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Kunstenaar en Fabriek / Judd & LeWitt

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In 1970 only 2 years after the first exhibition with Minimal Art at the Haags Gemeentemuseum ( Curated by Enno Develing) , there was an initiative by 3 aspiring admirers who wanted to present their choice of Contemporary Art with a focus on Minimal Art. Organized by the Kunsthistorisch Instituut in 1970  a location was found with the Nebato Fabriek in Bergeijk. The Nebato metal construction company executed some of the works by LeWitt and Judd and in the meantime the artists stayed nearby with Martin and Mia Visser. The Visser’s collected during 3 decades one of the most famous of dutch  Modern Art collections and  focussed in those early years on Minimal Art . From the early beginning of 1966 they started collecting LeWitt and Judd. Building this way a world famous collection of Minimal Art. It all comes together in this exhibition at the Nebato factory in 1970. Participating artists were: van Amen, Balth, van benthumn, Graatsma, Gribling, Grosvenor, Judd, LeWit, Morris, van Munster, Naumann, Slothouber and Staakman. This catalogue is rare and one of the most important Minimal Art collectibles there is. publication is available at www.ftn-books.com

There is a nice article to be found on the internet in which the relation between Visser the collector and the (minimal )artists is explained.

Friday Food For Thought: Martin Visser – collector, designer, free spirit

 

 

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Robert Morris, a true visionary (1931)

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Time to dedicate a blog to another icon of minimal art, but not only minimalism , but also Land Art was one of the key parts within his oeuvre. Robert Morris was one of the central figures of Minimalism. Through both his own sculptures of the 1960s and theoretical writings, Morris set forth a vision of art pared down to simple geometric shapes stripped of metaphorical associations, and focused on the artwork’s interaction with the viewer. However, in contrast to fellow Minimalists Donald Judd and Carl Andre, Morris had a strikingly diverse range that extended well beyond the Minimalist ethos and was at the forefront of other contemporary American art movements as well, most notably, Process art and Land art. Through both his artwork and his critical writings, Morris explored new notions of chance, temporality, and ephemerality. This makes him one of the most important contemporary American artists alive. As early as the early sixties thre has been an interest in his minimal and land art in the Netherlands. The Kroller Muller, Stedelijk Museum and van Abbemuseum all held exhibitions on Morris. Some of these publications are still available at www.ftn-books.com. Lately the interest in his works has decreased, but that does not mean that his projects are not epic. This is an artists of whom people say in the 23rd century…….a true visionary.

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