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Jan Hendrix (1949)

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This is the other Jan Hendrix. A contemporary of Jan Hendriks, but one that works from outside the Netherlands too and has a studio in Mexico. This land and its culture has a direct influence on his works. Hendrix is inspired by nature and this shows in practically all his works. The reason for this second blog on a “HENDRIX/HENDRIKS” is the catalogue i recently acquired . It is a galeria de arte Mexicano publication from 1980 in which series of polaroids are combined into some great works of art…..the subject….nature of cours and because i myself like the MOLESKINE notebooks i included a nice video of Hendrix and his use of the Moleskine’s


hendriks x

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Jan Hendrix (1949)

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Hendrix is a well known artist outside the Netherlands but is hardly known over here. Traveling all over the world he collects images and scenes which he later translates into paintings and drawings. Such a series is “Bitacora” which was exhibited in the Netherlands too.

Jan Hendrix was born in Maasbree, the Netherlands .He was born into a farm family that opposed his artistic aspirations. At sixteen, he routinely skipped classes except for art.[2] At seventeen, he entered the Den Bosch Royal Art Academy, but was expelled for rebelliousness. In 1968, he was invited by dutch/Japanese artist Shinkichi Tajiri to enter the Ateliers ’63 School in Haarlem, which was considered the most radical school at the time. Here he received a multidisciplinary education and at the same time worked at the Smeets press in the city of Weert. From 1971 to 1975, he worked on his masters at the Jan van Eyck Academie, where a professor encouraged him to focus on the graphic arts.

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Between 1971 and 1976, he lived in France, Portugal, Norway, and Iceland, and has lived and worked in Mexico since 1978.He has visited Kenya (1990), Egypt (1991), China and Australia (1996), Turkey (1998), Ireland (1999), Spain and Yugoslavia (2001) .

Since 1978, he has remained in Mexico City, where he currently resides. He took a year sabbatical in 2010 to study the first Australian plants collected in 1770, which are at the Natural History Museum of London.

His works range from artist’s books, print editions, enamel installations, etched glass, and paintings, to architectural projects. Since the 2000s, he has held an average of three to four exhibitions each year. In the 1970s and early 1980s, he started with multiple exhibitions at galleries in the Netherlands such as Agora Studio in Maastricht and Printshop and Galerie Clement in Amsterdam then the Galería de Arte Mexicano in Mexico City after he took up residence.[3] He began exhibiting solo in 1975 and since has participated in both solo and group exhibitions in Mexico, Europe, the United States, Asia and Africa.

A number of these were major exhibitions which toured in multiple places. Bitacora consists of images from various countries. It was exhibited in the Wan Fung Gallery in Beijing, Zhu Qi-Zhan Museum in Shanghai, Erasmushuis, in Djakarta, UTS Gallery Sydney, Tropenmuseum, Amsterdam, Museum of Painting and Sculpture in Ankara and the Centro de la Imagen, Mexico City. Storyboard was exhibited in the Instituto Cultural Cabañas in Guadalajara, Museo Amparo, Puebla and Museo de Arte Contemporáneo de Monterrey. Botánica was exhibited at the Calcografía Nacional de España in Madrid, Espacio Cultural Metropolitano in Tampico, Museo de Arte in Querétaro, Centro Cultural Tijuana, Galería de Arte Mexicano in Mexico City.

He work can be found in numerous public and private collections in various parts of the world including, Instituto Nacional de Bellas Artes y Literatura, National Council for Culture and Arts of Mexico, Hiscox in London, Institution Ferial de Extremadura, Junta de Extremadura, the Bankinter Collection, the Baker & McKenzie Collection, the Caixanova Collection, the Museo de la Comunidad de Madrid, Rodriguez Acosta Foundation in Granada, Bibliothèque nationale de France, Bonnefanten Museum, Fundación Cultural Televisa, Institution de Artes Gráficas in Oaxaca, Museum Von Bommel and Tropenmuseum in Amsterdam, Museo Universitario de Ciencias y Arte of UNAM and Irish Museum of Modern Art .

Some of Jan Hendrix his publications are available through

jan hendrix

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José Guadalupe Posada (1852-1913)

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You can not write about Posada without thinking of Manuel Manilla, his artistic mentor. Both are extremely important for the development of Modern Art in Mexico. He has been a great influence to Diego Rivera. I am still searching for the reason why van Gennep published 2 very important monographic titles on Manilla and Posada. Is it interest or because of the worldwide reach of these publications that he thought these were interesting?….i really do not know.

Academics have estimated that during his long career, Posada produced 20,000 plus images for broadsheets, pamphlets and chapbooks. Posada was studied by key figures of Mexican muralism. Mural artists inspired by Posada, such as Diego Rivera and José Clemente Orozco catered to a Mexican elite that rejected foreign styles as part of their new-found bourgeois taste.

Posada is now a part of the Mexican art legacy and just a quick look into the book that is now for sale at shows immediately why his art is timeless and a part of the Mexican folklore.

posada messenger

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Edward Weston (1886-1956)

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This text comes from a wonderful and beautiful site devoted to Edward Weston and his works. Weston is one of the most important photography artist from last century and this site ( is a deserved and “classic” tribute to this great photographer.

Edward Henry Weston was born March 24, 1886, in Highland Park, Illinois.  He spent the majority of his childhood in Chicago where he attended Oakland Grammar School. He began photographing at the age of sixteen after receiving a Bull’s Eye #2 camera from his father. Weston’s first photographs captured the parks of Chicago and his aunt’s farm. In 1906, following the publication of his first photograph in Camera and Darkroom, Weston moved to California. After working briefly as a surveyor for San Pedro, Los Angeles and Salt Lake Railroad, he began working as an itinerant photographer. He peddled his wares door to door photographing children, pets and funerals. Realizing the need for formal training, in 1908 Weston returned east and attended the Illinois College of Photography in Effingham, Illinois. He completed the 12-month course in six months and returned to California. In Los Angeles, he was employed as a retoucher at the George Steckel Portrait Studio. In 1909, Weston moved on to the Louis A. Mojoiner Portrait Studio as a photographer and demonstrated outstanding abilities with lighting and posing.) Weston married his first wife, Flora Chandler in 1909. He had four children with Flora; Edward Chandler (1910), Theodore Brett (1911), Laurence Neil (1916) and Cole (1919). In 1911, Weston opened his own portrait studio in Tropico, California. This would be his base of operation for the next two decades. Weston became successful working in soft-focus, pictorial style; winning many salons and professional awards. Weston gained an international reputation for his high key portraits and modern dance studies. Articles about his work were published in magazines such as American Photography, Photo Era and Photo Miniature. Weston also authored many articles himself for many of these publications. In 1912, Weston met photographer Margrethe Mather in his Tropico studio. Mather becomes his studio assistant and most frequent model for the next decade. Mather had a very strong influence on Weston. He would later call her, “the first important woman in my life.” Weston began keeping journals in 1915 that came to be known as his “Daybooks.” They would chronicle his life and photographic development into the 1930’s.

In 1922 Weston visited the ARMCO Steel Plant in Middletown, Ohio. The photographs taken here marked a turning point in Weston’s career. During this period, Weston renounced his Pictorialism style with a new emphasis on abstract form and sharper resolution of detail. The industrial photographs were true straight images: unpretentious, and true to reality. Weston later wrote, “The camera should be used for a recording of life, for rendering the very substance and quintessence of the thing itself, whether it be polished steel or palpitating flesh.” Weston also traveled to New York City this same year, where he met Alfred Stieglitz, Paul Strand, Charles Sheeler and Georgia O’Keefe.

In 1923 Weston moved to Mexico City where he opened a photographic studio with his apprentice and lover Tina Modotti. Many important portraits and nudes were taken during his time in Mexico. It was also here that famous artists; Diego Rivera, David Siqueiros, and Jose Orozco hailed Weston as the master of 20th century art.

After moving back to California in 1926, Weston began his work for which he is most deservedly famous: natural forms, close-ups, nudes, and landscapes. Between 1927 and 1930, Weston made a series of monumental close-ups of seashells, peppers, and halved cabbages, bringing out the rich textures of their sculpture-like forms. Weston moved to Carmel, California in 1929 and shot the first of many photographs of rocks and trees at Point Lobos, California. Weston became one of the founding members of Group f/64 in 1932 with Ansel Adams, Willard Van Dyke, Imogen Cunningham and Sonya Noskowiak. The group chose this optical term because they habitually set their lenses to that aperture to secure maximum image sharpness of both foreground and distance. 1936 marked the start of Weston’s series of nudes and sand dunes in Oceano, California, which are often considered some of his finest work. Weston became the first photographer to receive a Guggenheim Fellowship for experimental work in 1936. Following the receipt of this fellowship Weston spent the next two years taking photographs in the West and Southwest United States with assistant and future wife Charis Wilson. Later, in 1941 using photographs of the East and South Weston provided illustrations for a new edition of Walt Whitman’s Leaves of Grass.

Weston began experiencing symptoms of Parkinson’s disease in 1946 and in 1948 shot his last photograph of Point Lobos. In 1946 the Museum of Modern Art, New York featured a major retrospective of 300 prints of Weston’s work. Over the next 10 years of progressively incapacitating illness, Weston supervised the printing of his prints by his sons, Brett and Cole. His 50th Anniversary Portfolio was published in 1952 with photographs printed by Brett. An even larger printing project took place between1952 and 1955. Brett printed what was known as the Project Prints. A series of 8 -10 prints from 832 negatives considered Edward’s lifetime best. The Smithsonian Institution held
the show, “The World of Edward Weston” in 1956 paying tribute to his remarkable accomplishments in American photography. Edward Weston died on January 1, 1958 at his home, Wildcat Hill, in Carmel, California. Weston’s ashes were scattered into the Pacific Ocean at Pebbly Beach at Point Lobos. has some titles with works by Weston available.

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Gabriel Orozco (1955)

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Yes ….it takes time to appreciate the works by Gabriel Orozco, but fortunately we have had the chance to experience his works on several occasions including the exhibition at the Stedelijk Museum Amsterdam. He is widely regarded as one of the most influential contemporary artists of his generation. Employing a diverse practice that includes installation, sculpture, painting, and video, Orozco’s work is characterized by its focus on reinterpreting everyday objects: in his seminal La DS (1993), the artist cuts out the middle third of a Citroën car, resulting in an object that is at once familiar and totally alien. “What is most important is not so much what people see in the gallery or the museum,” he has said, “but what people see after looking at these things, how they confront reality again.” Born on April 27, 1962 in Jalapa, Veracruz, his father was the Mexican muralist Mario Orozco Rivera. Through him, the younger Orozco was exposed to the world of galleries and artists at a young age, and he went on to study at the Circulo de Bellas Artes in Madrid. He has been the subject of several major exhibitions, notably including a 2009 mid-career retrospective at The Museum of Modern Art in New York which went on to travel to the Kunstmuseum Basel, the Centre Pompidou in Paris, and finally the Tate Modern in London in 2011.

Only one monographic publications on Orozco is available at, but his importance is growing every year and he has participated in some major exhibitions which catalogues are available too.


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Frida Kahlo (1907-1954)

Today a celebration and many congratulations to my wife who has been married for 12,5 years to me. For our honeymoon we travelled to Mexico together with our son Lucas. So for that reason i chose to make a blog on Frida Kahlo, the most famous Mexican artist.

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During the time i was working at the Gemeentemuseum Den Haag we had a show on Frida Kahlo in the Museum Paleis Lange Voorhout in 1993. It was by far the best show, with the highest number of visitors, this little museum has ever had. The show lasted only about 70 days but was extended twice because of the high number of visitors. Mainly women attended the exhibitions and i found out that for them Kahlo was a liberated woman who has been a role model for many. What struck me most in her works were the very personal sometimes even surrealist elements in her paintings and where i had imagined large paintings and works of art , these were in many cases small paintings. Still….a terrific exhibition and the last one to have been organized in the Netherlands in the last 25 years. What remains is the catalogue which is a classic among Kahlo collectors and available at Last but not least…congratulations to my wife Linda. These were 12,5 years filled with love, travels, fun and health…may the next 12,5 years give the same to us….    Schermafbeelding 2017-04-16 om 09.41.37 Schermafbeelding 2017-04-16 om 10.01.23