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Charles and Ray Eames (9)

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This design duo is another that formed from a teacher-student relationship. Following up this cliché with yet another, their affair began while Charles was still married, leading him to leave his wife for Ray. It’s a good thing they did meet, though, as without these two the world wouldn’t have the famous LCW chair – a piece of furniture that Time Magazine proclaimed as the chair of the century. We also have the Eames to thank for the DSW chair and the Eames Lounge. The couple is recognised as the most influential architectural and furniture designers of the 20th century, working as the ultimate team until Charles’ death.

www.ftn-books has a nice selection of Vitra / Eames publications

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Jasper Johns and Robert Rauschenberg (8)

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Recognised for developing the first American style to depart from Abstract Expressionism, Jasper Johns and Robert Rauschenberg came together as collaborators and lovers in the mid ’50s. Though the two are widely considered as the founding fathers of the pop art movement, their relationship was ignored due to the rampant homophobia during this time. With many believing the two to be just friends, their intense partnership is often overlooked as being a pivotal factor in their art-making. After a passionate six years, Johns and Rauschenberg broke up. The distraught revolutionaries both left New York City, changed their pictorial styles and cut off all contact with each other for over ten years.    A nice selection of both artists is available at www.ftn-books.com

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Dorothea Tanning and Max Ernst (7)

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Following a relationship with art patron Peggy Guggenheim, Max Ernst went on to marry his fourth wife, Dorothea Tanning. The couple – who famously fell in love over a game of chess – is credited as pioneering the Surrealist movement. Despite this successful accomplishment, Manning insisted that the two “Never, never talked art. Never.” Married in a double ceremony in Hollywood with Man Ray and Juliet Browner, the pair enjoyed surrounding themselves with other artists. Often, they would entertain the likes of Henri Cartier-Bresson in their home in France, seemingly thriving among fellow creatives. Dipping between Surrealism, Dadaism and everything in between, the pair continued their separate artistic practices and maintained a healthy marriage until Ernst’s death in 1976.

There are several Max Ernst publications available at www.ftn-books.com

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Posters by Willem Sandberg and Wim Crouwel…part 3

In this blog it is time to show the combination of the 1973 Tinguely poster and the Wim Crouwel designed catalogue which he designed for this 1973 exhibition.

The poster is an original design by Jean Tingeuly, where as the catalogue, which was published for this exhibition, was designed by Wim Crouwel. It is just functional where the poster is full of life and design elements . I like both very much but these are worlds apart from each other. It is up to you which is the better graphic design.

tinguely poster 1973 a

OLYMPUS DIGITAL CAMERA

Both publications are available at www.ftn-books.com

 

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Man Ray and Lee Miller (5)

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Although Man Ray insisted that he didn’t take student apprentices, the successful model Lee Miller relocated to Paris for a chance at working with the iconic artist. She became his photographic assistant, his muse and, later, his lover. The romance was short and sweet, but the two-year relationship was a productive one. Before finding herself as a photographer and becoming an active member of the Surrealist movement, Miller discovered the solarisation technique Man Ray would later trademark. She is also credited for many of the artist’s photographs taken between 1929 and 1932, as she stepped in while he worked on his paintings.

The following titles are available at www.ftn-books.com

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Alfred Stieglitz and Georgia O’Keeffe (4)

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Alfred Stieglitz met Georgia O’Keeffe at a time when he was already at the top of his game. Twenty years her senior, the photographer and gallerist was more than just a partner for the younger artist – he also served as her mentor. He was the first to exhibit her abstract drawings and helped nurture her into the respected painter she would grow to become. O’Keeffe’s talents eventually led her to New Mexico, and the couple’s relationship consisted of little more than love letters sent back and forth until his death. The ultimate testament to the power of long distance relationships, each of the 20,000 letters has since been collected for the book “My Faraway One: Selected Letters of Georgia O’Keefe and Alfred Stieglitz”. Maybe it’s just us, but Noah’s 365 letters to Allie in The Notebook suddenly seem a lot less romantic.

These and other Stieglitz /O’Keeffe titles are available at www.ftn-books.com 

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Gilbert & George (3)

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Gilbert Proesch and George Passmore

Just like a scene from your favourite rom-com, Gilbert and George first locked eyes in the halls of Central Saint Martins in 1967, where the two studied sculpture. Dubbing the encounter as love at first sight, the duo collaborated on both 3D as well as 2D works – although they would continue to refer to all artworks as sculpture. Exploring themes of religion, sexuality and identity across a wide range of media, Gilbert and George have stayed relevant beyond the confines of the elitist art. They married in 2008, having spent over 4 decades together in the art world that they collectively rebel against.

www.ftn-books.com has many Gilbert & George titles available

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Diego Rivera and Frida Kahlo (2)

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With a love story as colourful as their shared aesthetic, Diego Rivera and Frida Kahlo’s relationship began as a teacher-student romance. Drawn together by a common interest in communist politics, a love of painting and an utmost respect for one another’s work, the pair married in 1929. Ten years later, they divorced after it was revealed that Rivera had an affair with Kahlo’s sister, Cristina. True love never fails, though, and the dynamic duo rekindled their marriage one year later. Despite being lauded as Mexico’s greatest living artist, Rivera always viewed his wife as more talented than himself. Their relationship lasted until Kahlo’s death in 1954, an event which her partner described as the most tragic moment of his life.    several titles of both artists are available at www.ftn-books.com

 

 

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Nico Dijkshoorn ( continued )

dijkshoorn kunst

Another personal observation by Nico Dijkshoorn . This time the Composition number 10 by Piet Mondriaandijkshoorn mondriaan

The book and other Piet Mondriaan publications are available at www.ftn-books.com

COMPOSITION 10 in Black and White

As you can see

mondriaan

used

in this period of his life

little color

because

he just did not feel

like using it

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Katharina Duwe and Johannes Duwe (1)

Because of the publication KUNST IM LANDTAG: PAARE on Katharina and Johannes Duwe I was inspired to devote a series of blogs to famous artist couples. Here is the first one. Not so famous this couple, but at the time of the publication ( available at www.ftn-books.com) presented as an artist couple at the DER LANDTAG venue. Of these two i have a personal preference….of these two i like Katharina over Johannes, but both have their own qualities.

Johannes Duwe was born in 1956 and was primarily inspired by the 1970s. Conceptualism is often perceived as a response to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all representative of a strong desire to progress and consolidate the art world, in response to the tensions of the previous 1960s. Process art branched out from Conceptualism, featuring some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early philosophies of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the decline of Abstract Expressionism almost two decades, the genre regained its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The cosmopolitan and refined position that New York city held in the 1960s remained just as influential in the 1970s. With multiple international renowned artists gravitating the galleries and downtown scene, the city once again strengthened its reputation as the artistic hub of the era. Across the globe, numerous movements defined the 1970s. Amongst others, feminism and the new radical philosophies it occasioned strongly influenced the visual culture. Photorealism, which had emerged in the 1960s, also received critical and commercial success. The critical, prominent artistic pillars of New York city started to embrace painters and sculptors from Latin America.

duwe paare