Here is a classic photographer who made his name with the Corrida, Picasso and the southern French nudes. There is a story on Clergue and myself. In the early Seventies there was a gallery in the Kazernestraat in Den Haag called Arta. In the gallery graphic art was sold to members at really affordable prices and i, as a young student, could afford me some graphic works by young artists who sold their works for as little as 20 guilders. A small sum to be paid for an original work of art by mainly dutch artist, but there were exceptions which were also on offer, some sets with multiple etchings and the occasional photograph…one of them an original photograph by Lucien Clergue. A nude in the sea, sand around her torso , no face…just a body….but such an impressive photograph i had to have it.
I took a loan with my parents and bought it and since , it has been in my collection. Later i learned the photograph came from one of the most famous series Lucien Clergue has ever made on THE SEA, shot in the Camargue in France in 1972 and resulting in one of the most iconic nude photo series any photographer has made . The photograph has now become for sale at FTN art. This is a classic Clergue photograph in a small edition , stamped ,signed and numbered by Lucien Clergue and in immaculate condition.
Günther Förg, together with Sol LeWitt, this artist is one of the most promising artists for the future.
With Abstract painting, Graphic art and photographs, Günther Förg has made a name for himself in the world of Art.
Because he was discovered in the late eighties by some dutch curators a.o Flip Bool, directors ( Rudi Fuchs) and Wim van Krimpen as a gallery owner, he received at an early stage of his career some important exhibitions in the Netherlands. Among them there was a gallery presentation in the van Krimpen gallery in Amsterdam. At that time Wim van Krimpen had some nice young artists who were presented in his gallery. Among them Piet Dirkx ( yes… from the Piet Dirkx daily) and Günther Förg, who had a chance to present some lead paintings and large photographs at the gallery. With this exhibition, an extremely nice set of 4 color lithographs was published in a small edition of only 25 copies. I loved and love the works by Gunther Forg and i am fortunate to have bought 2 of these sets at the time they were published. One litho from the set is depicted on the cover of Gunther Forg/ The complete editions 1974-1988 and within the book the set is spread over 2 pages (64 and 65) and illustrated. So far the history of the set which was published in 1987 by galerie van Krimpen.
A leap in time brings us to ca. 2000 when i spoke Wim van Krimpen and told him we had met before at the time i bought the sets and he told me i was lucky , because about 15 sets were destroyed because his cellar at one time flooded and the sets could not be saved, leaving in total about 10 sets that were sold at the gallery and were among collectors.
Forg Ohne Titel
Since his death in 2013 Günther Förg works are in high demand at auctions and with art dealers and i believe this demand will not end for a long long time. Günther Förg’s art is original and exquisite and this set which is now on offer is one of the best he ever has published . Look at the FTN art page for additional information.
These pages with the daily blogs on “books and art” needed some changes. I had to give the “Piet Dirkx daily” a more prominent spot, the place it deserves and made a new and better focus on FTN art . I found a better template and layout and because of that the items which are for sale are far more easy to access. A search option for blog and art is now included in a much better place.
The new blog site will be changed and adjusted in the coming weeks. I have to find out what works best and how to make it better, but for the moment ….enjoy!
PS. I am sorry if i published some test versions and you were wrongly notified for the new blogs published.
It was about 20 year ago i first saw work by Juul Kraijer. Kraijer was presented with a small exhibition in the Gemeentemuseum and as soon as i saw her works i was convinced of the quality of her art. Many years later, i Think it was the UNSEEN fair 2014 i encountered her photographs and had the same feeling about them.
They created an unease within me, but at the same time they were fascinating. I discovered for this blog that Kraijer has a very loyal and active following on Pinterest, but maybe the best way to discover her works is by visiting her site http://www.juulkraijer.com on which she gives a.o. an extensive text on her Hydra series of drawings. The HYDRA book is available at www.ftn-books.com
The year is 2000 and Queen Beatrix is invited as a guest curator for the exhibition DE VOORSTELLING to be held in the Stedelijk Paleis op de Dam . The place where each year the Koninklijke Subsidie voor de Vrije Schilderkunst is presented . Her “right hand” is no less than Rudi Fuchs the director at the Stedelijk Museum who helps the Queen with her choices and presentation.
I am not a great fan of our Royals, but i always have had great respect for Queen Beatrix and her love for the arts and i am convinced that she is very knowledgable about art, art techniques and with that background could make some great choices for her collection. ( a.o. Eja Siepman van den Berg and Andre Volten ). This time it was for real and one could see her personal dutch favorites within the exhibition. To accompany the exhibition a more than nice catalogue was published which is available at www.ftn-books.com.
Over a year ago i devoted a blog to Joel Peter Witkin and Erwin Olaf and it has been too long since i wrote about Erwin Olaf, but this time it is worth writing about him because in recent months i was able to add some highly collectable Olaf publications to my inventory. Erwin Olaf publications are harder and harder to find and get more scarce every month, but sometimes you get lucky and you encounter a small collection. So in recent months i was able to add some great posters and rare publications. The Erwin Olaf poster for the Anjer Fonds was specially designed by Anthon Beeke and this makes it twice as special. The same is applicable to the Sipek book. Sipek a great artist, who’s works are photographed by Erwin Olaf… again two for the price of one. available at www.ftn-books.com
For me David Levinthal is the US equivalent of Henk Tas in the Netherlands. Age difference is only 1 year and both have developed their photography into a form of staged photography where both use little ( plastic) figurines to populate their photographs. Where Levinthal uses baseball , barbie and military figures, Tas uses animals and female figures in a setting strongly influenced by music. http://www.henktas.nl/home.php?kid=1
If you read the text on Wikipedia on Levinthal you realize that these photographs are not made in an easy way. Setting, staging and lightning all need to be perfect for a good photograph.Here is part of what Wikipedia says about Levinthal
His work is included in the permanent public collections of the Art Institute of Chicago, the Centre Pompidou in Paris, the Corcoran Gallery of Art in Washington, D.C., the Los Angeles County Museum of Art, the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum of American Art in New York City. He has had solo exhibitions in New York City, Los Angeles, and Portland, Oregon.
Levinthal has produced a diverse oeuvre, utilizing primarily large-format Polaroid photography. His works touch upon many aspects of American culture, from Barbie to baseball to X-rated dolls. He uses small toys and props with dramatic lighting to construct mini environments of subject matters varying from war scenes to voyeurism to racial and political references to American pop culture.
He creates miniature scenarios using shoeboxes, cardboard, and foam core to make miniature offices, hotel rooms, pool halls, foyers and narrow corridors. These shadowy and dark scenes expose the secrecy and intimacy of small spaces. Levinthal is particularly interested in exploring the different emotions that each scene produces, such as reactions to an office corridor in contrast to those to a hospital or a private bedroom. Indeed, there is an inherently voyeuristic aspect to these early works.
I love both artists and can offer a nice original by Henk Tas in a private sale. For the books on these artists visit www.ftn-books.com where there is the best book on Tas available and the highly collectable Smithsonian catalogue on Levinthal’s photographs.
Yesterday it was announded and confirmed that a newly discovered van Gogh drawing from the Fentener van Vlissingen collection is an authentic van Gogh. In such a case i really wonder if the drawing is considered important because as the vanGogh museum says …it is a missing link…or is it beautiful and valuable. Valuable it certainly is now with its authentication, but beautiful? i do not think so…. it is a study and beside the depicted windmills i do not find it appealing at all. For instance compare the studies of Jongkind, his contemporary artist which all shine in these little formats. A new van Gogh discovered is nice, but the way it now is presented as one of the art discoveries of this decade is undeserved. Here is the article from the van Gogh Museum on this sketch and for really great books on Van Gogh please visit www.ftn-books.com
AMSTERDAM — The Van Gogh Museum here on Tuesday announced the discovery of a previously unknown drawing by Vincent van Gogh, which the museum said was completed about a month after the Dutch post-Impressionist artist arrived in Paris in 1886. The museum’s researchers studied the style and history of “The Hill of Montmartre with Stone Quarry,” dated March 1886, and found documents they said confirm that it is a lost van Gogh.
“It’s a big day today,” said Teio Meedendorp, a senior researcher at the Van Gogh Museum who studied the subject, style, technique, materials and provenance of the drawing, and found the relevant documentary evidence to support the attribution.
The museum owns the largest collection of van Gogh’s works anywhere in the world, including more than half of the artist’s drawn oeuvre — approximately 500 drawings as well as his sketchbooks.
“It’s a nice robust drawing by Vincent and he captured the hill of Montmartre very well,” Mr. Meedendorp said.
Mr. Meedendorp said that the drawing is particularly interesting because it is more in keeping with van Gogh’s earlier style than his later work when he lived in Paris. He added that the drawing shows that van Gogh’s work evolved during his crucial years in the French capital from a formal style that he learned at the art academy in Antwerp just before arriving in Paris, and became increasingly experimental.
“It’s a kind of stylistic missing link between his Belgium and Paris time,” said Fred Leeman, an independent van Gogh expert and curator of exhibitions by the artist, who is a consultant to the Van Vlissingen Foundation, which currently owns the drawing.
The last time a new van Gogh drawing was discovered was in 2012. A year later, a new van Gogh painting, “Sunset at Montmajour” (1888), was also found. But these findings are relatively rare. Since the publication of the complete catalog of van Gogh’s works in 1970, another nine drawings and seven paintings have been added, Mr. Meedendorp said.
When it came to the Van Gogh Museum for research in 2012, the drawing was owned by an American private collector whose Dutch relatives had purchased the work from a gallery in the Netherlands in 1917, Mr. Meedendorp explained. But the museum did not publicize the finding at the time, at the request of the previous owner.
Aside from Mr. Leeman, no other experts outside the museum have yet seen the drawing.
Research by the Van Gogh Museum in Amsterdam, the world’s leading expertise center on the artist, found that “The Hill of Montmartre with Stone Quarry” came into the hands of van Gogh’s sister-in-law, Johanna van Gogh-Bonger, a meticulous keeper of van Gogh’s materials, who numbered it “123” in her inventory.
Mr. Meedendorf said that when he took the drawing out of its frame, he found the telltale number, “123,” written on the back.
The discovery of “The Hill of Montmartre with Stone Quarry” led the Van Gogh Museum to reconsider another drawing that it had in its collection, which had been part of the original donation from the van Gogh family heirs. That drawing, titled “The Hill of Montmartre,” also completed in 1886, is drawn from a very similar perspective of the Parisian hilltop.
This drawing was originally thought to be by van Gogh, but in 2001, it was questioned because it was so dissimilar to work from his Paris period, and then discredited.
“Now that you have a set of two, it’s clear that it was a style he maintained during the first part of his time in Paris,” said Mr. Leeman.
By comparing these two drawings side-by-side, researchers realized that the works were incredibly similar, and both were attributed to van Gogh.
“It’s the same materials, the same paper, it’s quite clear that these were both done by the same hand at almost the same time,” said Mr. Meedendorp.
“One thing led to another,” he added. “If this was a van Gogh drawing then the other one had to be one as well.”
It must have been about 15 years ago that my father asked me if i had an idea for a Christmas present and because i knew of a book i could order with a 40% discount i told him that i wanted a special publication by Bernd and Hilla Becher / Hochofen. Published by Schirmer Mosel in 2002 in an edition of only 100 copies containing a beautiful original photograph of a row of Furnaces.
These industrial scenes are typical for the Bechers and because of these scenes of Industrial complexes and lonely rural buildings. their photography is highly recognizable. The photograph i own is one of the most cherished works i have in my collection. It is not the value which makes it special , but the idea that it was one of the last gifts my father gave me. Since i have been collecting Becher items and one of the best i found was a poster , published by the Josef Albers Museum in 2010 and available at www.ftn-books.com
Today is another milestone for me as a bookdealer in art books, because today i started on these pages ………FTN art
There will be irregular additions to this page, but all works depicted on these pages are for sale and guaranteed originals. The first original is a drawing/collage by Siep van den Berg who made this in 1979.
tekening/collage uit een serie constructivistische tekening/ Collage in blauw die Siep van den Berg heeft gemaakt op 16 augustus 1979 in Andelaroche ( Fr.) De tekening is eerst opgezet in balpen waarna er blauwe vlakken zijn bijgeplaatst ( of omgekeerd).
De tekening is gedateerd 16 9 79. Met notitie “Heleen Jarig Geweest” en signatuur in zwarte inkt …SvdB.
Kunstenaar : Siep van den Berg
titel: Heleen Jarig Geweest
techniek ; balpen en collage in blauw
afmetingen ; 27,7 x 20 cm.
gesigneerd : SvdB in zwarte inkt
gedateerd : 16 9 79
conditie : MINT-
I did not know it because i only know Nadas from his Photography exhibition in the Gemeentemuseum for which an impressive small catalogue was published , but when i looked for the biography on Nadas i noticed that he foremost is known for his writing during the last 3 decades. It is now clear to me that this is the reason why so few books with his photography have been published during his life until now. Still his photography was done in the tradition of his Hungarian countrymen. For example Kertesz must have been a great influence on the photography by Nadas. The book on offer with www.ftn-books.com ( Kindred Spirits) was published on the occasion of the Peter Nadas exhibition in the Fotomuseum Den Haag/2004, in which the qualities of his photographs were shown. Nadas is known as a writer, but these photographs show that he has 2 artistic sides. Beside being a writer …..the other side is definitely being a great photographer.
I begin this blog on Jan Saudek with a quote i found on AZQuote:
I believe all artists, if they are not lying to themselves, must believe that the best part of their work, or even their life, is in front of them. To look only to the past and to say ‘those were the best years, when I was young’ is to say that in the future there is nothing.
Saudek has become a household name in photography after Benedikt Taschen decided to publish his photo’s in cheap but beautiful glossy books. These books made his name among photography lovers and not only because of their quality, but also because of their subjects. Saudek never did censor himself and used many models all from his direct surroundings and family and photographed them being their complete self.
These photo’s are so typical Saudek that his works can never be mistaken to have been taken by somebody else. In an instant you can see that they are Saudek’s. In the mid eighties, Art Unlimited…an Amsterdam based publisher , began to publish his postcards and with this publication the great popularity of Saudek’s photo’s began. After this initial introduction to the art world large exhibits and gallery presentations followed ( gallery TORCH). Now his photography is available to all, because of the many publications there ghave been with Saudek photographs, but the originals are available only to a few because they have become far too expensive for ordinary collectors to collect. www.ftn-books.com has some nice publications on Saudel. Part of which is printed by Rosbeek, which i believe is the very best printer for these great photo’s