and that for other works you can approach him at : email@example.com
This is to announce that FTN Art will represent Giovanni Nicolai with his art work.
From now on a selection of his art will be available in the FTN Art section of these pages. Feel free to contact me if you want more information. The start will be a series of affordable sketches at euro 150,–. Executed in different techniques with Crayon , pencil and paint on paper. If you desire information on his paintings please sent me a mail and i will propose you a selection of paintings currently available.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20