
Daniel Buren is a representative, yet also a critic of “institutional critique,” a branch of conceptual art that emerged in the late 1960s. His work is distinguished by the recognizable stripe motif: bands, always 8.7 cm wide, which the artist has referred to as his “visual tool” since 1965. This “visual tool” is not only integrated in places where art is exhibited, but also in the urban landscape, for example on buildings, shop windows, buses, and billboards. Purposefully, he blurs the lines between studio, gallery, museum, and the outside world. As an “institutionally critical” artist, Buren persistently opposes the codes, norms, and values of the art world.
www.ftn-books.com has a nice selection of Buren titles available.









