The book i recently read on H.P. Bremmer shows the importance of this art consultant/artist. Not only he advised Mrs Kröller Muller , but he maintained one of the most important art networks during his life, which made it possible for him to advise mrs. Kroller Muller, the very best of art which at that time was and became available. His network made it possible to acquire works by van Gogh, Seurat, Signac, Toorop ….but also more modern artists like Matisse, Toorop and Severini. The result was one of the most stunning art collections in the world and the collection still stands out for its quality and location in Otterlo. . At random some names that made it possible for H.P. Bremmer to maintain his network untiul his death in 1956. : Hannema, Huszar, Lemmen, Israels, Modriaan, Sluijters, Redonm, Toorop, Mendes da Costa.
For those who mastered the dutch language….the very interesting book on H.P. Bremmer is now available at www.ftn-books.com
On first observation there is no relationship between Paul Signac and Henk Peeters, but after i had included a book on Paul Signac from the library of Henk Peeters to my inventory it was clear to me that Peeters must have had a great admiration for Signac and his Neo Impressionist friends.. The placing of the dots i compare to the placing of the cotton pads or feathers by Peeters on the Canvas.
I can be sure that this book comes from the library of Peeters , since it is signed in ink on the title page and has 2 stamps. The oldest being with his address Fahrenheitstraat 671 in Den Haag, the second his Arnhem address at the Hoogstedelaan 12. Just to illustrate:
On the left signac’s enlarge part of the sky above Rotterdam and on the right a canvas by Peeters. The Signac book is now available at http://www.ftn-books.com
In french one would say about Jan Baartmans ” a petit maitre” . Translated in dutch “een kleine meester” and in english ….. a lesser known master painter.
Baartmans is not known at all and only locally he is presented in the last few decades. One of these occasions was at the ‘de Markiezenhof” in Bergen op Zoom in 1995, organized and financed for the greatest part by his family . Look at his paintings and one sees influences of the impressionists and fauves, but also ,” just around the corner ” some neo-impressionist influences. A touch of Signac and Rijsselberghe is present .
I am convinced that there are admirers amoong my reqaders and for those know that i have teh MARKIEZENHOF publication from 1995 now available at www.ftn-books.com
Why I did not think of Cross before I do not know, but it is a fact that Cross is at least as import as Maximilien Luce (he painted the portrait above this blog) and Henri Le Sidaner. His name did not become the household name like the ones of Seurat and Signac became, but his works are not less important than the ones by these. Cross his works are more intimate and reflect nature mainly of the French South Coast.
Cross became in his time one of the artists who embraced neo-impressionism and the pointillist way of painting.
Cross’s paintings of the early- to mid-1890s are characteristically Pointillist, with closely and regularly positioned tiny dots of colour. Beginning around 1895, he gradually shifted his technique, instead of using broad, blocky brushstrokes and leaving small areas of exposed bare canvas between the strokes. The resulting surfaces resembled mosaics,and the paintings may be seen as precursors to Fauvism and Cubism In the Pointillist style, minute spots of paint were used to blend colours harmoniously.
What most people do not know is that Henri Matisse was a great admirer of Henri-Edmond Cross and that the influence of Cross can be discovered in the early paintings of Matisse. This alone makes Cross of importance in Art’s history.
Hendrik Jan Wolter is not on show in many Museum collections, however his works appear frequently at auctions in the Netherlands. It took at least 20 years of auctioning, but now his works fetch average to good prices ( 1000-5000 euro) and deservedly so, because according to many his impressionist works belong to the best impressionist works made in the Netherlands in the 20th century. he knew Theo van Rijsselberghe, Seurat and Signac and was greatly influencedx by all 3 without becoming a pointilist “pur sang” his works are more a cross between the pointillists and impressionists meeting with Matisse.
Here are some examples of his works:
Boats in sorts and kinds were his passion, because on the majority of his paintings you will encounter boats. A fascinating artist who becomes increasingly important in the Netherlands. www.ftn-books.com has some nice Hendrik Jan Wolter publications available.
Hannie Bal was married to Willem Schrofer. Schrofer was one of the founding members of VERVE and together with her husband they both were VERVE members during its existence. Both Hannie Bal and Schrofer were later recognized as highly influential in the Dutch art scene ( Schrofer taught at the Koninklijke Academie) and both were important for the NIEUWE HAAGSE SCHOOL. A group of artists, all living in the The Hague area, and working close together in the 50’s and 60’s , meeting regularly in the Haagse Kunstkring and the Bodega DE POSTHOORN.
Hannie Bal was one of the few female artist in those days, but her work has nothing feminine. It was inspired by great artists like Cezanne and the later Neo Impressionists like Seurat and Signac
…..and she even had a very productive period at the end of the sixties/early seventies in which she made Constructivist paintings.
Why this short story on Hannie Bal and Verve. Verve because there are some extremely nice early publications on Verve and its artists at www.ftn-books.com available and secondly. ….Today i started 2 auctions with work by Hannie Bal on Catawiki. Both starting at only euro 1,– which make these very nice works a possible win for all. Take a look at them and start bidding on this Black Friday weekend………
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20