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Jo Niemeyer (1946)

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For many of us Jo Niemeyer is not the most common name in constructivist art. However Niemeyer has a loyal following of admirers in Germany and Finland. ( the 1984 Helsinki book is available at www.ftn-books.com).

Working with the primary colors that Piet Mondriaan used too in his STIJL period the compositions look at first glance not that original, but study them closely and you will notice a much more complex composition  with mouvement on the works by Niemeyer. making these stand out on their own. Here is the text i found on Wikipedia on the artist.

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Jo Niemeyer was born in 1946 in the German village Alf. He comes from a long-time artist family. His mother was a textile designer and worked in Saabrücken at the former State School for Art and Crafts, where she was in charge of a handloom weaving factory. His father began to paint at a relatively young age, in abstract and concrete art. Unfortunately, his paintings were considered to be degenerate and most of his works were destroyed or lost during WWII.

After three years of studying photography and graphic art, Niemeyer executed his first geometrical painting in 1966. He travelled in several countries, including the United States and Canada, and in Scandinavia where he was particularly fascinated by nature. In 1967, he pursued his training in industrial design at the Finnish Institute for Art “Atheneum”. He decided in 1970 to quit his job as professional photographer to become a full-time independent artist.

In Finland, he met artist colleagues Lars-Gunnar Nordstrom and Matti Kujasalo, the former director of the Finnish Academy of Art in Helsinki. In the 80s, Kujasalo asked Niemeyer to lecture about different print techniques in the graphic art department. During this time, Niemeyer built up his knowledge of Finnish architecture. It was also in Helsinki in the late 60s that Niemeyer met his wife, Tuula Partanen. in 1972 she founded Edition Partanen which specialised in silkscreen prints and publication of graphic and art portfolios. The studio was established in South Germany with a showroom in Zurich, Switzerland. Edition Partanen collaborated with artists such as Rupprecht Geiger, Matti Kujasalo, Ilya Bolotowsky and Niemeyer himself.

Niemeyer began to elaborate his big scale project “20 steps around the world” which would be installed in 1997 in the City of Ropinsalmi in Finland. In this project, he explained, the earth replaced the canvas. According to him, earth is the carrier of his artistic work being integrated into the creative process only by minimal changes. In the context of this work an arbitrarily defined route around the earth is divided systematically and exactly into 20 segments which develop to a dynamic, logarithmic progression according to the ‘Golden Section’. The 20 steps are visualized by using an installation of 20 stainless-steel elements around the globe, precisely located on continents. The location of the points is achieved by using a computer and satellite navigation.

Over the years, Niemeyer has held successful one-man and group shows in Scandinavia, Italy, Switzerland, Israel, USA, England, Japan, Argentina, and Finland. His murals in public buildings can be found in countries all around the world including Switzerland and Germany, and in Scandinavia. Featured in numerous international publications and films, his works are in public and private collections and museums including in Japan, Germany, Canada, the Netherlands, Finland, Germany and Austria. Today, Jo Niemeyer works and lives in Germany, France and Finland.

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Allessandro Mendini (continued)

 

I wrote two earlier blogs on Mendini. One in 2016 and one in February this year to commemorate his accomplishments after his death at the age of 87.

Last week i found one of his earliest dutch publications. An important one, because it preceded the commission of designing the Groninger Museum. Probably the exhibition was held to introduce Mendini to the dutch people of Groningen and prepare them for the adventurous building Mendini would design for the Groninger Museum.

This publication is from 1988 , published together with Politi editore  and it is filled with the typical Mendini designs of which elements would be used outside and within the Groninger Museum.  I love this book, which is now for sale at www.ftn-books.com

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A spectacular Pop Up, 1992

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Pop & Artvertising was held at the Museum Bommel van Dam in 1992. The catalogue was designed as a true Pop Art collectible. You could hold the catalogue by a “space” in the cover and pages. Making the catalogue look like a paper bag. The exhibition showed the relation between Pop Art and advertising. Brown paper bag pages throughout except fo the middle . Open the middle and there is a brilliant Pop Up . The design of the catalogue is by Ruud van Soest and in my opinion this is certainly a highly collectable Pop Art catalogue.This catalogue is now available at www.ftn-books.com

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Anton Pieck… LEVEN EN WERK

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If there is one Anton Pieck title i can truly recommend, it is the LEVEN EN WERK book from 1973. Numbered edition and it contains so many impressive examples of Pieck his art.  admire Pieck for Efteling designs, but where he impresses is his calssic scenes of carriages, fairs and domestic scenes. These are the ones which are collected all over the worls and this is probably the reason why i have sold this book to many parts in the world. the most distance was Tasmania, but copies from my shop were send to the US, Canada, Japan and Australia. Unfortunately these books are harder to come by each year, but now , after a couple of years ifinally found another one at the Bookmarket. This copy is now for sale and i am happy to tell you that this is the best copy i have ever had. www.ftn-books.com

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Stedelijk Museum 2009 … a cotton bag

 

During the renovation of the Stedelijk Museum in 2009. There were only 5 special opening days of the museum. These days were on the occasion of the Amsterdam art fair to let the public see the progress and possibilities of the “new” building and get acqainted with it

The museum had a completely different approach in showing its colection since the rooms were filled for a period of only 5 days. The result a truly different museum filled with surprising and fantastic art and this bag is proof that there were these opening days in May 2009. There were 4 different versions and all versions are available. The bag is made of cotton and contained a newspaper on the museum and had a special button on the outside. These bags have now become highly collectable items and are now for sale at www.ftn-books.com. An important Stedelijk Museum collectible.

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Hannah van Bart (1963)

 

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Lets keep it simple today. Pictures tell a better story in this case. Here is Hannah van Bart, a great dutch artist who’s works i encountered for the first time at the time she had her exhibition at the Gemeentemuseum den Haag (Schijngestalten/illuminations ) this book is now available at www.ftn-books.com

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In september next an exhibition will open at the Marianne Boesky Gallery

Amsterdam-based artist Hannah van Bart (b. 1963) paints portraits, still lifes and landscapes. She brings together figures, interiors and exteriors as if to suggest there are no distinctions between the subjects. Figures or anthropomorphized figures appear and reappear in van Bart’s paintings, and her style is marked by distinctive outlines, repeated patterning, and layered brushwork in matte palettes. In September of 201

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Bruno Perrament ( 1962)

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Over 1200 blogs now and this is a first. I could not find a single portrait of Bruno Perrament. A french contemporary artist who had one of his first important shows at the GEM museum in Den Haag. A very nice exhibition curated by Roel Arkesteijn. With the exhibition a great Perrament publication was published at that time. The publication is now available at www.ftn-books.com .Perrament was and is one of my favorite new contemporary artists and when i look at his works some 15 years later. I must confess that i am still a fan. The way he mixes abstraction with realistic scenes and landscapes makes his work stand out from many of his contemporaries. Intriguing, sexy and impressive are his larger paintings. If you are looking for a great introduction to his work , the UPON THE RIVERS catalogue is a great starting point.

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Jan Maaskant (1939)

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Jan Maaskant is a dutch sculptor who name rose in some way to fame when he was selected by Rudi Fuchs to contribute to the Documenta 7 in 1982. Influenced by Brancusi and Laurens his works to me feel more close to the Minimal Art of Sol LeWitt and Carl Andre. An excellent example of one of his Minimalistic sculptures can be found in the garden of the Gemeentemuseum Den Haag near the Schamhart pavillion / Fotomuseum.

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Maaskant has a long history with the Gemeentemuseum and because Hans Locher ( former director) was an admirer like Rudi Fuchs was, a publication was initialized. Jan Maaskant received an unplanned publication. An important book, published in a small edition. The book sold badly , but is now one of the hardest to find Gemeentemuseum publications. The book is available at www.ftn-books.com

 

 

 

Maaskant is als beeldhouwer autodidact. Hij werd aanvankelijk beïnvloed door beeldhouwers als Henri LaurensConstantin Brâncuşi en Julio González, maar vanuit het gesloten, compacte beeldhouwwerk ging hij naar de compositie van de open vorm, samengesteld uit zelfstandige elementen, waarbij een grote rol is weggelegd voor maat, afstand, richting en indeling.

Maaskant werd in 1982 door hoofdcurator Rudi Fuchs geselecteerd voor deelname aan documenta 7, maar viel uiteindelijk af. In 1985 werd hij docent beeldhouwen aan de Christelijke Academie voor Beeldende Kunsten in Kampen (thans de ArtEZ Art & Design Zwolle). Het werk van Maaskant is minimalistisch en wordt gerekend tot de geometrischabstracte kunst. In zijn werk probeert Maaskant architectuur en beeldhouwkunst te verenigen. Hij creëert zowel ruimtelijke structuren als tweedimensionale wandreliëfs, die op enige afstand voor de wand worden geplaatst om de zwaarte van de structuur terug te dringen.

Het werk van Maaskant bevindt zich in de collectie van onder andere het Museum Boijmans Van Beuningen in Rotterdam, het Gemeentemuseum Den Haag in Den Haag, het Van Abbemuseum in Eindhoven en het Kröller-Müller Museum in Otterlo.

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Fritz Wotruba (1907-1975)

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A truly visionary artist Fritz Wotruba was. He is almost forgotten, but deserves to be recognized as one of the great European artists who shaped modern art and combined this with great architectural designs. Wotruba is like a cubist sculptor, but his shapes consist of parts put together and seen from nearby it seems as they have no relation with each other. But from further away figures emerge.

His sculptures are magnificent, but when you once have seen his architecture you are completely sold .

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This is the discipline in which he excels and is a one of a kind artist. Fritz Wotruba has had several exhibitions in the Netherland in the 50’s and the 60’s, but is after these events almost forgotten. Instead in Austria he is still one of the greatest Modern Artists. Catalogues of these events are available at www.ftn-books.com

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The Living Room (1981-1993)

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The gallery was founded by Bart van de Ven and Peer Veneman. In the beginning of its existence the gallery revolved around a tight-knit group of artists who worked closely together, both professionally and socially. A group of young Dutch artists in the postmodern 1980s, including Rob Scholte, Henk Visch and Fortuijn O’Brien, were part of the scene around the gallery and they became very well known. At that time, they stood at the center of the Dutch art world.

The Living Room was launched in a small third-floor apartment in East Amsterdam in 1981 by art history student Bart van de Ven and artist Peer Veneman. The gallery’s focus was on painting and sculpture, most often from a select group of Dutch artists working in the typically anti-academic, ‘wild’ style of the early 1980s. After moving to Amsterdam’s city centre in 1983, and up until its closure in 1993, the activity of the gallery became increasingly formalised. The gallery’s production of catalogues and its participation in several international art fairs, underlined The Living Room’s professional acclaim and secured their influence well beyond the borders of the Netherlands.

The Living Room is now closed for a very long time, But when you look at their list of exhibitions you realize that here is a “classic” among dutch galleries and their publications are well worth collecting. Some of these are available at www.ftn-books.com