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A rare Wim Crouwel designed publication.

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Most of the people who admire the designs by Wim Crouwel, know that at one time he designed a series of stamps for the PTT ( the postal service in the Netherlands) The series of stamps was widely used and became famous for being functional and still having a great design.

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Because the series was widely used and succesfull, Crouwel was asked to design the book on the publication of the stamps of 1977. This has become a typical Wim Crouwel publication. The book is smaller than usual, but one can recognize the Crouwel Lay-out of the pages. The editions of these “YEARBOOKS” were small and after inquiring i heard the number of 1000 copies. Of these many will have be destroyed or were lost and this is a ncie chance to add this to your Crouwel collection. Available at www.ftn-books.com

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Two Carl Andre additions

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At the beginning of Minimalism, 3 names rose to fame almost instantly. Sol LeWitt, Donald Judd and Carl Andre. All had their one man shows at the Haags Gemeentemuseum, but i noticed that the appreciation of Andre was not as high as the appreciation of his comrades. 30 years after his last show at the Gemeentemuseum things have changed for the better for Carl Andre. There was a very large retrospective exhibition travelling the US, Germany, Spain and France and the catalogue which was published with this exhibition is by far the the most complete on Andre ever.

Perhaps it is not the best, since i value myself the 1988 by Fuchs and Gracia Lebbink to be the best of all Andre catalogues, but it is a worthy addition to any Minimal Art library and still at a very affordable price. The second addition is the ART & PROJECT Bulletin 85, which is one of the rarest of all Carl Andre publications. Both are now available at www.ftn-books.com

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Hans-Willi Notthoff (1959)

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This is one of the artists who was included within the stack of German artists books i bought recently. What characterizes Notthoff works is the bright colors that are used in all his works. Making these joyful , colorful paintings which resemble a bit the Hard Edge paintings from the early Seventies. Of course not hard edge but more Pop Art like, but still colorful compositions. Far less complicated and intriguing than the paintings by Richard Schur , which i recently acquired, but still nice and colorful abstract paintings and worthwhile to check out if you can.

Hans-Willi Notthoff

1959 in Mönchengladbach geboren
1980–1989 Studium an der Kunstakademie Düsseldorf
1989 Meisterschüler
1993 Villa Romana-Preis, einjähriger Aufenthalt in Florenz
1994–1999 Lehrauftrag für Malerei und Zeichnen an der Kunstakademie Düsseldorf
1995–1997 Lehrauftrag für Grundlagen der Gestaltung und Freihandzeichnen an der Universität/GH Essen
seit 2007 Dozent für Malerei und Freihandzeichen im Lernort Studio, Düsseldorf
Lebt und arbeitet in Düsseldorf

this is the publication available at www.ftn-books.com

nothoff

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Pat Andrea in the USA?

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I still have not found why there is such a raise in interest in Pat Andrea from the US.

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Last week i sold 2 of the best publications on this gifted dutch artist . Both to US collectors and galeries. They must know what they were doing , since these were not cheap publications, but the very best and rare books on Pat Andrea ever published. There was the Gemeentemuseum Catalogues with its main theme of Alice in Wonderland and ….The Schiedam catalogue of the 1994 retrospective on the artist. Arguably this is the better book of both, because paintings are depicted at a slightly bigger size and in many cases spread over 2 pages. Both highly collectable and better still….i have the Stedelijk Museum Schiedam catalogue available beside some other very nice and highly collectable Pat Andrea publications.

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Wim Crouwel at the Stedelijk Museum opens on the 28th of September

Here is the integral announcement received yesterday, confirmed by the Stedelijk Museum is the opening on the 28th of September. Prepare your visit and search for the largest Wim Crouwel publications collection for sale on the internet at www.ftn-books.com

Tentoonstelling — 28 sep 2019 t/m 22 mrt 2020

Eerbetoon aan ontwerper Wim Crouwel (1928) met een selectie van zijn grafische vormgeving.

Het Stedelijk Museum eert Wim Crouwel (1928) met de tentoonstelling Wim Crouwel: Mr. Gridnik, waarin een selectie te zien is van zijn grafische vormgeving. Crouwel, in 1963 medeoprichter van het eerste multidisciplinaire ontwerpbureau Total Design, is een van de bekendste ontwerpers van Nederland en internationaal befaamd om o.a. zijn werk voor het Van Abbemuseum, het Stedelijk Museum Amsterdam, zijn letterontwerpen waaronder het New Alphabet uit 1967 en zijn bedrijfslogo’s. Hij verwierf ook bekendheid als woordvoerder van de beroepsgroep  in welke hoedanigheid hij zijn eigen uitgesproken meningen niet voor zich hield. Voor het Stedelijk Museum was hij van 1963 tot 1985 verantwoordelijk voor alle grafische uitingen van het museum.

Wim Crouwel, ‘New Alphabet Kwadraat-blad’, 1967. Collectie Stedelijk Museum Amsterdam
Wim Crouwel, ‘New Alphabet Kwadraat-blad’, 1967. Collectie Stedelijk Museum Amsterdam

  • Wim Crouwel, ‘Etienne Martin’, 1963. Collectie Stedelijk Museum Amsterdam
    Wim Crouwel, ‘Etienne Martin’, 1963. Collectie Stedelijk Museum Amsterdam

MR. GRIDNIK

Al vanaf de jaren ‘50 werd Wim Crouwel sterk beïnvloed door de Zwitserse grafisch vormgevers die met hun rationele en minimalistische benadering gebruik maakten van het grid als systeem. Hij heeft zijn hele carrière een voorliefde gehad voor het grid, dat hij als een belangrijk hulpmiddel beschouwde. Hij paste dit al toe in zijn ontwerpen voor het Van Abbemuseum in Eindhoven (1956-1964) en later voor het Stedelijk Museum. Bij Total Design dienden de gridvellen als ondersteuning van het vele werk dat het Stedelijk vereiste. Crouwel was een voorstander van een analytische benadering, hij geloofde in technologie en vooruitgang en promootte ontwerpen als een onafhankelijk vak. De fascinatie voor het grid was ook terug te zien in de tentoonstelling Wim Crouwel: Fascinated by the Grid, die in 2017 en 2018 te zien was in Japan. Met het museumwerk bouwde Crouwel een indrukwekkend oeuvre op dat beslissend was voor zijn reputatie.

Het Stedelijk Museum speelt een belangrijke rol als het gaat om grafische vormgeving en kent hierin een belangrijke traditie. De introductie van de tentoonstelling gaat over deze geschiedenis en laat werk zien van alle betekenisvolle grafisch vormgevers van het Stedelijk naast Crouwel zoals Willem Sandberg, Anthon Beeke, Experimental Jetset, Mevis & van Deursen en anderen.

Wim Crouwel (1928) begon zijn carrière in 1952 als tentoonstellingsontwerper maar werd vooral bekend als grafisch vormgever. Naast ontwerper was hij ook lector, hoogleraar, organisator en woordvoerder. Van 1985 tot en met 1993 was hij directeur van Museum Boijmans van Beuningen in Rotterdam. Hij was en is een leidende figuur in de Nederlandse vormgeving en in het Nederlandse culturele leven. Zijn werk kan nog steeds op veel belangstelling rekenen van jonge ontwerpers. Het speciaal in het leven geroepen WimCrouwel Instituut zet zich in voor het toegankelijk maken van kennis over grafische vormgeving als erfgoed.

Op 17 juli 2019 ontvangt Crouwel de prestigieuze Amerikaanse Type Directors Club Medal (New York) voor zijn letterontwerpen.

NIEUWE DOCUMENTAIRE

In de tentoonstelling wordt de nieuwe documentaire die Lex Reitsma maakt over Wim Crouwel vertoond: wim crouwel modernist. De documentaire wordt in het najaar van 2019 ook op televisie uitgezonden.

NAJAAR 2019: 3X GRAFISCH ONTWERP IN HET STEDELIJK

Dit najaar zijn er in het Stedelijk maar liefst drie tentoonstellingen te zien over grafische vormgeving. Wim Crouwel: Mr. Gridnik wordt vergezeld door de affichetentoonstelling Kleurrijk Japan (7 september 2019-2 feb 2020), en de presentatie Best Verzorgde Boeken 2018 (25 september-30 oktober 2019).

 

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Dirk de Herder ( 1914-2003)

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On the site of the Nederlands Fotomuseum, Dirk de Herder is described as the poet among dutch photographers from his age. His photographs have a dreamlike poetic quality ( see the portrait above). De Herder considered himself as a master of light. His classic black & white photographs have been popular ever since 1946, when his first book about Amsterdam was published (now a classic at photobook auctions by itself). His images of the old centre of Amsterdam and later, in the same style, Stockholm and Paris were influenced by Brassaï, with whom he corresponded, exchanged books and prints. As a photographer he was also acquinted with COBRA, whose members he regulary photographed (and published in another book). For VARA television, a Dutch broadcasting company, he photographed many celebrities for the television programguides. But his hart was always with his free work. He made many more books, ‘Never travel without a Suitcase full of Dreams’ (80 photographs, for his 80th birthday) and ‘Flashback’ (about his life), were among the last.

There are several Dirk de Herder titles vailable at www.ftn-books.com

 

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Richard Schur (1971)

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Writing a blog on Art is not only pointing into the right direction of the greatest of artists, but it certainly is my intention to introduce some lesser known artists and explain why they appeal to me personally. The artist Richard Schur was not known to me until i noticed his paintings at an auction. I was impressed in the way he made his compositions. Constructivist ones, but not in a rigid way like Mondrian did, but putting planes and surfaces ( almost rectangular) beside and on top of each other. It was a new approach tome and had rarely seen done this before ….plus i thought his paintings are very appealing. I was lucky that i could buy two of his works at auction . One will be for sale in a year, but in the meantime i will have it on my wall and try to find out why i fell in love with it. The other i plan to make it a permanent part of my collection. Visit Richard Schur’s site to see more of his painting and “meet” the artist and his works . ( https://www.sound-of-color.com )

For me, Abstraction is a place of collective 

and personal memories, experiences and emotions.

I’m a poet, a composer and an Old Master’s son. 

As a contemporary artist, tradition is my ally 

and my enemy. I’m interested in the directness 

of Expressionism, the clarity of Hard Edge 

and the precision of the Renaissance painters.

 Through a long, systematic and intuitive process, 

then, I aim to reflect the meaning of every brushstroke 

within the whole: anything matters here.

As if you could hear the sound of color, Richard Schur creates visual experiences based on the transcendental qualities of color.  Born in Munich (1971), Richard Schur studied with Jerry Zeniuk at the Academy of Fine Arts Munich, and graduated as “Meisterschüler” in 2000. From 2002 to 2008 he teached painting as Assistant Professor at the  Academy of Fine Arts Munich. Recent solo exhibitions include The Sound of Color, Galerie der Moderne, Stefan Vogdt, Munich (2017), Meadows, Cross Mackenzie Gallery, Washington, DC (2016), Manhattan Stories, Galerie Postel, Hamburg (2015). While recent Group shows include Ganz Konkret, Galerie Klaus Braun, Stuttgart (2017), Wendezeiten, CCA  Andraxt Kunsthalle, Mallorca, Spain (2016), Break Ground, ART 3, Brooklyn, NY, USA (2016). His work can be found in public and private collections worldwide including Pinakothek der Moderne, Munich, Guangdong Museum of Art in China, CCA, Centro Cultural Andraxt, Spain, Agnes Gund Collection, New York, BMW Group Art Collection and Allianz Art Collection.

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Robert Adams (1937)

 

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When i first saw an exhibition with the photographs by Robert Adams, i searched my memory and discovered that unconsciously i had seen many of these before. Photographs in which he documented the American way of life in the West, but it was not until i visited his exhibition at the Josef Albers museum, that all fell into place. Here was a very nice number of iconic photographs brought together in one splendid exhibition.

Robert Adams (b. 1937) is a photographer who has documented the extent and the limits of our damage to the American West, recording there, in over fifty books of pictures, both reasons to despair and to hope. “The goal,” he has said, “is to face facts but to find a basis for hope. To try for alchemy.”

Adams grew up in New Jersey, Wisconsin, and Colorado, in each place enjoying the out-of-­doors, often in company with his father. At age twenty-five, as a college English teacher with summers off, he learned photography, choosing as his first subjects early prairie churches and early Hispanic art, subjects of unalloyed beauty. After spending time in Scandinavia with his Swedish wife, Kerstin, however, he realized that there were complexities in the American geography that merited exploration.

In the 1970s and ’80s Adams produced a series of books—The New WestDenverWhat We BoughtSummer Nights—that focused on expanding suburbs along Colorado’s Front Range, books that pictured heedless development but also the surviving light, scale, form, and silence of the natural world. He also examined this mixture of humanity’s imprint and nature’s resilience in the wider western landscape (From the Missouri West) and in the Los Angeles basin (Los Angeles SpringCalifornia).

FTN-books has the exhibition posters of the Josef Albers Museum available at www.ftn-books.com

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Ben Nicholson (1906-1978)

 

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There are not many photo portraits to be found of Ben Nicholson. This must have been an artist who did not searched for fame, but developed his style of painting in a very thorough way over the years. Started as many of his fellow artists in a figurative way, but influenced by Henry Moore and Barbara Hepworth ( who would become his second wife) he developed a very personal way of abstract painting. These are the ones i admire most of Ben Nicholson.

They have a constructivist quality and lightness in them which make these paintings very easy to like. The influence of Barbara Hepworth makes his art even more complete. Perhaps he is a little bit forgotten, but every decade a renewed interest is there, which results in a tremendous exhibition.

www.ftn-books.com has some very nice Nicholson publications available including the Willem Sandberg designed Stedelijk Museum catalogue from 1954

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