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Sjoerd Buisman (continued)

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A few years ago I wrote a blog on Sjoerd Buisman and explained that I admire his works since I met him at the Gemeentemuseum where he did a project with willow branches on the sides of the ponds of the Gemeentemuseum, but I could not find photographs of the project!

Now I can correct this omission since I bought 2 books on Buisman. One on his sculptures and other works from 1967-1992 and the other on his GROEIWERKEN in which I found the photographs I had been looking for for a very long time.

buisman dd

Both Sjoerd Buisman titles are now available at www.ftn-books.com

 

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Fernando Sánchez Castillo (1970)

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In his work Fernando Sánchez Castillo analyzes the relationship between art and (political) power. The artist presents us with a different view of, and interaction with, reality in his work. Sánchez Castillo often uses existing “traces” from the past as a starting point for his work and as material for his analysis and transformations. He does so—on the basis of strong social commitment—in a playful and humorous manner. Sánchez Castillo’s fascination with the history of his home country, with the civil war, the postwar era and the dictatorship, but also with today’s world, departs from a concern not only for the political and the revolutionary, but certainly for the social aspects of historical processes as well. Collective memory extends far beyond national boundaries and finds its way into the present. The artist plays with connotations that once sought images to match and, conversely, with images that now demand new connotations. The work of the Sánchez Castillo is an attempt to rewrite history, at least to make us aware of its complexity and traces, and also to show that history is a story that is constantly being constructed from the vantage point of power.

Fernando Sánchez Castillo was born in 1970 in Madrid (ES). He holds a degree in Fine Arts from the University of Complutense Madrid, and a MA degree from the Instituto de Estética Contemporánea, Universidad Autónoma, Madrid. He is a former member of the research group of ENSBA Paris. In 2005 and 2006 he was a resident at the Rijksakademie van Beeldende Kunsten in  Amsterdam (NL). Sánchez Castillo participated in the Research Team of the United Nations Geneva, PIMPA Memory, Politics and Art Practices. He had solo exhibitions at a.o. Shchusev State Museum of Architecture, Moscow (2019, RU); Kunstraum Innsbruck (2016, AT); Sala de Arte Público Siqueiros, Polanco (2016, MX); Stedelijk Museum ’s-Hertogenbosch (2016, NL); Centro de Arte Dos de Mayo CA2M, Madrid (2015, ES); OK Centrum Linz (2014, AT); Rabo Kunstzone, Utrecht (2013, NL); Kunstpavillon München (2013, DE); Kunstverein Braunschweig (2012, DE); Matadero Madrid (2012, ES); CAC Malaga (2011, ES). Group shows at a.o. Riga Biennial (2018, LT); National Center for Contemporary Arts. Moscow (2016, RU); Today Art Museum Beijing (2016, CN); Biennale Gherdëina (2016, IT); Centraal Museum Utrecht (2016, NL); Manifesta 11 Zürich (2016, CH); Albertinum Dresden (2015, DE); Palais de Tokyo (2015, FR); MOTA Tokyo (2014, JP); Goteborg Biennial (2013, SE); De Appel Amsterdam (2013, NL) and MAC Marseille (2013, FR). Works by Fernando Sánchez Castillo are part of international public and private collections.

the CAC Malaga exhibition catalogue is available at www.ftn-books.com

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Wyn Geleynse (1947)

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What better way to introduce a video artist with a video i found on the internet. Just a short video of 3 minutes introduces this Rotterdam born artist, but living almost his entire life in Canada.

 

Wyn Geleynse is a multimedia artist living and working in London, Ontario. Born in Rotterdam, Netherlands in 1947, Geleynse moved to Canada as a child and was raised in London, Ontario. Since 1969, he has exhibited extensively both in Canada and Europe. Considered one of Canada’s pioneer film and video projection artists, Geleynse’s career spans a period of nearly 40 years. His work raises questions about self and identity, commenting on the human condition with a subtle blend of irony and humanity. Interested in the notion of film projection as a metaphor for projecting one’s thoughts and desires, Geleynse worked primarily with installation-based projections in the past. In 2009, he produced an outdoor DVD projection work titled “Wyn Geleynse: The Peel Projection” for the site that will become the Art Gallery of Peel in Brampton, Ontario.

www.ftnbooks.com has 2 titles on Geleynse available:

 

 

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Lily van der Stokker (1954)

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I copied this text partly from the site of the Stedelijk Museum. The “Stedelijk” had their first van der Stokker exhibition ever. The reason…. the works by van der Stokker are strongly rooted in the collection of the Stedelijk Museum with their great collection of Conceptual Art.

Van der Stokker’s visual language of flowers, looping lines, clouds and curlicues in bold, bright colors, raises questions about what we regard as typically feminine. Her work can be placed in the tradition of feminist art, which does not conform to prevailing standards of good taste. As such, she often exploits concepts that are ‘banned’ from contemporary art, such as the frivolous and decorative.
The exhibition Lily van der Stokker – Friendly Good is her most extensive presentation in a museum so far and most of the works have not been shown in the Netherlands before.

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Often incorporating words and phrases, Van der Stokker’s work is firmly rooted in the tradition of conceptual art. Similar to her conceptual forbears (Joseph Kosuth, Lawrence Weiner, Robert Barry), Van der Stokker uses text to explore the essence of art, although as she does so, asks very different questions. Can artists show failures? Is it alright for art to be untrue? Or funny and sweet?

I am a beauty specialist. I have commissioned myself to research happiness and friendliness in my artwork, and with that I take a stand against irony and cynicism.

 

Lily van der Stokker (born Den Bosch, 1954, lives and works in Amsterdam and New York) ran a gallery in New York in the 1980s and staged one of her first exhibitions at Museum Fodor, Amsterdam (1991). In the 1990s she received international acclaim with shows at venues such as the Walker Art Center (Minneapolis), Centre Pompidou, (Paris), Villa Arson, (Nice). Her work has recently been the subject of important solos at Tate St. Ives (2010), New Museum in New York (2013) and the Hammer Museum in Los Angeles (2015). She has also completed several monumental public art projects such as the Celestial Teapot, Hoog Catharijne, Utrecht, (2013) and Pink Building during the World Expo in Hannover (2000). Lily van der Stokker exhibits at gallery Kaufmann Repetto in Milano, Air de Paris in Paris en gallery Van Gelder in Amsterdam.

 

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Sebastiaan Bremer (1970)

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One of the sites I visited on Sebastiaan Bremer wrote that his art is a mash-up of styles and techniques and I can agree with that description.

Sebastiaan Bremer, Living and working in New York, applies everything from paint and inks to physical etchings to his photographs, creating an utterly original art piece. Many of his photos are from his own past, personal mementoes that have become like a “distorted memory or a magical dream,” as Life Lounge describes.

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Because he uses photographs and prints the size of his works is limited. The maximum size I encountered was 120 x 120 cm.  Just leaf through one of the two publications available at www.ftn-books.com and you will notice that many of hs works would be even more impressive if they were executed on a larger size.  On average they are 80 x 60 cm. Still, these are in many cases intimate and highly personal works where Bremer used his childhood and personal life as the first layer of his work of art.

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Jan Hendrix (1949)

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This is the other Jan Hendrix. A contemporary of Jan Hendriks, but one that works from outside the Netherlands too and has a studio in Mexico. This land and its culture has a direct influence on his works. Hendrix is inspired by nature and this shows in practically all his works. The reason for this second blog on a “HENDRIX/HENDRIKS” is the catalogue i recently acquired . It is a galeria de arte Mexicano publication from 1980 in which series of polaroids are combined into some great works of art…..the subject….nature of cours and because i myself like the MOLESKINE notebooks i included a nice video of Hendrix and his use of the Moleskine’s

 

hendriks x

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Billy Apple ( Barrie Bates – 1935 )

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Billy Apple is considered to be a Pop Art artist, although he side stepped at some occasions his main works are related to the Pop Art movement. Coming from New Zealand but working and living in the US he made a career for himself knowing many of his great contemporaries personally.

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Billy Apple (ONZM) is an artist whose work is associated with the New York and British schools of Pop Art in the 1960s and with the Conceptual Art movement in the 1970s. He collaborated with the likes of Andy Warhol and other pop artists. His work is part of the permanent collection of the Museum of New Zealand Te Papa Tongarewa (New Zealand), Auckland Art Gallery / Toi o Tamaki (New Zealand), the Christchurch Art Gallery / Te Puna o Waiwhetu (New Zealand), The University of Auckland (New Zealand) and the SMAK/Stedelijk Museum voor Actuele Kunst (Ghent, Belgium).

Barrie Bates was born in Auckland, New Zealand in 1935. He left secondary school with no qualifications and took a job as an assistant to a paint manufacturer in 1951. Bates attended evening classes at Elam School of Fine Arts, where he met Robert Ellis, a graduate of the Royal College of Art in London.

In 1959 he left New Zealand on a National Art Gallery scholarship. He studied at the Royal College of Art, London, from 1959 until 1962. During his time at the Royal College of Art, Bates met several other artists who went on to become a new generation of pop artists; including David Hockney, Derek Boshier Frank Bowling and Pauline Boty. He exhibited frequently during his time at the College in the Young Contemporaries and Young Commonwealth Artists exhibitions along with Frank Bowling, Jonathan Kingdon, Bill Culbert, Jan Bensemann and Jerry Pethick.

In 1962 Bates conceived Billy Apple: he bleached his hair and eyebrows with Lady Clairol Instant Creme Whip and changed his name to Billy Apple. Apple had his first solo show in 1963 – Apple Sees Red: Live Stills – in London at Victor Musgrave’s Gallery One.

Apple moved to New York in 1964: he progressed his artistic career and also found work in various advertising agencies.

A pivotal event was the 1964 exhibit “The American Supermarket”, a show held in Paul Bianchini’s Upper East Side gallery. The show was presented as a typical small supermarket environment, except that everything in it — the produce, canned goods, meat, posters on the wall, etc. — was created by six prominent pop artists of the time, including Billy Apple, Andy Warhol, Tom Wesselmann, Jasper Johns and others.

Apple was one of the artists who pioneered the use of neon in art works (Apples to Xerox and Neon Rainbows). Other exhibitions and series include Art for Sale, The Given as an Art Political Statement, Transactions, Golden Rectangle, The Art Circuit etc.

In 2008 Apple was the subject of a feature length documentary called “Being Billy Apple”.

www.ftn-books.com has acquired the important UNION JACK poster by Billy Apple he made for his 2009 Witte de With exhibition. Now available at www.ftn-books.com

union witte apple a

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Janine Schrijver (1966)

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Janine Schrijver (1966)  researches the relation between people and their surroundings. She searches for little signs of human contact and thus series of photographs came to exist which show daily life in the Netherlands during the last 3 decades. An interesting oeuvre of photographs in the tradition Ed van der Elsken made his photographs in the late Fifties, Sixties and early Seventies. I can recommend the book FOREVER YOUNG ( available at www.ftn-books.com). It contains photographs of people in the age of 55+ celebrating life in their own ways.

schrijver forever

 

 

 

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Aernout Mik (1962)

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Once again a dutch artist. Aernout Mik…. Not that well known in the Netherlands but one look at his biography shows that his fame is truly international. Exhibitions and Video installations all over the world of which the exhibition at MOMA is perhaps his ultimate achievement until this date  (catalogue available at www.ftn-books.com). His video installations leave you with a sense of unease.

Look at this video in which Aernout Mik ao. explains the setting of his exhibition at the Stedelijk Museum Amsterdam

Mik is an artist who can not be explained. You have to look at his videos for yourself and wonder afterwards what the effect of the video has been. another exasmple is this SPEAKING IN TONGUES;

the MOMA Aernout Mik catalogue is available at www.ftn-books.com

aernout mik

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Guido Strazza (1922)

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One of the grand old masters in Italian modern art is Guido Strazza. His works remind me of the ones Hans Harting made during the Sixties, but these are different….more spontaneous and they have a lighter touch. Perhaps this is because his graphic works has a kind of transparency which is rare. thin lines , scattered in a pattern. like a mikado game transformed into art.

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This rare quality was recognized by Willem Sandberg who held an exhibition with Strazza in 1961 at the Stedelijk Museum ( catalogue available at www.ftn-books.com)/

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In the Seventies and early Eighties Strazza was almost forgotten, but lately his works are in fashion again. These are abstract works that tend to Minimalism and perhaps that is the reason why Strazza is becoming more popular by the year. The result several publications and some major exhibitions with his works.