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Gabriele Münter (1877-1962)

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There are two things that i always have connected with Gabriele Münter , …..first there is that she was a student of Kandinsky and second, she was great with “behind glass painting”. This is an artist who i have not followed until recently. A week ago I discovered at the bookmarket a catalogue on Gabriele Münter published by the MARLBOROUGH GALLERY from 1960 and the first thing I noticed was the influence of van Gogh . Subject , use of colour and size all reflect that she must have admired van Gogh  immensly and where Kandinsky must have taught her to discover abstract painting, she found herself more at ease with realism in her paintings. Later she became part of the ” BLAUE REITER  group and together with Macke she became a respected name in the history of Modern Art. www.ftn-books.com has some nice Gabriele Münter titles available.

gabriel munter

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Jiří Georg Dokoupil (1954)…continued

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The follow up of a blog which i published on the 18th of December 2018 is a short blog on my recent additions of 4 Doukoupil publications that i recently found and bought on my local bookmarket. The ArT RANDOM is not the rarest o them, but still a nice one to collect, since it contains the THE MADRID PAINTINGS. Blurred images that are certainly recognizable in black and white, making these extra powerful paintings. The other publiucations are my personal favorites . 3 volumes of the Dokoupil drawings series. The volumes I, II and III are now combined for sale at www.ftn-books.com

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Henk van Vessem (1939)

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For me van Vessem is a typical dutch abstract painter. Bright colors and a kind of abstraction that is common among dutch painters and perhaps the way these paintings feel familiar makes me less of a fan. It is a kind of art which is much appreciated by those who seek a decoration on the wall and decide for a brightly colored abstract painting. Perhaps this is a too negative approach to his painting, but since this is a personal blog  i am allowed to express my opinion on an artist and his works. I read somewhere that there are works by van Vessem to be found in the collection of the Royal House of Orange, but this does not automatically mean that one have to admire his art.

Still www.ftn-books.com has a nice publication available which included an original lithograph and i can understand why others like the colorful paintings by van Vessem.

 

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Pieter Holstein (1934)

 

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Holstein works are on the border of comics and illustrations. They have a message to be told and within the picture one can discover a complete story even fantasize about the figures and what they are doing. It is a kind of art which is timeless and easy to admire. Figures and drawings are detailed without being realistic. As said a bit like comics are drawn and made.

The Stedelijk Museum recognized the qualities of these drawings in an early stage and made a beautiful catalogue together with the exhibition in 1970. The SIPKE & PIET boek is a typical Holstein production. Drawings and design ( WIm Crouwel), make this a highly collectable item.OLYMPUS DIGITAL CAMERA

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Riki Mijling (1954)

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Two reasons for writring a blog on Riki Mijling. First reason is i admire her works since i first saw them at the ART AMSTERDAM fair in 2005(?). I . am fond of Concrete and minimal art and in her art i find a twist that fascinates me. Yesterday at the local bookmarket i bought a small artist book by Riki Mijling. Published ia a very small signed and numbered edition of only 20 copies. The reason i noticed it was a ribbed card board cover which was etched by the artist rM ’00. So her innitals and signatue are appearing twice in this very limited edition which is now for sale at www.ftn-books.com

Here follows the biography which can be found on the Riki Mijling site:

Dutch sculptor Riki Mijling (1954, Nijmegen, the Netherlands) works in a rich tradition of non-objective, post-minimalist sculpture. The twentieth century art genealogy shows a forceful line of abstract-geometry, with pioneers such as Kasimir Malevitjs, Vladimir Tatlin, Piet Mondrian and Theo van Doesburg. 

Developments in art since the mid-1960s show how artists expanded on this legacy, on both sides of the Atlantic Ocean. In the United States artists like Carl Andre, Donald Judd and Robert Morris burst onto the scene, causing a landslide with their minimalist approaches, a radical simplification of forms and dissolving ‘meaning’ in the traditional sense. 

And in the Netherlands too, artists sought for new forms of expressiveness, for a formal and linguistic reduction, no-longer connected to representation and story-telling.  With her sculpture––and her works on paper too––Mijling expands on this rich tradition of essentialism, developing a characteristic and unique visual language. 

Mijling pairs a reductionist approach with a warm, ‘charged’ character of her sculptures in waxed steel, Cor-Ten steel, glass and stone. It distinguishes Mijling from so many contemporaries and admired forerunners, and raises the question whether the concept of ‘minimalism’ is, in Mijling’s case, still applicable.

​The non-referential, archetypical forms of Riki Mijling’s sculptures lead back to basic elements, to universal significance of timeless forms. Unmistakably ‘Mijling’ is a quest for an ideal line, for pure form and a new experience of space, of the balance between matter and non-matter. 

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Paul Klee (1879-1940)

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“Über Bergeshohen” and “Im Bach’schen Still” are the 2 Paul Klee works that the Gemeentemuseum Den Haag ( Kunstmuseum Den Haag) has in its collection. I remember these works well since I have seen these without their protective glass frame when they were photographed.

These works made a great impression on me and grew my interest in Paul Klee. This was about 35 years ago and since i have bought and sold many Paul Klee publications, but besides the Gemeentemuseum publications there is one which is my absolute favourite….it is the PAUL KLEE 1879-1940 book which was published on the occasion of the Solomon R. Guggenheim Museum exhibition in New York in 1967. Great cover and a tremendous exhibition which has so many great Paul Klee works in it. Unfortunately the 2 from the Gemeentemuseum, but the rest belongs to the very best by Paul Klee and it is highly unlikely that there will ever be a greater and better Klee exhibition.

klee guggenheim

 

This and other Klee publications are available at www.ftn-books.com

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Brian Maguire (1951)

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This is an artist I really like since his painting is not only fast and contemporary, but he makes political statements with his painting that are important. This is possibly also the reason why his paintings are not found within the large museum collections. Only some daring museums that are not afraid to take a stand will add his works to their collection. But these works are important since, in. a an artistic way,  they confront you with the world around us that is easily and possibly conveniently forgotten.
Since the very beginning of his career in the 1970s, Brian Maguire has approached painting as an act of solidarity. He operates a truly engaged practice, compelled by the raw realities of humanity’s violence against itself, and the potential for justice.

Maguire’s preoccupations draw him to the margins of the art world—alternative space, prisons, women’s shelters, and psychiatric institutions—making shows in traditional gallery and museum spaces something of a rarity. Maguire’s most recent paintings directly confront issues of migration, displacement and human dignity in the face of the current global unrest. They are some of his most nuanced and ambitious to date, which he has crafted with larger brushes and thinned-down acrylic on canvas. He works slowly, using photographic sources, searching for that point where illustration ceases and art begins. This growing contrast between the seductive painterly aesthetic and the subject matter only adds to the potential impact of these formidable canvases.In 2018 Maguire released his newest publication that displays a substantial new artist monograph surveying his career to date. Maguire has shown extensively in Europe and the US, also participating in shows in Korea, China and Japan.

Recent solo exhibitions include: War Changes It’s Address, United Nations Headquarters, New York, USA, (2020); Scenes of Absence, Rubin Center, Texas University, TX, USA, (2019); Escenarios de ausencia, Art Museum Ciudad Juárez, Mexico, (2019); War Changes Its Address: The Aleppo Paintings, Irish Museum of Modern Art, Dublin, (2018); Concerned, Royal Hibernian Academy, Dublin (2018) and the European Parliament, Brussels (2012). Recent group exhibitions include: Naked Truth, Crawford Art Gallery, Cork, (2018); Demise, Cleveland University Art Gallery, Cleveland, OH, USA, (2018); The sea is the limit, York Art Gallery, York, UK, (2016); Conversations, the Irish Museum of Modern Art, Dublin (2014) and Ni Una Mas, Leonard Pearlstein Gallery, Drexel University, Philadelphia, USA, (2010).

Maguire’s work is represented in the collections of Irish Museum of Modern Art; Dublin City Gallery The Hugh Lane; Museum of Fine Art Houston, Texas; Gemeentemuseum, Den Haag, The Netherlands; Alvar Alto Museum, Finland.

www.ftn-books.com has one Maguire title available

maguire

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Keiichi Tanaami (1936)

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My first impression when i encountered this set of Tanaami posters was that these were original 60’s posters , but no….these are from ca. 2005 and strongly rooted in the Japanese culture of making prints and heavily inspired by Psychedelic Sixties posters

Born in 1936 in Tokyo, Japan, Keiichi Tanaami is an influential pop artist of postwar Japan. Tanaami took a keen interest in drawing at a very young age and often spent time in cartoonist Kazushi Hara’s studio. He studied at Musashino Art University, earning a Special Selection recognition with a major design and illustration group. Since the mid 1960s, he became increasingly interested in psychedelic culture, Acid Music, and Pop Art, in particular Andy Warhol’s work. In 1968, his award-winning antiwar poster “No More War” and his album artwork for the Monkees and Jefferson Airplane became a major impetus for the movement of psychedelic and pop art in Japan. In 1975, he became the first Art Director of Playboy (Japanese Edition), and in 1991 he started to teach at Kyoto University of Art and Design, where he is currently a chairperson of a Faculty of Information Design.
tanaami posters

There is a wonderful site on this artist which reads like a comic book and some outstanding graphic quality and yes i have 2 of his posters now available at www.ftn-books.com

for the site go here: https://mangadejapan.com/articles/detail/1356

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Over 200 different Art & Project items in store

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It has been almost a decade to collect as many as the 210 different Art & Project items that i currently have for sale. It started when i bought a “lot” of museum catalogues at auction and among theme were some Bulletins by this worldwide known and respected dutch gallery. Not the most famous ones , but still a nice selection with Richard Long and Hamish Fulton. I got focussed on these publications and found some rare ones at reasonable prices in a time that nobody was interested. But the big breakthrough came when i finally was lucky enough to encounter 2 nice collections. One at a local book dealer who wanted a fair price for a selection of 30 Bulletins and the second time was at auction where a lot was not sold and i decided to buy it in the aftersale of the auction house.This last one added over 80 different Art & Project items to my collection and inventory. Just have a look at www.ftn-books.com and search for “art & project” and you will be pleasantly surprised with the large selection that i was able to collect for FTN books.

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Marino Marini (1901-1980)

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When i think of Marino Marini, i think of the guided tour we had at one time on the estate of Joop van Caldenborgh. He collected the Caldic collection and recently was the founder of the museum Voorlinden near Wassenaar.

marini caldic

The Marini sculpture from the Caldic collection / Cavaliere (1952) is one of the first sculptures you will see when you enter the estate and it is placed on the corner of a “fragile” red brick wall and both the times i saw the sculpture i was scared it would fall, but beside that i was struck with the beauty of the sculpture. A typical Fifties work of art and important! because many great italian sculptures were made during the Fifties and Sixties, but only a few can be found in dutch public collections.

There was a raised interest in italian art during both these decades and the Stedelijk Museum, Boymans van Beuningen and Haags Gemeentemuseum, all presented the best from Italy in those years, but only a few of the presented works of art stayed in the Netherlands and became a part of the public collections of these museums.

Still some very nice publications were published to accompany the exhibitions and some are availabel at www.ftn-books.com