Why this writer… “instant” poet in a blog on art. This is because this famous dutch writer who had a weekly platform in the DE WERELD DRAAIT DOOR program also has a very personal view on art. He published together with the Kröller Muller Museum a book in which he wrote personal texts for items which are in the permanent collection of the Museum. The book is titled “DIJKSHOORN KIJKT KUNST” and is now available at www.ftn-books.com.
I the coming months i will place some examples from the book. Short personal texts put together by Dijkshoorn with great art. Here is a first . It is a text combined with the “Potatoes” painting by van Gogh.
2 architects joined forces in the beginning of the 20th century to realize the museum and hunting cabin for the family Kroller-Muller. In 1939 the museum building it self was finally finished , but more important, in the decades preceding the realisation of the museum. Mrs Kroller Muller had collected together with the aid of H.P. Bremmer a marvelous collection of contemporary art. Her choice in art was exquisite. Van Gogh, Signac, Seurat, Rijsselberghe, Redon and Marini ao were would prove to be key elements within the collection of the Kroller Muller. But for those who have visisted the museum and its surroundings there are other elements on the grounds which will be remembered. How about one of the best sculpture gardens in the world and the Jachthuis Sint Hubertus near ( designed by Berlage ) and ofcourse the beautiful and modernistic museum itslef designed by Henry van de Velde. www.ftn-books.com has a nice italian publication available which is dedicated to these designs.
What is possibly not known to many is that they have visited one of the masterpieces by Henry van de Velde in the past. The architecture of the Museum Kroller Muller was done by van de Velde after the family Kroller Muller turned down the sketches and plans by both Mies van der Rohe and Berlage. The new building was necessary for them to present their extremely large collection of van Gogh paintings. Later this collection has become the fundament of their collection which included highlights by many other contemporary artist, but the van Gogh’s are in most cases the reason why visitors from all over the world visit this museum in the forests of Park de Hoge Veluwe.
van de Velde designed a beautiful building with spectacular views on the surrounding forests and sculpture park. Later Wim Quist designed the necessary annex building , because the collection had grown too large for the old building alone and the museum was in need of an extra exhibition space for large objects.
Beside architecture van de Velde was a multi talent who designed everything. From wall papers to kitchen were all was executed with an exquisite taste.
Seurat can be seen as one of the founders of the style which is now know as Pointillism. Painting small dots in a specific color and order, thus making a composition which is fresh, clear, has vivid colors , because the dots look to melt which each other and in this way producing a vivid , shiny color. The composition itself was in many cases linear with imaginary lines all moving in one direction. For instance the lines of Le Chahut all go up. ( see the moustaches).
There are not many paintings executed in the pointillistic style by Seurat. Seurat only became 31 years of age and in this time he made 50 known paintings in the pointillist style. We are fortunate to have one in the Netherlands and it is not the least important one, because mrs Kroller Muller chose this herself to be part of her impressive collection. So do not visit the Museum Kroller Mulelr for the van Gogh’s , but instead look at the other paintings in the collection which are at least as impressive . The Seurat being one of them.
Tip. When you visit the Kroller Muller Museum. Leave your car at the entrance and hop on a bike to cycle to the museum and the Jachtslot by Berlage one of the most beautiful National Parks the Netherlands has and a great way to spend a day.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20