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László Moholy-Nagy ( 1895-1946)

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László Moholy-Nagy  born László Weisz; July 20, 1895 – November 24, 1946) was a Hungarian painter and photographer as well as a professor in the Bauhaus school. He was highly influenced by constructivism and a strong advocate of the integration of technology and industry into the arts.

This is how the Wikipedia article on László Moholy-Nagy begins. I know the art by him as complicated constructions of threads and pieces of metal, but it was not until some 15 years ago that i discovered a book on his “photograms” and it immediately fascinated me. It was the link between painting and photography, showing details of hands and objects turning them into abstract works of art.

With his photograms, such as Photogram with Eiffel Tower (1925-1929), Moholy-Nagy experimented with the abstract potential of a traditionally documentary medium. The artist’s photography was also distinguished by its abstract qualities achieved through his bold experimentation with perspective. Among Moholy-Nagy’s three-dimensional works, the best known is Light Prop for an Electric Stage (1930), a mechanical sculpture that used light as a material and cast shifting shadows on the walls around it.

Www.ftn-books.com has some very nice László Moholy-Nagy publications available

 

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Nobuyoshi Araki (1940)

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Araki has published over 400 books. He is known primarily for his photography that blends eroticism and bondage in a fine art context. But where he first was a rather obscure photographer who dared to photograph his subjects in “forbidden” poses and where his publications were originally sold under the counter. His photography has become mainstream, partly due to his dutch representatives of Reflex gallery and certainly by Benedikt TAschen who published several titles on Araki , including to super large sized ARAKI special publication in 2002.

Nobuyoshi Araki is known best for his intimate, snapshot- style images sensual flowers and of women often tied up with ropes (a kinky japanese art called Kinbaku). ( some of them availabel at Reflex galery / Amsterdam).The magnitude of  Araki’s work is difficult to wrap your head around. Araki is an artist who reacts strongly to his emotions and uses photography to experience them more intensely. His work is at once shocking and mysteriously tender with a burst of power. But one thing strikes me about most of his photographs (besides the obvious nudity) is the relationship between him and the one he captures, the intimacy, the trust and the surrender. Araki is Helmut Newton on drugs but more amplified. He is not afraid of his emotions nor of showing them to the world. He is truly an exceptionally deep and emotional artist. In 1970 he created his famous Xeroxed Photo Albums, which he produced in limited editions and sent to friends, art critics and even people he selected randomly from his local telephone book.  Araki has published over 400 books of his work. Including ARAKI, a super large publication, $4000.00 book of beauty.

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About this publication said “this book reveals everything about me. it’s been a 60-year contract. Photography is love and death- that’ll be my epitaph” – Araki

But you do not have to spent as much as 4k USD. There are excellent Araki publications for far less money available at www.ftn-books.com

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William Klein (1928) a master of abstract photography

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I found an excellent biography on Artnet on William Klein, but for me the importance of Klein is the fact that William Klein made a stunning catalogue together with Wim Crouwel for his 1967 exhibition in the Stedelijk Museum Amsterdam. The catalogue has some very bold typography and the use of the bright yellow in contrast with the black and white photograph in the back makes it for me a classic. Here is the Artnet bio.

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William Klein is an American artist known for his unconventional style of abstract photography depicting city scenes. Although similar in subject matter to other street photographers such as Diane Arbus and Saul Leiter, as well as fashion photographers Irving Penn and Richard Avedon, Klein’s images break from established modes. “I came from the outside, the rules of photography didn’t interest me. There were things you could do with a camera that you couldn’t do with any other medium—grain, contrast, blur, cock-eyed framing, eliminating or exaggerating grey tones and so on,” he reflected. “I thought it would be good to show what’s possible, to say that this is as valid of a way of using the camera as conventional approaches.” Born on April 19, 1928 in New York, NY, Klein studied painting and worked briefly as Fernand Léger’s assistant in Paris, but never received formal training in photography. His fashion work has been featured prominently in Vogue magazine, and has also been the subject of several iconic photo books, including Life is Good and Good for You In New York (1957) and Tokyo (1964). In the 1980s, he turned to film projects and has produced many memorable documentary and feature films, such as Muhammed Ali, The Greatest (1969). Klein currently lives and works in Paris, France. His works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., and the Art Institute of Chicago, among others.

There are more titles on or with contributions by William Klein available at www.ftn-books.com

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Bettina Rheims ( 1952 ) and Morceaux Choisis

It is possible that i like the photography of Bettina Rheims so much because we are from the same generation. The french hotel rooms that are a little worn are familiar to me too and these are in many cases the backgrounds of the models that Bettina Rheims uses in her photography. Whenever i find a book or special publication by Rheims , i buy it. The MORCEAUX CHOISIS title that is available at http://www.ftn-books.com was found in Bilbao at a local bookstore when we visited it together with the Guggenheims. Still packed and in pristine condition . another title published a few years ago was found in Paris and the last one i added ” BONKERS” in Rotterdam. The collection of Rheims publications will be expanding in the years to come , but has now grown into quite a few titles.

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Cas Oorthuys….continued

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6 months ago i published a blog on Cas Oorthuys, but since i discovered some more titles in which Oorthuys contributed to the photography. The most important one?  ROTTERDAM…Dynamische stad. 100% filled with great Oorthuys photography. Dated 1959. You can see a city , resurrecting after the WWII bombardment which removed the heart of this great city in the Netherlands. The photographs are all printed full page or spread over 2 pages . Size is almost folio like with 12 x 10.9 inches, linnen bound with gold /relief printing on the cover makes this one of the more important Photography books in my collection. It is availabel at www.ftn-books.com

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oorthuys rotterdam

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Issey Miyake (1938) and Irving Penn

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The first time i encountered the name of Issei Miyake was when an exhibition in the Nederlands Kostuummuseum was organized by curator Ietse Mey. The pleated fabrics by Miyake impressed and on a later occasion at the Groninger Museum i became an admirer of his designs.

Miyake has not become a mainstream designer and his designs are to complex to be worn in daily life, but he is important and he developed under his own brand name “l’Eau d’Issey” a range of balms and aftershaves which have become highly successful and made him a wealthy man. One publication must be discussed in this blog, because it is one of the best fashion photo books ever and its printing is outstanding and probably the reason why this is such a beautiful book. The fashion designs “shine” and look to float on the white blank pages. The photography is by Irving Penn, who made this the ultimate Issey Miyake book. Highly recommended and available at www.ftn-books.com

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Lucien Clergue (1934-2014)

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Here is a classic photographer who made his name with the Corrida, Picasso and the southern French nudes. There is a story on Clergue and myself. In the early Seventies there was a gallery in the Kazernestraat in Den Haag called Arta. In the gallery graphic art was sold to members at really affordable prices and i, as a young student, could afford me some graphic works by young artists who sold their works for as little as 20 guilders. A small sum to be paid for an original work of art by mainly dutch artist, but there were exceptions which were also on offer, some sets with multiple etchings and the occasional photograph…one of them an original photograph by Lucien Clergue. A nude in the sea, sand around her torso , no face…just a body….but such an impressive photograph i had to have it.

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I took a loan with my parents and bought it and since , it has been in my collection. Later i learned the photograph came from one of the most famous series Lucien Clergue has ever made on THE SEA, shot in the Camargue in France in 1972 and resulting in one of the most iconic nude photo series any photographer has made . The photograph has now become for sale at FTN art.  This is a classic Clergue photograph in a small edition , stamped ,signed and numbered by Lucien Clergue and in immaculate condition.

For more publications on Lucien Clergue, please visit www.ftn-books.com

 

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Juul Kraijer ( 1970 )… depicted unease

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It was about 20 year ago i first saw work by Juul Kraijer. Kraijer was presented with a small exhibition in the Gemeentemuseum and  as soon as i saw her works i was convinced of the quality of her art. Many years later, i Think it was the UNSEEN fair 2014 i encountered her photographs and had the same feeling about them.

They created an unease within me, but at the same time they were fascinating. I discovered for this blog that Kraijer has a very loyal and active following on Pinterest, but maybe the best way to discover her works is by visiting her site http://www.juulkraijer.com on which she gives a.o. an extensive text on her Hydra series of drawings. The HYDRA book is available at www.ftn-books.com

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Erwin Olaf (1959)… new additions

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Over a year ago i devoted a blog to Joel Peter Witkin and Erwin Olaf and it has been too long since i wrote about Erwin Olaf, but this time it is worth writing about him because in recent months i was able to add some highly collectable Olaf publications to my inventory. Erwin Olaf publications are harder and harder to find and get more scarce every month, but sometimes you get lucky and you encounter a small collection. So in recent months i was able to add some great posters and rare publications. The Erwin Olaf poster for the Anjer Fonds was specially designed by Anthon Beeke and this makes it twice as special. The same is applicable to the Sipek book. Sipek a great artist, who’s works are photographed by Erwin Olaf… again two for the price of one. available at www.ftn-books.com

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David Levinthal (1949) and Henk Tas ( 1948)

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For me David Levinthal is the US equivalent of Henk Tas in the Netherlands. Age difference is only 1 year and both have developed their photography into a form of staged photography where both use little ( plastic) figurines to populate their photographs. Where Levinthal uses baseball , barbie and military figures, Tas uses animals and female figures in a setting strongly influenced by music. http://www.henktas.nl/home.php?kid=1

If you read the text on Wikipedia on Levinthal you realize that these photographs are not made in an easy way. Setting, staging and lightning all need to be perfect for a good photograph.Here is part of what Wikipedia says about Levinthal

His work is included in the permanent public collections of the Art Institute of Chicago, the Centre Pompidou in Paris, the Corcoran Gallery of Art in Washington, D.C., the Los Angeles County Museum of Art, the Metropolitan Museum of Art, the Museum of Modern Art,[2] and the Whitney Museum of American Art in New York City. He has had solo exhibitions in New York City, Los Angeles, and Portland, Oregon.

Levinthal has produced a diverse oeuvre, utilizing primarily large-format Polaroid photography. His works touch upon many aspects of American culture, from Barbie to baseball to X-rated dolls. He uses small toys and props with dramatic lighting to construct mini environments of subject matters varying from war scenes to voyeurism to racial and political references to American pop culture.

He creates miniature scenarios using shoeboxes, cardboard, and foam core to make miniature offices, hotel rooms, pool halls, foyers and narrow corridors. These shadowy and dark scenes expose the secrecy and intimacy of small spaces. Levinthal is particularly interested in exploring the different emotions that each scene produces, such as reactions to an office corridor in contrast to those to a hospital or a private bedroom. Indeed, there is an inherently voyeuristic aspect to these early works.

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I love both artists and can offer a nice original by Henk Tas in a private sale. For the books on these artists visit www.ftn-books.com where there is the best book on Tas available and the highly collectable Smithsonian catalogue on Levinthal’s photographs.