Posted on Leave a comment

JÓZSEF PÉCSI (1889-1956) — a photography innovator pur sang… essay from the Moma.org site

Schermafbeelding 2017-11-05 om 11.43.07

The following text comes from the site of Moma.org.

The Moma delivers a great source on photography with this site and makes it possible to search their collection and compare photographs from it….it is outstanding and an example to many.

Schermafbeelding 2017-11-05 om 11.44.48

József Pécsi was a Hungarian photographer, innovator, and educator. Born in 1889 into a middle-class family in Budapest (then part of the Austro-Hungarian Empire), Pécsi was schooled in German and maintained lifelong ties with an international photography community. He studied photography at the Lehr- und Versuchsanstalt (Training and research institute) in Munich from 1909 to 1911, and began receiving international recognition soon after graduation. In 1911 he returned to Budapest and opened his own studio, where he also offered instruction to apprentices. In 1913 he established the photography department at the Budapest School of Industrial Drawing, for which he is credited as the founder of photography education in Hungary. He was dismissed from teaching in 1920 due to conflicts with the conservative political regime but maintained his own studio, which served as a gathering place for students, including Eva Besnyö and her friend György Kepes. In 1922 Pécsi was elected vice president of the Budapest Industrial Guild of Photographers and served as editor of the guild’s journal, Magyar fotográfia (Hungarian photography). In 1930 he published the influential book Photo und Publizität (Photography and publicity) to promote the blending of typography, design, and photography in avant-garde advertising, with contributions from Kepes and others. The publication marks his crossover from the Pictorialist style of his early work to the ascendant international modernism of the interwar period. The World War II years took their toll: he hid in Romania for a brief period; his studio and negatives were destroyed by a bomb in 1945; and, upon his return to Budapest, in 1946, financial hardship and an unfavorable regime forced him to take passport photographs to make ends meet. His passion for photography and innovative spirit were not lost, however; in 1952 he patented a combined duplex Pigment print process under the name PEJO.

www.ftn-books.com has one title on Pecsi available

Posted on Leave a comment

Lazy Xmas days… Joost Swarte continued with TRANSPORT

OLYMPUS DIGITAL CAMERA

Not much time available during the last days to think about a blog and because it was so easy to make a blog on the portfolio by Joost Swarte on the great 20th century artists i decided to devote another blog to another Swarte portfolio….so here is TRANSPORT.

Artist/ Author: Joost Swarte Title : Transport Publisher: oog & Blik, 1993 Number of pages: series of 4 silkscreens in 9 colours. Text / Language: dutch Measurements: 50 x 40 cm for the container/ 44 x 34 cm for the prints Condition: mint extra information on this item: Alle 4 prints are signed and numbered by Swarte in pencil . edition of 350 copies . all are numbered 194/350

Schermafbeelding 2017-11-05 om 11.27.48

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

 

Posted on Leave a comment

Joost Swarte …artists portfolio Beuys/ Panamarenko/Schwitters and Duchamp (1994)

 

swarte pana f

Four famous names in modern art and selected by Joost Swarte to feature in his portfolio from 1994. One of the first complete Swarte designs. The chosen materials/papers/printing and lay-out all thought out and done by Joost Swarte. Published by het Raadsel and therefore guaranteed to have the best printing possible , because het Raadsel choose the best printers for their projects and because of the success from last months integral publication of the 4 volumes SCHAAMSTREKEN by Otto Egberts i decided to do the same with this beautiful and highly collectable portfolio which is available at www.ftn-books.com

swarte pana h

Artist/ Author:  Joost Swarte

Title : Duchamp, Beuys, Panamarenko, Schwitters portfolio

Publisher: het Raadsel, 1994

Number of pages:  4 prints all signed and numbered from an edition 150 in special portfolio

Text / Language: No Language

Measurements: 44 x30 cm

Condition: mint

 

swarte schwitters a

swarte beuys a

swarte pana a

swarte duchamp a

Posted on Leave a comment

Panamarenko— Lost and Found

OLYMPUS DIGITAL CAMERA

It must have been over 10 years ago that me and Linda visited Brussel and went to the Koninklijk Paleis voor Schone Kunsten. In the bookstore i found 2 prints by Panamarenko which i bought both. These prints featured 35 inventions by Panamarenko and were signed and stamped in print by Panamarenko which made them beautiful works of art to frame and cherish. One was sold shortly after i put it up for sale on eBay /USA, but the other which was sold immediately after i had sold the first one and raised the price substantially, was lost in the process of archiving it. What happened with it….i do not know, but i could not deliver it , because it was lost and i could not find it anymore.

Last week, when i was looking for some Christmas decorations, i noticed a white tube and i immediately knew…. I found the lost PANAMARENKO/ Copyright print.

It is now for sale on eBay and in my shop www.ftn-books.com

Posted on Leave a comment

Suzy Embo (1936) and Louise Nevelson (continued)

 

Suzy Embo

Artist, photographer, wife… Behind the artist name Suzy Embo (BE, °1936) lies a privileged witness to the post-War Belgian avant-garde. Embo’s abstract images, camera-free experiments, graphic and high-contrast photographs connect her with the Subjektive Fotografie (Subjective Photography) of Otto Steinert, who used pure photographic techniques for the sake of personal expression.

In the 1960s, her work underwent a sea change: from “artiste photographe” to “photographe d’artistes”. Embo befriended Cobra artist Pierre Alechinsky, married the sculptor Reinhoud d’Haese and lived together with them in La Bosse, an artists’ commune northwest of Paris. Alongside her personal artistic work, she trained her lens on the international art scene (including such figures as Pierre Alechinsky, Christian Dotremont, Corneille, Hannoset, Karel Appel, Pol Bury, André Breton, Jacques Ledoux and Félix Labisse). The photographer created informal, intimate portraits, recorded artists at work, collaborated on projects and documented previews, plays, dance performances and other events.

Why again a  blog on this photographer? 2 reasons. The first…. Suzy Embo got recognized as one of the great Belgian photographers after WWII with the large retrospective which ended last month in Belgium and secondly because www.ftn-books.com sells an original Suzy Embo photo of Louise Nevelson and i believe that this is one of the great Embo photgraphs that deserves to be known worldwide