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Felix Bracquemond (1833-1914)

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Bracquemond just died start of WW I. Had he lived through these war years i am sure he would have made series on the war like Goya and Dix did, but since he never witnessed the true horrors of the “GREAT WAR” he was stuck in semi impressionist and art nouveau art. Still, such a description does not do justice to the artist that Bracquemond was. His technique is flawless and his art can be recognized immediately. Of course, he was a contemporary of Vincent van Gogh and this must be the reason the van Gogh Museum devoted an exhibition to Bracquemond in 1994. This was the 3rd exhibition in their series of 19th Century Masters. The catalogue is well worth collecting and now available at www.ftn-books.com

bracquemond gogh

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Sjoerd Buisman (1948)

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Another artist that you learn to admire over time. I encountered Buisman and the work he made for the first time when he covered the sides of the pond of the Gemeentemuseum  with willow branches . I could not find a photograph of it , but the effect is like the project with the Museum in Assen where he build a structure with willow branches.

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The project in the beginning looked like nothing , but because i worked at the museum i could literally see the growing of the project. Leaves were sprouting and the branches became leaved branches over time forming new branches to the existing ones and in the end there was a solid flat hedge of green surrounding the left pond of the Gemeentemuseum. It was a little like magic and the only elements needed. branches, water and sun developing in something spectacular. This was the first reason to admire Buisman and since i am almost always impressed with his projects. Less with his sculptures, but that is personal.

There are 2 Buisman publications available at www.ftn-books.com

the HollandseMeesters series presented Buisman in the Series.

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Vasarely at Denise Rene, 1970

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The year….1970…..the exhibition MASTERS OF MODERN ART, location gallery Denise Rene…the invitation…..a special object designed by Victor Vasarely.

This is one of the most impressive invitations ever, because it was made in a limited edition and only a few will have remained during the past 47 years. The invitation is printed in an oblong format and consist on one side of the name of and the artists within the exhibition. The other side is printed with a Vasarely design on which a transparent, but printed design can be placed and moved over the original design. Resulting in an ever changing Vasarely composition. … a spectacular original Vasarely which is available at www.ftn-books.com