2 architects joined forces in the beginning of the 20th century to realize the museum and hunting cabin for the family Kroller-Muller. In 1939 the museum building it self was finally finished , but more important, in the decades preceding the realisation of the museum. Mrs Kroller Muller had collected together with the aid of H.P. Bremmer a marvelous collection of contemporary art. Her choice in art was exquisite. Van Gogh, Signac, Seurat, Rijsselberghe, Redon and Marini ao were would prove to be key elements within the collection of the Kroller Muller. But for those who have visisted the museum and its surroundings there are other elements on the grounds which will be remembered. How about one of the best sculpture gardens in the world and the Jachthuis Sint Hubertus near ( designed by Berlage ) and ofcourse the beautiful and modernistic museum itslef designed by Henry van de Velde. www.ftn-books.com has a nice italian publication available which is dedicated to these designs.
But what struck me most were the similarities between a painting from another dutch painter …Willy Boers. A painting i know very well, title “Quintessens” and from a much earlier date. A painting which is one of the key works in dutch Modern Art and one which is depicted in the book. DOORBRAAK VAN DE MODERNE KUNST IN NEDERLAND
This Willy Boers painting was made in 1947 and finished in 1948. There are 11 years apart in both works. The Boers painting is strongly influenced by Miro and Picasso, but is it possible that Bram van Velde has seen the Willy Boers painting?
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20