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Joris Geurts (1958)

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Just a little younger than myself, but this is an artist who grows on you. I had the opportunity to follow his works for a long time now. In the early stages of his career at gallery Art & Project and later on at Slewe gallery ( from 1995).

In the beginning his compositions did not attract me at all, but from the mid Nineties on his works develop into something very special. He creates with his composition a universe and builds it with lines, squares, oval shapes and circles making them highly recognizable and personal paintings.

Slewe gallery represents Joris Geurts now for over 2 decades and in this time they commissioned Irma Boom to make a Geurts catalogue which has become one of my favorite Irma Boom catalogues of all time.

The catalogue is a typical Boom designed book , but it is not the catalogue which draws your attention, but the paintings depicted within. This period was a highly productive period for Joris Geurts and FTN-art is lucky to have acquired 2 paintings by Geurts from these important years ( POA). The Irma Boom designed catalogue is available at www.ftn-books.com

 

Here is the text from  the Slewe gallery pages

Joris Geurts, born in 1958 in Oss (NL), makes abstract paintings, drawings and prints.They are assiociatively built up, but transparantly layered and traceble. Small squares and dots float on deep blues and greens, giving associations with the kosmos or landscape.

After his study at the AKI in Enschede, Geurts started his career at Art & Project Gallery in Amsterdam in the early eighties. Since 1995 he showed regularly at Slewe Gallery. In 2001 he had a show at Noordbrabants Museum in ’s-Hertogenbosch, on which occasion a catalog had been published Purple Blue and Lemon Yellow, giving an overview of his work, with texts by Bert Jansen and Henk van Woerden. In addition to his painting practice he also works as a composer of music. His works have been collected by several important public collections, such as the Stedelijk Museum Amsterdam, Museum Boijmans van Beuningen, Rotterdam, Rijksmuseum Twenthe, Enschede and the corporate art collections of the AKZO Nobel, ABN AMRO, KPN, Bouwfonds and AEGON.

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Constant..NEW BABYLON by Wigley

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If there is one title which has become one of the most sought after ones i have in my inventory it is Constant’s New Babylon/ The Hyperarchitecture of desire.

The book originally published in 1998 for the Witte de With exhibition , was sold at the occasion of the restoration of the New Babylon models by Constant. It took almost 5 years, but after that restoration period, these very important and visionary models could be presented again in all their glory. With the exhibition the Gemeentemuseum sold the book by Mark Wigley and because of its price almost guilders 50,– we did not sell many copies and eventually the book was part of a sale in which the book was sold for less than euro 12,–

But after that “low”, the stature of the book changed. It was described as one of the best architecture books on the market and i received orders from all over the world because in architecture lessons and classes it was described as one of the key publications in the field of visionary architecture. At one time i even bought a box of these books and sold them within a few months. But things have changed. No longer you can find copies and whenever one is offered it is at auction where it fetches a high price ( plus costs ). Still one copy remains in my inventory at ww.ftn-books.com

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Ronald de Bloeme (1971)

 

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It took me a very long to finally acquire a Ronald de Bloeme painting for our collection , but finally we found one and added it on the 2nd of October 2018. It is one from the series “Oil On Postal bags” and comes from the former Hans Sonnenberg collection.

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This collection was split up and auctioned some months ago and this work found in the end its way to our collection. It is an impressive painting and shows exactly why de Bloeme becomes more and more important in modern art. The series of postal bag paintings was partially painted at the time he was in residence at the Kunstlerhaus Bethanien where he made several of these large paintings. Postal bags stitched to each other and with their original postal prints still on them, de Bloeme made a composition on them in which points, arrows, dots, numbers and stripes are attached to each other, making a composition in which you can see that the subject is COMMUNICATION in all its appearances and the essence of this series of paintings. The feel of the canvas is totally different than expected.  You expect a coarse surface, but this is not the case. The surface feels like nylon and it looks and feels more like a sail or a tent canvas.

The painting that we now hold in our collection has all these symbols included. Planes, dots, postal bags from czechoslovakia, Turkey and India symbolize the routing of the planes and the dots could stand for all the places that are reached in these countries. Of course this is my personal interpretation, but it is for certain a very impressive and important painting.

The painting is depicted in the Ronald de Bloeme Bethanien catalogue on page 33 and it is available at www.ftn-books.com

 

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André Emmerich (1924-2007)

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Andre Emmerich was an exceptional art dealer. Robert Motherwell introduced Emmerich to “the small group of eccentric painters we now know as the New York Abstract Expressionist School”. During the second half of the 20th century the Emmerich Gallery was located in New York City and since 1959 in the Fuller Building at 41 East 57th Street and in the 1970s also at 420 West Broadway in Manhattan and in Zürich, Switzerland.

The gallery displayed leading artists working in a wide variety of styles including Abstract Expressionism, Op Art, Color field painting, Hard-edge painting, Lyrical Abstraction, Minimal Art, Pop Art and Realism, among other movements. He organized important exhibitions of pre-Columbian art and wrote two acclaimed books, “Art Before Columbus” (1963) and “Sweat of the Sun and Tears of the Moon: Gold and Silver in Pre-Columbian Art” (1965), on the subject.

In addition to David Hockney, and John D. Graham the gallery represented many internationally known artists and estates including: Hans Hofmann, Morris Louis, Helen Frankenthaler, Kenneth Noland, Sam Francis, Sir Anthony Caro, Jules Olitski, Jack Bush, John Hoyland, Alexander Liberman, Al Held, Anne Ryan, Miriam Schapiro, Paul Brach, Herbert Ferber, Esteban Vicente, Friedel Dzubas, Neil Williams, Theodoros Stamos, Anne Truitt, Karel Appel, Pierre Alechinsky, Larry Poons, Larry Zox, Dan Christensen, Ronnie Landfield, Stanley Boxer, Pat Lipsky, Robert Natkin, Judy Pfaff, John Harrison Levee, William H. Bailey, Dorothea Rockburne, Nancy Graves, John McLaughlin, Ed Moses, Beverly Pepper, Piero Dorazio, among others.

Between 1982-96, Emmerich ran a 150-acre sculpture park called Top Gallant in Pawling, New York, on his country estate that once was a Quaker farm. There he displayed large-scale works by, among others, Alexander Calder, Beverly Pepper, Bernar Venet, Tony Rosenthal, Isaac Witkin, Mark di Suvero and George Rickey, as well as the work of younger artists like Keith HaringMany of the above mentioned artists are available with different publications at www.ftn-books.com

, but FTN books also has some specific Emmerich publications available.

In 1996, Sotheby’s bought the Andre Emmerich Gallery, with the aim of handling artists’ estates. One year later the Josef and Anni Albers Foundation, the main beneficiary of the Albers’ estates, did not renew its three-year contract.The gallery was eventually closed by Sotheby’s in 1998.

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Paul Cuvelier (1923-1978) and EPOXY

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For Paul Cuvelier comics were a necessary way to earn money. His true heart lay in painting and sculpting, especially nudes which showcased his passion for the beauty and anatomy of the human body. Cuvelier’s fine art was characterized by a sensuality which has been described as “slumbering eroticism”. The same can be said about some of his comics. Even the juvenile heroes in his ‘Corentin’ stories are scantily clothed most of the time. The friendship between Corentin and Kim can be interpreted in the same homo-erotic subtext as the companionship between Jacques Martin’s Alix and Enak. His final ‘Line’ story also featured a more sexy presentation of the heroine. The 1973 ‘Corentin’ story ‘Le Royaume des Eaux Noires’ featured much nudity and hinted at a sexual relationship between the protagonist and Zaïla. By then, Cuvelier and Van Hamme had already created their groundbreaking erotic graphic novel ‘Epoxy’ (1968).

Epoxy, by Cuvelier
Epoxy

‘Epoxy’ was created in the wave of adult-oriented comics, which found its breeding ground in the American underground comix movement. The first generation that grew up with the post-war comics continued to embrace the medium, which opened up new possibilities for creators. Free from the restrictions of working for the children’s press, authors could now aim their work at a mature audience. In Europe, magazines like Pilote and Hara-Kiri were at the vanguard of this new movement. Frenchman Jean-Claude Forest‘s sci-fi heroine ‘Barbarella’ (1962) was the first character that embodied the sexual revolution of the 1960s.

In Belgium, Guy Peellaert had pioneered the comics eroticism with his stories ‘Les Aventures de Jodelle’ (1966) and ‘Pravda, la survireuse’ (1967), while Guido Crepax heralded in the “sexties” in Italy with his ‘Valentina’ (1965). Dutch authors Thé Tjong-Khing and Lo Hartog van Banda released their pop-art inspired graphic novel with the sexy ‘Iris’ in 1968. Cuvelier and Van Hamme’s ‘Epoxy’ fully presented the artist’s qualities for sensual artwork, against a story inspired by Greek mythology. Created in 1967, the album was released by the Paris-based Belgian publisher Eric Losfeld in the revolutionary month of May 1968. It initially didn’t catch much attention, but in later years its historical importance was recognized for being one of the first independent and fully erotic Belgian comics. It has been re-issued in later years by Horus (1977), Marcus (1981), Clue Circle (1985), Éditions Lefrancq (1997) and Le Lombard (2003). German and Scandinavian translations of ‘Epoxy’ were however published without the knowledge and consent of the authors, who consequently never received royalties from these editions.

Paul Cuvelier spent the final years of his life in poverty, and in a constant search of artistic fulfillment. A final attempt to pick up ‘Corentin’ was made in cooperation with Jacques Martin, who wrote the script for ‘Corentin et l’Ogre Rouge’ (1973). Cuvelier abandoned the project after the first pages, which were published posthumously in the monography ‘Paul Cuvelier: Corentin et les chemins du merveilleux’ by Philippe Goddin in 1984. Martin later used the plot for the ‘Alix’ story ‘Les Proies du Volcan’ (1978). Jacques Martin also picked Cuvelier as his first choice to draw his historical comics series about French serial killer Gilles de Rais. Cuvelier was however not interested, and was revived by Martin and Jean Pleyers for the series ‘Xan’ (1978, later renamed to ‘Jhen’). Pleyers was Cuvelier’s pupil during his final years. In an interview in L’Est Républicain in 1993, Pleyers recalled squatting with Paul Cuvelier during most of the 1970s, living in “old embassies, surrounded by homosexual drug addicts”. Another assistant of Cuvelier was the Spanish artist Juan Lopez de Uralde, who helped him with the last pages of ‘Corentin et le Prince des Sables’ in the late 1960s. Paul Cuvelier’s final work included some erotic illustrations for Privé magazine in 1975, and the preparations of an exposition with the theme “Fillettes” (“little girls”). The artist however passed away in 1978 in Charleroi at the age of 54 after years of declining health.The extremely large folio edition by Blue Circle is available at www.ftn-books.com

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Hendri van der Putten (1940) an artist book

 

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Last week i found at the local bookmarket a special artist book by Hendri van der Putten. The book was made for the exhibition of Hendri in the Apollohuis in 1988.The artist book consists of 16 pages of which 5 are silkscreened with lines across the pages and on the edges…. a very delicate yellow. an exquisite book which is now available at www.ftn-books.com

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Giovanni Nicolai (continued) in Milano

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Just received a message from Giovanni Nicolai, that he will be exhibiting in Milano some of his most recent works together with some fellow artist in the ARTE NON FALSIFICATA exhibition at the SO gallery in Milan. The exhibition will be open until the 17th of November.

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Andre de Dienes (1913-1985)

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Dienes began work as a professional photographer for the Communist newspaper L’Humanité, and was employed by the Associated Press until 1936, when the Parisian couturier Captain Molyneux noted his work and urged him to become a fashion photographer.

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In 1938 the editor of Esquire, Arnold Gingrich offered him work in New York City, and helped fund Dienes’ passage to the United States. Once in the United States Dienes worked for Vogue and Life magazines as well as Esquire.

When not working as a fashion photographer Dienes travelled the USA photographing Native American culture, including the Apache, Hopi, and Navajo reservations and their inhabitants. Dissatisfied with his life as a fashion photographer in New York, Dienes moved to California in 1944, where he began to specialize in nudes and landscapes.

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As well as Monroe, Dienes also photographed such notable actors as Elizabeth Taylor, Marlon Brando, Henry Fonda, Shirley Temple, Ingrid Bergman, Ronald Reagan, Jane Russell, Anita Ekberg and Fred Astaire.

De Dienes married twice, and died of cancer on April 11, 1985, in Hollywood.

( the above text comes from Wikipedia)

One of the lesser known nude photography publications in which  de Dienes made several contributions is available at www.ftn-books.com

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Beppe Kessler (1952), Jewelry and Paintings

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Beppe Kessler is one of those artists who grows on you. Educated on the Rietveld Academy , she soon found her way into the Gallery circuit with frequent exhibitions all over the Netherlands in the Eighties. What makes her work special is the use of materials which are not commonly used for jewelry. For example she uses nylon tissues and balsa wood within her jewelry. This really makes her jewelry stand out from other designers, ………but there is more to Beppe Kessler. She is also a painter and this is where my interest originated . If you look at her paintings you might think you are looking to a child of a Constructivist father and an organic hairy mother.

These paintings are exceptional. Their sizes differ, but even in the smallest of paintings you can see the personal “signature’ of Beppe Kessler. The book that www.ftn-books.com has in its inventory is from a special edition of 500, signed and numbered but what makes it really special is the cover. All 500 covers are different and this one is one with 4 pins sticking out, making it a true Kessler painting.

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Zoltin Peeter (1942)

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Born in Amsterdam but living for the most part of his life in Friesland near Hallum. His works reflect the presence of the rural country side nearby. Abstract forms tumbling in an empty space. Etchings with dark thin forms in an empty white space give me the feeling of ZERO art, but it certainly is not. They fascinate and deserve to be known much better. Peeter has had some exhibitions in the 70’s in prestigious museums like the Kroller Muller Museum. The first encounter with a small work by Zoltin Peeter was his multiple he made for his 1971 exhibition in the Lakenhal. The multiple is available at www.ftn-books.com and shows directly the directions he was taking with his works. decades later you can see where is ended for now. Abstract forms, sparce use of color and in many compositions a realistic form or subject appears. I love his work and his studio…..

His studio is something different. Housed in an old shed he creates his works in the vicinity of the Friesland landscape. I found some beautiful photo’s on Google and want to share these with you , because i find them very special and they give the best impression possible of the surroundings in which Zoltin Peeter creates.

Her are the items which are for sale at www.ftn-books.com and ftn art