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Posters by Willem Sandberg and Wim Crouwel…part 3

In this blog it is time to show the combination of the 1973 Tinguely poster and the Wim Crouwel designed catalogue which he designed for this 1973 exhibition.

The poster is an original design by Jean Tingeuly, where as the catalogue, which was published for this exhibition, was designed by Wim Crouwel. It is just functional where the poster is full of life and design elements . I like both very much but these are worlds apart from each other. It is up to you which is the better graphic design.

tinguely poster 1973 a

OLYMPUS DIGITAL CAMERA

Both publications are available at www.ftn-books.com

 

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Man Ray and Lee Miller (5)

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Although Man Ray insisted that he didn’t take student apprentices, the successful model Lee Miller relocated to Paris for a chance at working with the iconic artist. She became his photographic assistant, his muse and, later, his lover. The romance was short and sweet, but the two-year relationship was a productive one. Before finding herself as a photographer and becoming an active member of the Surrealist movement, Miller discovered the solarisation technique Man Ray would later trademark. She is also credited for many of the artist’s photographs taken between 1929 and 1932, as she stepped in while he worked on his paintings.

The following titles are available at www.ftn-books.com

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Alfred Stieglitz and Georgia O’Keeffe (4)

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Alfred Stieglitz met Georgia O’Keeffe at a time when he was already at the top of his game. Twenty years her senior, the photographer and gallerist was more than just a partner for the younger artist – he also served as her mentor. He was the first to exhibit her abstract drawings and helped nurture her into the respected painter she would grow to become. O’Keeffe’s talents eventually led her to New Mexico, and the couple’s relationship consisted of little more than love letters sent back and forth until his death. The ultimate testament to the power of long distance relationships, each of the 20,000 letters has since been collected for the book “My Faraway One: Selected Letters of Georgia O’Keefe and Alfred Stieglitz”. Maybe it’s just us, but Noah’s 365 letters to Allie in The Notebook suddenly seem a lot less romantic.

These and other Stieglitz /O’Keeffe titles are available at www.ftn-books.com 

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Gilbert & George (3)

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Gilbert Proesch and George Passmore

Just like a scene from your favourite rom-com, Gilbert and George first locked eyes in the halls of Central Saint Martins in 1967, where the two studied sculpture. Dubbing the encounter as love at first sight, the duo collaborated on both 3D as well as 2D works – although they would continue to refer to all artworks as sculpture. Exploring themes of religion, sexuality and identity across a wide range of media, Gilbert and George have stayed relevant beyond the confines of the elitist art. They married in 2008, having spent over 4 decades together in the art world that they collectively rebel against.

www.ftn-books.com has many Gilbert & George titles available

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Diego Rivera and Frida Kahlo (2)

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With a love story as colourful as their shared aesthetic, Diego Rivera and Frida Kahlo’s relationship began as a teacher-student romance. Drawn together by a common interest in communist politics, a love of painting and an utmost respect for one another’s work, the pair married in 1929. Ten years later, they divorced after it was revealed that Rivera had an affair with Kahlo’s sister, Cristina. True love never fails, though, and the dynamic duo rekindled their marriage one year later. Despite being lauded as Mexico’s greatest living artist, Rivera always viewed his wife as more talented than himself. Their relationship lasted until Kahlo’s death in 1954, an event which her partner described as the most tragic moment of his life.    several titles of both artists are available at www.ftn-books.com

 

 

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Nico Dijkshoorn ( continued )

dijkshoorn kunst

Another personal observation by Nico Dijkshoorn . This time the Composition number 10 by Piet Mondriaandijkshoorn mondriaan

The book and other Piet Mondriaan publications are available at www.ftn-books.com

COMPOSITION 10 in Black and White

As you can see

mondriaan

used

in this period of his life

little color

because

he just did not feel

like using it

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Katharina Duwe and Johannes Duwe (1)

Because of the publication KUNST IM LANDTAG: PAARE on Katharina and Johannes Duwe I was inspired to devote a series of blogs to famous artist couples. Here is the first one. Not so famous this couple, but at the time of the publication ( available at www.ftn-books.com) presented as an artist couple at the DER LANDTAG venue. Of these two i have a personal preference….of these two i like Katharina over Johannes, but both have their own qualities.

Johannes Duwe was born in 1956 and was primarily inspired by the 1970s. Conceptualism is often perceived as a response to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all representative of a strong desire to progress and consolidate the art world, in response to the tensions of the previous 1960s. Process art branched out from Conceptualism, featuring some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early philosophies of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the decline of Abstract Expressionism almost two decades, the genre regained its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The cosmopolitan and refined position that New York city held in the 1960s remained just as influential in the 1970s. With multiple international renowned artists gravitating the galleries and downtown scene, the city once again strengthened its reputation as the artistic hub of the era. Across the globe, numerous movements defined the 1970s. Amongst others, feminism and the new radical philosophies it occasioned strongly influenced the visual culture. Photorealism, which had emerged in the 1960s, also received critical and commercial success. The critical, prominent artistic pillars of New York city started to embrace painters and sculptors from Latin America.

duwe paare

 

 

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Felix Bracquemond (1833-1914)

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Bracquemond just died start of WW I. Had he lived through these war years i am sure he would have made series on the war like Goya and Dix did, but since he never witnessed the true horrors of the “GREAT WAR” he was stuck in semi impressionist and art nouveau art. Still, such a description does not do justice to the artist that Bracquemond was. His technique is flawless and his art can be recognized immediately. Of course, he was a contemporary of Vincent van Gogh and this must be the reason the van Gogh Museum devoted an exhibition to Bracquemond in 1994. This was the 3rd exhibition in their series of 19th Century Masters. The catalogue is well worth collecting and now available at www.ftn-books.com

bracquemond gogh

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Posters by Willem Sandberg and Wim Crouwel…part 2

Another impressive poster by Willem Sandberg for a series of 1962 exhibitions. Among these the first presentation of works by Philip Guston.

guston a poster.jpg

of these the published catalogues look quite different. All publication are available at www.ftn-books.com.

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Dr. Erich Salomon ( 1886-1944)

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Erich Salomon (28 April 1886 – 7 July 1944) was a German-born news photographer known for his pictures in the diplomatic and legal professions and the innovative methods he used to acquire them.

Erich Salomon memorial Born in Berlin, Salomon studied law, engineering, and zoology up to World War I. After the war, he worked in the promotion department of the Ullstein publishing empire designing their billboard advertisements. He first picked up a camera in 1927, when he was 41, to document some legal disputes and soon after hid an Ermanox camera usable in dim light in his bowler hat. By cutting a hole in the hat for the lens, Salomon snapped a photo of a police killer on trial in a Berlin criminal court.

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Beginning in 1928, Salomon worked for Ullstein’s Berliner Illustrirte Zeitung as a photographer. With his multilingual ability and clever concealment, his reputation soared among the people of Europe. When the Kellogg-Briand Pact was signed in 1928, Salomon walked into the signing room and took the vacant seat of the Polish delegate, and took several photos. He is one of only two known persons to have photographed a session of the U.S. Supreme Court.[1]

After Adolf Hitler came to power in Germany, Salomon fled to the Netherlands with his wife and continued his photographic career in The Hague. Salomon declined an invitation from Life Magazine to move to the United States. He and his family were trapped in the Low Countries after Germany invaded in 1940. Salomon and his family were held in the Westerbork transit camp, then for almost five months in Theresienstadt concentration camp and were deported from there to the Theresienstadt Family Camp in May 1944. He died in Auschwitz on 7 July 1944.

The Dr. Erich Salomon Award is a lifetime achievement award for photojournalists given by the Deutsche Gesellschaft für Fotografie (other languages) (German society for photography). www.ftn-books.com has the Stedelijk Museum catalogue from 1981 available.

salomon stedelijk