This is one of the artists who was included within the stack of German artists books i bought recently. What characterizes Notthoff works is the bright colors that are used in all his works. Making these joyful , colorful paintings which resemble a bit the Hard Edge paintings from the early Seventies. Of course not hard edge but more Pop Art like, but still colorful compositions. Far less complicated and intriguing than the paintings by Richard Schur , which i recently acquired, but still nice and colorful abstract paintings and worthwhile to check out if you can.
1959 in Mönchengladbach geboren
1980–1989 Studium an der Kunstakademie Düsseldorf
1993 Villa Romana-Preis, einjähriger Aufenthalt in Florenz
1994–1999 Lehrauftrag für Malerei und Zeichnen an der Kunstakademie Düsseldorf
1995–1997 Lehrauftrag für Grundlagen der Gestaltung und Freihandzeichnen an der Universität/GH Essen
seit 2007 Dozent für Malerei und Freihandzeichen im Lernort Studio, Düsseldorf
Lebt und arbeitet in Düsseldorf
I love color field painting and what i think interesting about the works by Kenneth Noland is that he applied the color theories of Josef Albers to his own art.
Noland developed a signature style based on simplified abstract forms, including targets, chevrons, and stripes. Noland’s paintings are characterized by strikingly minimalist compositions of shape and color. In this regard, Noland’s art has influenced a wide range of contemporary abstractionists who continue to experiment with highly simplified forms and pure saturated color. The beginning of Minimalism is not far away in these works.
Noland applied Josef Albers’s theory of “the interaction of colors” to his own compositions, which explore the relationships between contrasting or complementary colors; painted in thin yet opaque layers, each tone reveals its particular characteristic weight, density, and transparency.
In the late 1960s, Noland’s approach to Color Field Painting grew even more reductive, but no less bold. Having run through multiple permutations of both the target and chevron format for the time being, Noland switched to using rectangular canvases and horizontal lines in a new series he called Stripes (1967-70). In his Targets and Chevrons, the artist tended to juxtapose color bands of equal width and to impose some form of axial symmetry on the canvas, leaving portions of unprimed canvas blank in contrast to the color. None of these features occur in Noland’s Stripes. Instead, Noland began playing with scale, color, and form on new levels. He reduced his compositions to a basic formula: parallel horizontal lines of varying widths and colors, running along the entire width of the canvas.
An interesting artist of whom not many publications are available in Europe, still there are some available at www.ftn-books.com
Nearly 100 years , Gottfried Honegger died at the age of 98 in 2016 and left us a beautiful ouevre of Geometric and constructivist art.
was a Swiss artist and graphic designer. He was married to the Swiss illustrator Warja Lavater. He studied shop-window display at the Zurich Kunstgewerbeschule and taught there from 1948. His early work was commercial graphic design.
From 1955-1958 he was art director at Geigy. He lived in New York City between 1958 and 1960, and held his first exhibition there. In 1961 he moved to Paris and concentrated on painting, which concentrated on exacting explorations of circles and squares, and (from 1968), sculpture.
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Honegger also spent time in Dallas, Texas as the artist in residence at the University of Dallas. Honegger died at his home in Zürich, Switzerland from a short-illness on 17 January 2016, aged 98. The first time i heard of this artist when i acquired a beautiful series of books which included 2 special prints by Honegger. The first artist i thought of was Ellsworth Kelly, but no this was for me an unknown Swiss artist who had the same quality as Kelly only only a much smaller scale. These works are time less and deserve to be collected by all great museum in the Modern Art world, but until now only in a few museums in Switzerland and Germany i encountered these works. It was easier for me to find some great publications on this artist which are now available at www.ftn-books.com
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20