sculpture – Page 11

Posted on 08.03.201712.02.2018 by ftnbooks — Leave a comment

Dan Flavin (1933-1996)

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Minimal Art, but for me completely different because of the great change his art makes to its direct environment. Colors, size and composition of the lights change the room where the light sculptures are exhibited completely.

There must be a wealth of unfinished projects, because Flavin generally conceived his sculptures in editions of three or five, but would wait to create individual works until they had been sold to avoid unnecessary production and storage costs. Until the point of sale, his sculptures existed as drawings or exhibition copies. As a result, the artist left behind more than 1,000 unrealized sculptures when he died in 1996.

His earliest works were exhibited in the van Abbemuseum in 1966. The Netherlands were at that time one of the earliest countries to adopt the Minimal Artists. Major exhibitions by LeWitt, Andre and Judd in the late 60’s were held in Den Haag and Amsterdam.

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Flavin realized his first full installation piece, greens crossing greens (to Piet Mondrian who lacked green), for an exhibition at the Van Abbemuseum, Eindhoven, Netherlands, in 1966. Flavin’s “corridors”, for example, control and impede the movement of the viewer through gallery space. They take various forms: some are bisected by two back-to-back rows of abutted fixtures, a divider that may be approached from either side but not penetrated (the color of the lamps differs from one side to the other). The first such corridor, untitled (to Jan and Ron Greenberg), was constructed for a 1973 solo exhibition at the St. Louis Art Museum, and is dedicated to a local gallerist and his wife. It is green and yellow; a gap (the width of a single “missing” fixture) reveals the cast glow of the color from beyond the divide. In subsequent barred corridors, Flavin would introduce regular spacing between the individual fixtures, thereby increasing the visibility of the light and allowing the colors to mix.^[24]

By 1968, Flavin had developed his sculptures into room-size environments of light. That year, he outlined an entire gallery in ultraviolet light at documenta 4 in Kassel, Germany. In 1992, Flavin’s original conception for a 1971 piece was fully realized in a site-specific installation that filled the Solomon R. Guggenheim Museum’s entire rotunda on the occasion of the museum’s reopening.

www.ftn-books.com has many titles on Minimal Art and some on Dan Flavin

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Posted on 09.02.201712.02.2018 by ftnbooks — Leave a comment

Brancusi studio

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One of the best (free) places to visit in Paris is the studio of Constantin Brancusi. This Studio and all its contents was left to the state of France by Brancusi after his death on the condition that it should be kept complete and on show. First it was located in the Modern art Museum at the Avenue Wilson, but later it became part of the Centre Pompidou complex. A special building by Renzo Piano ( co architect of the Pompidou) was erected and in it the complete studio with all its magnificent art works by Brancusi was re created including all his tools and equipment what makes it the complete setting as it was and gives excellent insight in the proces of creation. 30 minutes is all you need for your visit, but the memory will last a lifetime and to keep this alive there are the books available at www.ftn-books.com

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Posted on 07.02.201712.02.2018 by ftnbooks — Leave a comment

Anish Kapoor donates 1 mln. USD.

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According to the Volkskrant Kapoor wins the prize and donates it to the refugees from Syria. Here is part from the article from Forward .

Kapoor was named the winner on Sunday of the annual $1 million prize that has been dubbed the “Jewish Nobel.” He joins Itzhak Perlman, former New York City Mayor Michael Bloomberg, and actor-director Michael Douglas as recipients.

Known as ‘the Jewish Nobel’, the Genesis Prize is awarded by the Genesis Prize Foundation in partnership with the Office of the Prime Minister of the State of Israel and the Jewish Agency for Israel. It recognizes individuals who have attained excellence and international renown in their fields and whose actions and achievements express a commitment to Jewish values, the Jewish community and the State of Israel.

Kapoor said he will use his $1 million award to help alleviate the Syrian refugee crisis and try to expand the Jewish community’s engagement in a global effort to support refugees. More than 12.5 million Syrians have been displaced during the current conflict, of which around 2.5 million are children.

Kapoor has been called one of the most influential and innovative artists of his generation. His works include “Turning the World Upside Down” at the Israel Museum in Jerusalem, “Cloud Gate” in Chicago’s Millennium Park and the “Orbit” in London. Kapoor also created the Holocaust Memorial for the Liberal Jewish Synagogue in London and the 70 candles for Holocaust Memorial Day in Britain in 2015, commemorating 70th anniversary of the liberation of Auschwitz.

Kapoor won the Turner Prize in 1991 and received a knighthood in 2013. He was born in Bombay to a Baghdadi Jewish mother and Indian father. At 16, he moved to Israel and has been based in the United Kingdom since the 1970s. The artist has a long history of social activism and a commitment to social justice. For many years, he has been a public advocate for the cause of refugees and an outspoken advocate for displaced people around the world. He recently visited Syrian refugees in the Za-atari refugee camp, as part of Unicef’s art therapy program, which is intended to help children who have witnessed atrocities to express themselves through art.

“Jewish identity and history have witnessed recurring conditions of indifference, persecution and Holocaust. Repeatedly, we have had to repossess ourselves and reidentify our communities. As inheritors and carriers of Jewish values it is unseemly, therefore, for us to ignore the plight of people who are persecuted, who have lost everything and had to flee as refugees in mortal danger. Outsider consciousness resides at the heart of Jewish identity and this is what motivates me, while accepting the honor of the Genesis Prize, to re-gift the proceeds to refugee causes,” Kapoor said in a statement.

Of course there are Kapoor books available at www.ftn-books.com since he is one of the most important and influential artist from the last 4 decades.

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Posted on 27.01.201712.02.2018 by ftnbooks — Leave a comment

Shinkichi Tajiri (1923-2009)

Tajiri…. Photographer, Painter, sculptor, graphic artist . He has practically explored every discipline art has. His claim to fame were his large sculptures and specially the KNOTS are more than impressive. As a person he is even more fascinating, because he was in the middle of things, because of his studies and travels he had met many very important artists.

In 1949 he went to Paris to study with Ossip Zadkine and then Fernand Léger. He met Karel Appel and Corneille in Paris and shows at the 1949 COBRA exhibition at the Stedelijk Museum, Amsterdam. In 1951 he went to Germany and taught at the Werkkunstschule Wuppertal. In 1955 he won a Golden Palm at Cannes, for his first short film, The Vipers, because of his experimental use of the language of film. From 1956 he lived in the Netherlands, since 1962 in Baarlo. He worked as a sculptor and painter. He exhibited at the famous Kassel documenta II, 1959; III, 1964 and IV, 1968. From 1969 Tajiri taught at the Hochschule für Bildende Künste at Berlin. 1969 and 1970 Shinkichi took pictures of every part of the Berlin Wall. In 1970 he went to Denmark and directed the award-winning documentary Bodil Joensen – en sommerdag juli 1970 about Bodil Joensen. In 1975 and 1976 he recreated the Daguerreotype: surreal portraits, nudes and daguerreotypes of the Wall.

On this last subject www.ftn-books.com has a very nice publication available. Daguerreotyoes were Tajiri’s other specialty.

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Posted on 20.01.201712.02.2018 by ftnbooks — Leave a comment

Alberto Giacometti (1901-1966)

Two occasions spring to mind. Both occasions i was highly impressed. First there was the special Alberto Giacometti exhibition at the Haags Gemeentemuseum in 1986. /Curated by Mariette Josephus Jitta.

A large and important exhibition which showed many of the iconic sculptures by Giacometti…including a walking man and walking stray dog.

The second occasion was decades later when we visited the Beyeler Museum for the very first time. In the room with views into the garden the WALKING MAN was combined with one of the very large Monet paintings he painted in his studio at Giverny. It was so impressive that i will never forget this stunning combination. An outstanding display of classic “modern” art. Since , i have seen many more statues by Giacometti, but never again the combination was so beautiful as within the presentation at the Beyeler museum.

schermafbeelding-2017-01-11-om-14-47-50 — Giacometti and Monet

Of course the Giacometti catalogue of the 1986 Gemeentemuseum exhibition is available at www.ftn-books.com

Giacometti

Posted on 29.12.201612.02.2018 by ftnbooks — Leave a comment

Rodin at the Groninger Museum

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August Rodin…. a legend among sculptors and a sculptor who is appreciated by young and old. The Musee Rodin in Paris receives over 700.000 visitors each year and now some great works from their collection are on loan at the Groninger Museum. In total 140 sculptures and 20 works on paper are in the Rodin exhibition, which makes it the largest Rodin exhibition in the Netherlands ever. So this is a great opportunity to visit the Mendini designed museum in the north of the Netherlands and visit the Rodin exhibition ( until the 30th of April 2017).

Groninger Museum, Museumeiland 1
9711 ME Groningen

What makes me look really forward to this exhibition, is the special part by Erwin Olaf. I know the sculptures by Rodin quit well, because i have visited the Musee Rodin and saw his exhibition in the Museum Het Paleis ( 1995) in The Hague multiple times. But these Olaf photographs are a first. Olaf photographed dancers of the National Ballet in typical Rodin poses, creating an atmosphere as if these photographs are taken in the Rodin studio. Spectacular photographs of these talented dancers with bodies like they were sculpted by Rodin himself.

For more information on Rodin look at these available books at www.ftn-books.com and the site of the Groninger Museum….www.groningermuseum.nl

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Posted on 25.12.201612.02.2018 by ftnbooks — Leave a comment

Gemeentemseum Den Haag..From Rodin to Bourgeois

It was an exhibition i was really looking forward to. I know the collection of sculptures the Gemeentemuseum Den Haag has very well and thought they would make a superb exhibition with them. Last weekend we visited the exhibition and….i must say i was disappointed. The statues and sculptures were grouped and i could distinguish themes and periods within the groups, but what struck me most is that there were too many sculptures on too little space. For me sculptures must have space around them. That is the reason sculptures outside work so well. In the Gemeentemuseum there were too many on too little space and on top of it, the epic spider by Louise Bourgeois was not shown within the exhibition, but was squeezed into one of the smallest cabinets of the museum.

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This sculpture exhibition competes with too many other exhibitions at the same time and far too many objects within the exhibitions, made the museum visit one of the least attractive ones of the last years.

old situation with Kirkeby brick sculpture

old situation

new situation

I love the museum, but this collection deserves far better than the way it now is exposed to the public. Far too many objects. No space between them….no air to breathe at all . The SCHATKAMER in which the STIJL period is exhibited on the ground floor is one of the worst museum spaces i know of in the Netherlands and now that the inner garden is (unfortunately) covered( see photos), because they wanted a space to drink coffee ( beside the restaurant), read some magazines and sell some books( beside the museumstore), the beautiful Bourgeois sculpture is now squeezed into a cabinet and is no longer a part of the sculpture exhibition FROM RODIN TO BOURGEOIS, because it is placed out of the exhibition on the other side of the building. So please free the inner garden space from everything in it and make this an exhibition space and put the Bourgeois, Nauman, Carl Andre in it or better…. use it for the Sol LeWitt,Serieel project nr. 1: Groep B (1966-1970). These sculptures really deserve some space and a better exposure. That would be a real “tribute to Sol LeWitt”. Go and see what space can do for a beautiful sculpture. Visit the Serra in the Guggenheim in Bilbao or the Giacometti in the Beyeler and see how it must be done to present them in the best way possible. Space and air is what these great sculptures need.

A last remark, the Museum shop is turning into a souvenir shop. If that is what they feel the museum needs, the museum certainly must follow that path, but i feel strongly that it is nice to learn something about the great art which is shown in a museum and for that you need other products than scarves, cups, pencils and the occasional postcard. For books on the Gemeentemuseum and its collection and exhibitions there is still another place to visit ….please visit www.ftn-books.com and find here the publications this great museum has published over the last 60 years.

One positive thing about the current exhibitions. The Tomas Rajlich exhibition is exquisite ( blog next week) and the Ravesteyn room with the Givenchy dresses and the Audrey Hepburn filmclips in the background is great.

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Posted on 23.12.201612.02.2018 by ftnbooks — Leave a comment

Alexander Calder (1898-1976)

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Born in the 19th century . Calder has become for me one of the pioneers in Modern Art. The public knows Calder by name for his mobiles, but for me Calder is the first artist who explored the extreme sizes in sculpture. Later, this was followed by Serra, but Calder must have been one of the very first to make sculptures bigger than a building. A few of these can be found in STORM KING, but these are not the only ones. These very large sculptures are scattered all over the world.

From Denmark to Brazil, the Calder statues are the highlights among other statues in sculpture parks all over the world. It is a pity there is only one large sized Calder in dutch collections. It is the “anteater” from the collection of the Rijksmuseum.

So do not miss them when you are abroad or there is a special exhibition on Calder because they are among the very best in Modern sculpture. I am fortunate to have some great classic Calder publications within the inventory of www.ftn-books.com

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Posted on 28.11.201612.02.2018 by ftnbooks — Leave a comment

Mark Brusse a dutch artist and world famous in….France

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Mark Brusse has been living in Paris/France now for a very long time , but he originated from the Netherlands, where he started his career as an artist in the 60’s. He is described as a “poetic” artist and works with a multitude of materials. Painting, drawing, etching and making sculptures….. a multi talented artist who was far less appreciated in his home country than in France, where has has lived now for most of his life. This is the reason why many more publications in French can be found on this artist than there are in dutch. The strength of Brusse is his simplicity. Whith a few lines, a small drawing or some well chosen colors he draws your attention into the work and because this poetic simplicity he persuades you to like and admire it. In recent months i myself experienced on at least 2 occasions the strength of his works. The first time was at auction at the Venduehuis where the BLUE SHACK was sold.

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…. a powerful painting and one i would have loved to have for my collection and the second time was a week ago where some Brusse prints were sold at Bubb Kuyper. These i was lucky enough to buy at a reasonable price and at least 2 of them will be for sale shortly at www.ftn-books.com

….but if you can’t wait for more information look at www.ftn-books.com to find many more publications on Mark Brusse.

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Posted on 09.10.201612.02.2018 by ftnbooks — Leave a comment

Jan Fabre and BIC art

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Fabre’s fame began when he was making 100% blue drawings with a BIC ballpoint pen ( 1980). It was the early eighties , but before that he shook the art scene with making drawings with his own blood ( 1978) .Since he made stage designs for plays and dance, movies and many more drawings and objects and of course sculptures….extremely large sculptures. Jan Fabre is considered one of the greatest living artist in Europe.

A short introduction to one of the greatest Belgian artist from this time. For me Fabre and Panamarenko will be remembered as the great Belgian artist from the last part of the 20th century. Both imaginative in their own way and both highly original with an own signature.

There is a huge list of all his activities during the last 3 decades, but the best way to get an impression of Jan Fabre is to read what Wikipedia says about him and visit his site afterwards

site: www.janfabre.be

There is a large selection of Fabre titles available at www.ftn-books.com

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Wikipedia text:

Fabre is famous for his Bic-art (ballpoint drawings). In 1990, he covered an entire building with ballpoint drawings.

He explores the relationships between drawing and sculpture. He also makes sculptures in bronze (among them The man who measures the clouds and Searching for Utopia) and with beetles.

His decoration of the ceiling of the Royal Palace in Brussels Heaven of Delight (made out of one million six hundred thousand jewel-scarab wing cases) is widely praised. In 2004 he erected Totem, a giant bug stuck on a 70-foot steel needle, on the Ladeuzeplein in Leuven.

In 2008, Jan Fabre’s The Angel of Metamorphosis exhibition was held at the Louvre Museum.

On 26 October 2012, several media reported how during a shoot in the Antwerp town hall for a forthcoming film on Fabre, living cats were thrown repeatedly several meters spinning into the air, after which they made a hard landing on the steps of the entrance hall. Animal welfare executive chairman Luc Bungeneers said he was having a meeting with his party chairman when he heard howling cats. “To my horror, we found cats were being assaulted in the name of art”, Bungeneers said. “It went on for several hours.” The filming was eventually aborted after protests from the crew’s own technicians. Later that day, Fabre claimed all cats were still in good health and it was a conspiracy of the political party NVA.^[1]^[2]^[3]^[4] Mr. Fabre has received 20,000 emails slamming his act. He has also been attacked seven times by men carrying clubs whilst out jogging in the park and been forced to sleep in a different location every night. Antwerp’s deputy mayor for animal wellbeing and the animal rights organisation Global Action in the Interest of Animals also launched complaints about Mr Fabre’s controversial act.

On February 2016, Jan Fabre was appointed by the Greek Ministry of Culture as the Creative Director of the annual Athens – Epidaurus Festival.^[5] He resigned less than two months later, on the 2nd of April 2016, after a huge controversy over his plan to turn Greece’s major arts festival into “a tribute to Belgium” and devote eight of the festival’s ten productions to those from his homeland.^[6]

In September 2016 Fabre made an attempt to not break cyclist Eddy Merckx‘s 1972 hour record at the Tête d’Or Velodrome in Lyon. Fabre completed a total of 23 km in an hour, compared to Merckx’s record of over 49 km. The attempt was commentated on by Merckx, fellow cyclist Raymond Poulidor, and veteran cycling commentator Daniel Mangeas^[7] and was performed as the opening of his “Stigmata” retrospective exhibition organised by the Musée d’art contemporain de Lyon.^[8] Fabre described the attempt as “how to remain a dwarf in the land of giants”.^[9]