Christian Ludwig Attersee is a contemporary Austrian artist. Working in an interdisciplinary practice that combines music, speech, photography, and video, the primary tenet of Attersee’s art is painting. His Neo-Expressionist canvases are rendered with vibrant color, blending abstract form and space with representational images related to the human figure, music, literature, and sexuality. Describing his efforts as an attempt to create a new artistic medium, his work often contains fantastical object inventions. Born on August 28, 1940 in Bratislava, Austria, he is considered one of the foremost contemporary artists of his home country, and represented Austria at the Venice Biennial in 1984. He has been the subject of over 500 solo exhibitions throughout Europe and the United states, and is the recipient of the Austrian Cross of Honor for Science and Art.
This is how Artnet describes Attersee however there is more to the art of Christian Ludwig Attersee, because both the Groninger Museum and Stedelijk Museum have art by Attersee in their collections and the Stedelijk Museum devoted a special exhibition to the artist. An exhibition initiated by Rudi Fuchs who is a longtime admirer of the artist. Together with Brus and Nitsch , Attersee i becoming increasingly more important by the year.
For me Mucha was a great way to start appreciating art. Together with Henri de Toulouse Lautrec ( roughly from the same period), Alfons Mucha was the artist i appreciated the most in my mid teenage period. Accessible art and still a little bit more avant garde than the Impressionist painters who were widely appreciated in those days. Mucha was THE Art Nouveau artist and together with some French and Belgian artist was the top in Art Nouveau art. The art of Alfons Mucha is highly recognizable. The use of women models who look straight at you is one of his trademarks.
Since for me personally a lot has changed. From the accessible Art Nouveau by Mucha i made a “travel” through art history which resulted in appreciating Minimal and conceptual art. Still Mucha has a lot of quality and for those seeking a nice work by an Art Nouveau , please include the works by Mucha, since there are many extremely nice prints now available since this artist is copyright free. For those looking for some publications on Mucha , visit www.ftn-books.com
Two reasons why i want to write a short article on Marrie Bot. The first is that Marrie Bot makes photographs that have one quality in common. Each photograph shows the essence of things. This is shown probably the best way in the series GELIEFDEN/TIMELESS LOVE. These are elderly couples photographed while they are making love. This is not arousing at all, but shows tenderness and one realizes, whatever age you have, that making love and enjoying, it is really timeless . But this is not the only series in which she excels. Her series of LOURDES is breathtaking too. www.ftn-books.com has some titles by Bot available.
The works by Marrie Bot have been included in many Public an private collections. among them :
Stedelijk Museum, Amsterdam
The National Institute for the Arts,Amsterdam
Museum for Jewish History, Amsterdam
Museum for Art and Religion, Uden
Erasmus University, Rotterdam
The Print collection of the University of Leiden
Art Foundation of Rotterdam
The Municipal Archive of Rotterdam
The Municipal Archive of Amsterdam
Bibliothèque National, Paris
Municipal Collection Château d’Eau,Toulouse
Museum Nicéphore Niepce, Châlon sur Saône
Graham Nash Collection, Pasadena
Heineken Art Collection, Amsterdam
Helmut Gernsheim Collection in the Reiss-Engelhorn- Museum, Germany
Private Collections in the Netherlands and abroad
BTW. Just look at the resemblance i noticed between Marrie Bot and the painting Bertha by Pyke Kock ( over 60 years in between both portraits)
Readers who know something about dutch illustrators most know the name Anton Pieck.
Pieck became famous by designing the Fairy Tale park of the original DE EFTELING amusement park. for which he designed the caracters and secenery. Beside de Efteling he is very well known in the Netherlands for his Romantic Dickensian illustrations of which many aere/are used as Christmas cards. But there is also a more serious “romantic” artist in Anton Pieck and this shows best in his books he illustrated on Amsterdam and specially the book DE NEDERLANDEN. It is the more romantic , but still original part of the Netherlands he shows in his drawings etchinsg and paintings. The book de NEDERLANDEN is available at www.ftn-books.com and personalluy i think this title belongs to the best of the books illustrated by Anton Pieck.
Because we also have dogs ( and certaily not the easiest ones ) i remembered there is one artist photographer who devoted his entire career and oeuvre to his Weimeraner dogs. His work always reminds me of the early works by Cindy Sherman, biut instead of Sherman being the subject in her staged photographs it is the dogs of Wegman who enact the scene which is photographed. One of the earliest books i found with his dogs was the fairy tale of “little red riding hood” staged and photographed by the dogs. On the site of Wegman there is a lot of information to be found on his photography, but the most interesting piece of information i found on Youtube:
By the early 70s, Wegman’s work was being exhibited in museums and galleries internationally. In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Düsseldorf, his work was included in such seminal exhibitions as “When Attitudes Become Form,” and “Documenta 5” and regularly featured in Interfunktionen, Artforum and Avalanche.
While he was in Long Beach, Wegman got his dog, Man Ray, with whom he began a long and fruitful collaboration. Man Ray, known in the art world and beyond for his endearing deadpan presence, became a central figure in Wegman’s photographs and videotapes. In 1982, Man Ray died, and was named “Man of the Year” by the Village Voice. It was not until 1986 that Wegman got a new dog, Fay Ray, and another collaboration began marked by Wegman’s extensive use of the Polaroid 20 x 24 camera. With the birth of Fay’s litter in 1989, Wegman’s cast of grew to include Fay’s offspring — Battina, Crooky and Chundo — and later, their offspring: Battina’s son Chip in 1995, Chip’s son Bobbin in 1999 and Candy and Bobbin’s daughter Penny in 2004.
Although primarily known as a photographer, Wegman returned to painting in the mid 1980s[2] Among his oeuvre of paintings are a number of canvases filled with smoke and fire that depict natural and manmade disasters. Volcano, in the collection of the Honolulu Museum of Art demonstrates this aspect of the artist’s work.
He appeared on The Colbert Report in 2010. Wegman is the author of numerous books for children, including the New York Times bestseller Puppies. His latest children’s book, Flo & Wendell, is published with Dial Books for Young Readers.
Wegman originally intended to pursue a career as a painter. He received a Bachelor of Fine Arts in painting from Massachusetts College of Art and Design in 1965 and a Master of Fine Arts degree in painting from the University of Illinois at Urbana–Champaign in 1967.
By the early 70s, Wegman’s work was being exhibited in museums and galleries internationally. In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Düsseldorf, his work was included in such seminal exhibitions as “When Attitudes Become Form,” and “Documenta 5” and regularly featured in Interfunktionen, Artforum and Avalanche.
While he was in Long Beach, Wegman got his dog, Man Ray, with whom he began a long and fruitful collaboration. Man Ray, known in the art world and beyond for his endearing deadpan presence, became a central figure in Wegman’s photographs and videotapes. In 1982, Man Ray died, and was named “Man of the Year” by the Village Voice. It was not until 1986 that Wegman got a new dog, Fay Ray, and another collaboration began marked by Wegman’s extensive use of the Polaroid 20 x 24 camera. With the birth of Fay’s litter in 1989, Wegman’s cast of grew to include Fay’s offspring — Battina, Crooky and Chundo — and later, their offspring: Battina’s son Chip in 1995, Chip’s son Bobbin in 1999 and Candy and Bobbin’s daughter Penny in 2004.
Although primarily known as a photographer, Wegman returned to painting in the mid 1980s.Among his oeuvre of paintings are a number of canvases filled with smoke and fire that depict natural and manmade disasters. Volcano, in the collection of the Honolulu Museum of Art demonstrates this aspect of the artist’s work.
Germany has a great history of Woodblock printing. Dürer was one of the arliest of great artists who used the technique but the 20th century had his own group of great aretists who used the technique. Tere were of course the rtaist of the BLAUE REITER, but there was also the group of the BRÜCker to which Heckel belonged. Heckel is arguably one of the most abstract Brücke artists, but his technique is as good as all the other together, Personally i like Heckel very much and this has resulted in a nice selection of publications available at www.ftn-books.com
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Heckel and other members of Die Brücke greatly admired the work of Edvard Munch, and aimed to make a “bridge” between traditional neo-romantic German painting and modern expressionist painting. The four founding members made much use of the print as a cheap and quick medium with which to produce affordable art.
Primitive art was also an inspiration to the members of the Die Brücke. It was Heckel’s brother who introduced the group to African sculpture, and it is noted that their acceptance of primitive art, which was to fortify decisively the expressive yearnings of European artists- Was unequivocal. It is through this style that they found a source of strength in the barbaric figures.
I have had questions in the past….what is your personal interest in books?…. and…..you must have a very nice collection after so many years of being a bookseller. These questions and remarks can be answered simply. I have a large inventory of about 10.000 books that are for sale including some very nice and hard to find titles, but every book in my personal bookcase has a small story attached to it. There are books of exhibitions being held at the Gemeentemuseum while i was a publisher/bookseller at that museum and some were given to me by artists i collect.
About half of the books in my personal bookcase are very small publications related to the artists in our art collection and the remainder is about the artists i like very much and admire. I can say that none of them is very valuable, but for me these books are valuable and important, because they belong to the publication history of the artists i admire. Curious?….just “zoom in” on the picture and discover that of many of these titles i have multiple copies available at www.ftn-books.com. So make this your personal interactive blog and find/discover the titles at www.ftn-books.com
Klaus Fussmann is not very well known outside Germany, but still important enough to devote a blog to this painter. My interest in Fussmann grew when i bought a signed copy of a 30 years old book. It is interesting to see that his style developed into a much more abstract approach to his subjects. If i must compare his works it might me with the later works of the dutch painter Contant. Both found a more realistic style in their paintings with lots of abstract elements. I think Fussmann’s fame stay in Germany only and not cross the border, but for those interested in this fascinating painter, know that www.ftn-books.com has some nice (signed) publications available.
In some ways Bouke Ylstrat reminds me of Jan Roëde. An artists who uses bright colors in combination with child like scenes, but Ylstra works differ enough to stand on their own. Where Roede populates many of his paintings with children, Ylstra depicts adults in their world and creates a world of their own. Combining human elements with abstract surfaces, filling them with symbolism and creating in this way a world of its own. Ylstra is not that know. Even in the Netherlands his work is rare to find, but when you look at his biography you will find that his works has been included in practically all of the large museums in the Netherlands.
1933 Geboren in Den Haag. Groeit op in Rotterdam.
1950 -1954 Academie voor Beeldende kunsten in Rotterdam.
1955 Ontmoet Marie José Nicolaí met wie hij trouwt. Ze gaan in Dordrecht wonen en krijgen drie kinderen.
1959 Maakt zijn eerste monumentale werk, een zeventig meter lang mozaïek in Leeuwarden.
1960 -1964 Docent “Vrij schilderen”aan de Academie voor Industriële Vormgeving in Eindhoven.
1964 -1967 Docent “Grafische technieken”aan de Academie voor Beeldende Kunsten in Rotterdam.
1967 -1972 Afdelingsdocent “Gebonden kunsten” aan de Academie van BK in Rotterdam.
1979 -1981 Adviseur “Beeldende kunst”van de Rijksbouwmeester Ministerie VROM.
1983 -1990 Docent “Vrij schilderen”aan de afdeling “Monumentaal” van de Rietveld Academie in Amsterdam. 1993. Eerste expositie Galerie Duo Duo / Rotterdam
Galerie Sapet / Mirmande Frankrijk 1994. Galerie Witt /Dordrecht
Zomerexpositie Duo Duo / Rotterdam 1995. Galerie Duo Duo / Rotterdam
Opdracht: ontwerp vloerintarsia school Rotterdam
1996. Galerie Witt / Dordrecht – Institut Néerlandais / Parijs Groepstentoonstelling 1997. Galerie Duo Duo / Rotterdam 1998. Galerie Witt /Dordrecht. Zomerexpo Duo Duo
Houten beeld bij experimentele bouw Almere 1999. Duo Duo / Rotterdam 2000. Galerie Witt / Dordrecht 2001. Galerie Duo Duo / Rotterdam – Opdracht ontwerp i.s.m Cor Kraat beelden voor het Raadhuis te Veenendaal 2002. Galerie Dom Arte / Rucphen Galerie Witt / Dordrecht
Opdracht beeld Rijkspolitie te Dordrecht 2003. Galerie Witt / Dordrecht
Opdracht Beeldengroep Westelijk Handelsterrein Rotterdam 2004. Galerie Duo Duo / Rotterdam 2005. Galerie Sapet / Mirmande frankrijk
Galerie Les Sagnes / st.Michel de Chabrianoux Frankrijk
Galerie Witt / Dordrecht 2006. Galerie Duo Duo / Dordrecht
Opdracht 4 beeldengroepen voor scholengemeenschap
ROC te Leeuwarden 2009. Bouke Ylstra is op 17 Augustus 2009 in zijn woonplaats Dordrecht overleden.
www.ftn-books.com has a nice Ylstra publication including an original drawing for sale.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
Condition: mint
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20