This is one of the artists who was included within the stack of German artists books i bought recently. What characterizes Notthoff works is the bright colors that are used in all his works. Making these joyful , colorful paintings which resemble a bit the Hard Edge paintings from the early Seventies. Of course not hard edge but more Pop Art like, but still colorful compositions. Far less complicated and intriguing than the paintings by Richard Schur , which i recently acquired, but still nice and colorful abstract paintings and worthwhile to check out if you can.
1959 in Mönchengladbach geboren
1980–1989 Studium an der Kunstakademie Düsseldorf
1993 Villa Romana-Preis, einjähriger Aufenthalt in Florenz
1994–1999 Lehrauftrag für Malerei und Zeichnen an der Kunstakademie Düsseldorf
1995–1997 Lehrauftrag für Grundlagen der Gestaltung und Freihandzeichnen an der Universität/GH Essen
seit 2007 Dozent für Malerei und Freihandzeichen im Lernort Studio, Düsseldorf
Lebt und arbeitet in Düsseldorf
My first impression was that Manzu is the illegitimate brother of Monsieur Hulot ( Jacques Tati). On the left there is Manzu and on the right Monsieur Hulot… there is certainly a resemblance.
But nothing of this, Giacomo Manzu ( Giacomo Manzoni) is a typical Fifties Italian sculptor. A sculptor who had his conflicts with the fascist government but spent the Forties and early Fifties at teaching positions all over Italy . His latest being one in Brera and Torino ,after which he moved to Salzburg where he married his wife who was modeling for him.
His works are in the most prestigious museum and private collections. Although he was an atheist,] he was a personal friend of Pope John XXIII and had important liturgical commissions for the Vatican. In the United States, architect Minoru Yamasaki commissioned him the Passo di Danza (dance step) sculpture at the One Woodward Avenue building in Detroit. He also carved the Nymph and Faun at Wayne State University’s McGreagor Memorial Sculpture Garden. www.ftn-books.com has some rare Manzu publications available.
Annie Leibovitz rose to fame when she published her first photographs in Rolling Stone Magazine. It was there that she met many of the artists who later asked and commissioned her to photograph the covers and inner sleeves for their albums. John Lennon, Yoko Ono, Joan Armatrading, the Rolling Stones and Whoopi Goldberg, all of them asked her to make their photographs and many of these became world famous. Later on in her career she made some unfortunate financial choices and was left with a substantial debt of over 15 million.
In February 2009, Leibovitz borrowed US$15.5million, after having experienced financial challenges, putting up several houses as well as the rights to all of her photographs as collateral. The New York Times noted that “one of the world’s most successful photographers essentially pawned every snap of the shutter she had made or will make until the loans are paid off,”[and that, despite a US$50million archive, Leibovitz had a “long history of less than careful financial dealings” and “a recent series of personal issues” including the loss of her parents and the 2004 death of Sontag, as well as the addition of two children to her family, and controversial renovation of three Greenwich Village properties.
This overshadowed her carreer,in the last decade, but since 2010, her financial situation bettered with the help of Colony Capital. Leibovitz can now breath again freely and do what she is great in doing….making iconic photographs like the ones above. www.ftn-books.com has some publications on Leibovitz available at this moment.
Pop artist John Wesley is one of the lesser known Pop Art artist for us Europeans. There was of course this great 1993 exhibition in the Stedelijk Museum, but since few other exhibitions were being held in this part of the world. Still, Wesley is a much more famous in the US, but has never reached the popularity of the other Pop art artist like Warhol and Lichtenstein.
The spareness of his technique often seems more akin to the school known as Minimalism, however, and indeed his closest personal associations were with artists such as Dan Flavin and Donald Judd, the latter of whom wrote a laudatory essay on Wesley’s early work and later set aside a space for him at his complex in Marfa, Texas. Wesley himself considers his work to be aligned with Surrealism, and many of his paintings since the 1960s have taken this dimension yet further, while retaining an extremely limited range of colors and a sign-like flatness. Several retrospectives of his work have been held, the most recent at the P.S.1 Contemporary Art Center in 2000, but since it is quiet except for some gallery presentations. This artist deserves much more , because his works really stand out from the other Pop Art artist and have a quality of their own. www.ftn-books.com has beside some very nice Pop art books, the famous and rare Stedelijk Museum catalogue from 1993 available.
John Wesdley is represented by the David Kordansky gallery who has some nice examples of his works on their site :
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20