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Sergei Lobanov (1887-1943)

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This is one of those artists that stayed out of sight for me because i never had seen his work in a museum before, but after i found a book ( available at www.ftn-books.com) it became clear to me that his implressionist art is not less than the the works by his french  and european counterparts.

Sergey Ivanovich Lobanov was one of the significant but little known artists of the first half of the 20th century. His fauvist landscapes participated in exhibitions of the Jack of Diamonds in 1910 and 1912. Unfortunately, Sergey Lobanov’s works were hardly displayed hereafter but for few exhibitions in the 1920s.
<divSergey Lobanov studied in art studios of F.I. Rerberg (1906) and I.I. Mashkov (1907), at the Moscow School for Painting, Sculpture and Architecture (1907-1913). As a school student yet, he got interested in the history of fine arts. Sergey Lobanov attended courses on the history of arts at the Moscow Archaeological Institute in 1914.

He became an official of the Museum and Monument Protection Department of the People’s Commissariat for Education in 1918. Sergey Lobanov was seated the custodian of the nationalized collection of S. I. Schukin in 1922. For one and a half decades the artist was the deputy director of the State Museum of New Western Art (later a considerable part of the museum collection was shifted to the Pushkin Museum of Fine Arts and made the basis of the collection of French painting of the second half of the 19th and 20th centuries).

After his short membership in the Artists Association of Revolutionary Russia he was excluded from it as being “alien to ideology of the Association” in 1924 and walked off from any art groups.

lobanov

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Franceso Clemente at Paul Maenz, 1988

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You wonder why there have not been many more publications like the CROWN SKY WAR special which was published on the occasion of the opening of the Clemente exhibition at the Paul Maenz gallery in 1988.

An important exhibition  and the specially designed collectible should be an example for other gallery publishers. It is not too expensive to produce, but its appearance is like no other publication. It looks and feels special from the moment you set eyes on it and when you “unbutton” it it shows its contents….3 fold out cards CROWN…SKY…WAR. estimated costs…less than 1 euro. But this special is worth much much more since it’s importance means that the Paul Maenz gallery is mentioned in all the years after its publication. Whenever a copy surfaces , one is reminded of the Clemente exhibitions at their gallery in 1988.

I have now finally found me a copy which is for sale at www.ftn-books.com. This gallery was/is an example to many others in the business

clemente crown c

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Arie van Geest …naar Beckmann, 1999

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Recently i had the chance to acquire another Arie van Geest watercolor for the FTN art collection. The moment i saw it i was impressed and decided to make a bid. The watercolor is from the 17th of August of 1999 and fits perfect between the painting and another drawing i have in my inventory by Arie van Geest. I have grown fond of his art over the years. His earliest more abstract , fantasy like drawings are wonderful and his later paintings keep impressing and this drawing is one of the nicest i have seen by his hand. Both other drawings i have purchased i will keep for a later blog , but in case you are interested in purchasing do not hesitate to contact me at wvdelshout@ziggo.nl

Title of this drawing/watercolor is ” NAAR BECKMANN #, size paper 30 x 22 inches / ca. 75 x 55 cm.

geest beckmanna

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a great Corneille cover for Ariel (1970)

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It Must have been in the mid Eighties that i lost all interest in Corneille as an artist. He repeated himself frequently and his art was commercialized by some dutch companies who made the once great art by Corneille mainstream.

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But only a decade before his art had matured . From his Cobra beginnings in the Fifties he developed his art into a personal, recognizable, colorful kind of art where his scenes were crowded with woman and birds. In those days he made several special publications on the occasion of his exhibitions and on 2 of these occasions at the galerie Ariel in Paris special books were published in a limited edition of 750 numbered copies. My guess is that less than a few hundred of these copies have survived , making these even more collectable than his lihographs from those days. One of the Ariel publications from 1970 is now for sale at www.ftn-books.com. This one is numbered 67 and contains 2 large lithographs, making this a true collectable Corneille item.

corneille ariel aa

corneille ariel x

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A perfect invitation card

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I have seen thousands of invitation cards by museums from all over the world and helped to produce hundreds of them. Sometimes you make a mistake in choosing the wrong picture or the color scheme does not work out the way it should have, but i know of the difficulties and the traps of producing a good invitation card. The subject has to be clear immediately and the picture on the card has to be a typical example from the exhibition. In my opinion here is a perfect card. Produced for the Bauhaus Archiv exhibition of Bauhaus photography. The card dates from 1990 and has an outstanding look and feel. The print quality is excellent and the subject clear immediately with the partly covered face in black and white. …… a perfect invitation it is and now available at www.ftn-books.com

bauhaus archiv b

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An important Tajiri/Crouwel book

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It was in the earliest years of his career that Wim Crouwel was invited to design the catalogues of the van Abbemuseum and in these years several iconic publications were published that were designed by Crouwel. I have encountered over the years many of them and have a nice selection for sale at www.ftn-books.com, but until last month i never had seen the Tajiri catalogue from 1961. It was one of the earliest of Tajiri his catalogues for a major museum, but Wim Crouwel must have felt the same about the catalogue as Tajiri did. Both must have the iedea that is was important for them personally. The typography on the cover is outstanding and the photograph by Cas Oorthuys even enhances it. This is a thin 12 page catalogue with a special 4 page inlay ( with photographs of sculptures), but every page shows the quality of Wim Crouwel his design in combination with the works by Tajiri.

tajiri abbe a

 

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An Andy Warhol invitation card, 2005

This invitation card is now available at www.ftn-books.com and is the first from a number of very special items i acquired. Among them, invitations for Rainer, Beuys, Förg, Fulron, Long, Judd and some sketches by Westerik. Most dating from the time that Rudi Fuchs was director for the Haags Gemeentemuseum. This is an exception but from the same collection and one of the few Warhol invitations that is now on the market.

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Victor Pasmore…an invitation

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Readers of this blog know of my admiration for Victor Pasmore (1908-1998).

His abstract art has stayed fresh and fascinating over the years and is still a joy to look at. If i must compare his art ….i would say Joan Miro is the one he comes close to. His art keeps fascinating me and ……

his forms and composition, use of colors and use of materials makes me want that there was a large Pasmore exhibition to be held in the Netherlands in the near future so i could admire his works from up close. There are far too few paintings to be found in the European collections and i can not find a reason for it. Curators from all important museums must have fallen asleep during these early years of the Seventies., which is a pity. However there was a time in the early Seventies that his works were presented for sale on frequent occasions. One of these exhibitions was at the Marlborough gallery where a Pasmore graphics collection was presented and sold. The invitation to this presentation is now for sale at www.ftn-books.com

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Piet Dirkx weekly

The First publication in which i had a contribution. Piet Dirkx was invited by the Haags Gemeentemuseum by the curators Flip Bool and  Gerrit Jan de Rook. A show held together with fellow artists Piet Dieleman, Nikolaus Urban and Jean-Pierre Zoetbrood

publication from 1986

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