You wonder why there have not been many more publications like the CROWN SKY WAR special which was published on the occasion of the opening of the Clemente exhibition at the Paul Maenz gallery in 1988.
An important exhibition and the specially designed collectible should be an example for other gallery publishers. It is not too expensive to produce, but its appearance is like no other publication. It looks and feels special from the moment you set eyes on it and when you “unbutton” it it shows its contents….3 fold out cards CROWN…SKY…WAR. estimated costs…less than 1 euro. But this special is worth much much more since it’s importance means that the Paul Maenz gallery is mentioned in all the years after its publication. Whenever a copy surfaces , one is reminded of the Clemente exhibitions at their gallery in 1988.
I have now finally found me a copy which is for sale at http://www.ftn-books.com. This gallery was/is an example to many others in the business
It was about 3 months ago that we visited DE PONT in Tilburg. Our friends from the US wanted to visit the Bauhaus Textile exhibition and Linda and I decided to make the visit to DE PONT. An important museum and it struck us both that their collection is of the greatest quality. This is quite an accomplishment for such a small museum. So the Pont is worth visiting and what strikes you immediately at the entrance is a bend mirror like sculpture that reflects the sky. It is majestic in its appearance and of course the reflection is alway different so the sculpture present itself in a different way constantly.
A visit to remember since this is an excellent museum with ao. this Anish Kapoor, who is one of the most influential sculptors of his generation. Perhaps most famous for public sculptures that are both adventures in form and feats of engineering, Kapoor manoeuvres between vastly different scales, across numerous series of work. Immense PVC skins, stretched or deflated; concave or convex mirrors whose reflections attract and swallow the viewer; recesses carved in stone and pigmented so as to disappear: these voids and protrusions summon up deep-felt metaphysical polarities of presence and absence, concealment and revelation. Forms turn themselves inside out, womb-like, and materials are not painted but impregnated with colour, as if to negate the idea of an outer surface, inviting the viewer to the inner reaches of the imagination. Kapoor’s geometric forms from the early 1980s, for example, rise up from the floor and appear to be made of pure pigment, while the viscous, blood-red wax sculptures from the last ten years – kinetic and self-generating – ravage their own surfaces and explode the quiet of the gallery environment. There are resonances with mythologies of the ancient world – Indian, Egyptian, Greek and Roman – and with modern times. www.ftn-books.com has some nice Kapoor titles available
A theme which inspired many artists through the ages. Of course in the 16th century dutch painters were known for their landscapes with water and skies, but water and sky remained important for all the centuries that came afterwards. Even M.C. Escher used in his prints these themes frequently and not long ago this theme was used on a scarf by Cordon Art to show the importance of the work. In the seventies Wim Crouwel made several catalogues for the Stedelijk Museum with this theme and one i admire most is the one to accompany the exhibition by artists Miller and Cameron who used the theme of sky and water in their exhibition . Boymans van Beuningen presented Lucy and Jorge Orta who presented their waterwerken and finally there is the one who is known to practically all Dutch….Anton Pieck who used the theme frequently.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20