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Gustave Loiseau (1865-1935)

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For me Gustave Loiseau represents the generation just after the great impressionists and Neo impressionists. Influenced by these great artists ,but eventually developing this into a style of his own. Just a similar path that Maximilien Luce also walked.

They were contemporaries of each other and both had a liking of landscapes but they also opened their artistic eyes for the rise of industry and painted these new elements in the landscapes. It was as early as the beginning of the Seventies that I took an interest in art and visited for the first times auction by Christie’s and Sotheby’s and these artist were showing up, because of the artistic and commercial value they represented. Peresonally i like Luce better because of his wider approach to painting nearly all kinds of subjects, but Loiseau is the more poetic one.

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There are not many publiucations on Loiseau , but the above is one that is available at www.ftn-books.com

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A Paradise Lost (1935-1955)

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Here is the tile of a book a recently acquired. Title ….A PARADISE LOST and the subject is the Neo-Romantic Imagination In Britain from 1935-1955. To be honest… I never hear of this current in the Art scene, but when I opened the book I was struck with some famous names that i have known for all of my working life in art. Graham Sutherland was the first I recognized and then there was Lucian Freud and later again, Francis Bacon and Edward Burra. Leafing through the book it appeared that these now-famous names were presented together with lesser-known names but their art is not less appealing. It is typical for this Era and balances between realism and surrealism. This is a period which should be more in focus with the larger Museums in the world since it is a bridge between the realism of the early  20th century and the modern, abstract art as we know it. I can only highly recommend this book for those interested in this period. The book is now available at www.ftn-books.com

paradise lost

 

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Giovanni Nicolai ( continued )

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With a unregular frequency of once a year i receive an overview of some of the new works by Giovanni Nicolai. He certainly is rooted in classical Italian art from the middle ages until more recent art. Just look at the two paintings below and i saw an immediate resemblance between the two female figures.

Giovanni was one of my first customers who had an interest in Massimo Rao and bought one of my special publications i had in stock on the artist. Since, we have a regular contact in which he sends me by mail pictures of his latest works. Of course there are more than the 4 paintings i have depicted with this blog. But these are now available at reasonable prices. So if interested do not hesitate to contact me and receive your best offer Giovanni and I can give you on this original Italian art. ftnbooksandart@gmail.com

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Dan Reisinger (1934-2020)

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At auction i bought a small collection of design books , previously owned and collected by Ben Bos, one of the founding members of the Total Design agency. Bos was presented with this chinese edition on Dan Reisinger who wrote a personal note and letter to Ben Bos. These are both included and the book is now fro sale at www.ftn-books.com.

Born in 1934 in Kanjiza, Serbia, Reisinger lost several family members in the Holocaust, including his father. He survived the Nazi occupation in a hideout and as a teenager became active in the partisan Pioneer Brigade, immigrating with his mother and stepfather to the new State of Israel in 1949. Reisinger initially lived in a transit camp and then worked as a house painter in order to earn money from almost any source. He later attended Jerusalem’s Bezalel Academy of Art and Design as the youngest student accepted to the school at that time.

In 1954, Reisinger served in the Israeli Air Force, where he put his design skills to use art directing military publications. During this time in the Air Force he attended a class on postage-stamp design taught by the British graphic designer Abram Games, who became his mentor and friend. Subsequently, Reisinger travelled, studied, and worked in Europe: from 1957 in Brussels and then onto London where, from 1964–66, he studied stage and three-dimensional design at the Central School of Art and Design. He designed posters for Britain’s Royal Mail, and worked for other clients while making intermittent visits to Israel. In 1966 he returned permanently to Israel and established his Dan Reisinger Studio in Tel Aviv. The same year he was commissioned to design the Israeli Pavilion at the Expo ’67 in Montreal.
Reisinger soon became one of the most prolific Israeli designer of his generation and won many prizes. He designed a new logo for El Al (1972), and the 50-meter-long aluminium-cast relief of a biblical quotation in Hebrew on the exterior of Yad Vashem, Israel’s official memorial to Holocaust victims in Jerusalem (1978). He designed three Israel Defense Forces (IDF) decorations: the Medal of Valor, the Medal of Courage and the Medal of Distinguished Service. He also created the logos for the Tel Aviv Museum of Arts, Tefen Museum of Arts, and Habima National Theatre, and the symbol and posters of the 9th-15th Maccabiah Games.

He had his first solo exhibition at the Israel Museum Jerusalem and Tel Aviv Museum of Art in 1976-77, and has since exhibited his works in Israel and around the world in numerous group and one-person exhibitions. In 1998 Reisinger was awarded the Israel Prize – one of the state’s highest honours – the first designer to be the recipient of such an award, exactly 40 years after his first award, the 1958 Brussels Expo first medal for poster design. For his 70th birthday, the Hungarian Government honoured Reisinger with a comprehensive one man show at the Museum of Applied Arts in Budapest.

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Mark Kadota (1951)

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A video, performing, sculptor and painter, artist Mark Kadota splits his time between his homes in Hawaii and the Netherlands. “Living in two very different places allows a unique observation of each place with a new and fresh view.It also lets me get a different perspective of each place,” he says. Kadota’s art covers visual recording and performing arts in the broadest spectrum. He has been on exhibit in galleries throughout the world and his collections are to be seen in several museums in Europe and Hawaii.His video artworks have been shown at the Beijing and London Olympic exhibition halls and have been acquired by Stedelijk museum in ‘s-Hertogenbosch, Netherands. Appointed the honorary city artist for Honolulu USA he is presently finishing a commission for the renovation of the Honolulu city hall

In his Dutch landscape series Kadota updates the concept of documenting landscapes void of any human content in an effort to find spaces of refuge in an age of overpopulation. His main motivation is to create artwork of universal languages, searching for common truths that unite rather than separate. His artwork, at its best, mirrors society and our interior selves, raises questions, and presents communication and reflection. He makes his messages human, poetic, inclusive, humorous, accessible and comprehensible to everyone. As a conceptual artist, Kadota uses both traditional and non-traditional media to explore idea which he expands upon using video, painting, photography, installations, performance, movement, music, poetry, kinetic stage sets, sculpture, ceramics and film. Like many artists he tends to work in series. Kadota cites “I explore the concept through the series of work till I exhaust the idea. Usually I move to the next concept and at times return to former concepts with newfound ideas.”

kadota

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Esther Tielemans (1976)

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Her first major exhibition was at the Stedelijk Museum, but her best publication by far is the one which was made for her exhibition at the Museum Bommel van Dam in 2011.

(available at www.ftn-books.com) Great publication, designed by Adriaan Mellegers and printed by one of the very best printers in the business, Lecturis. Tielemans works differ in size. From intimate small sculptures to a room filled with installed sculptures altering and reconstructing the room in a fascinating way.

Her work is now part of the exhibition Momentum at the Voorlinden Museum.
Our world is poised on the brink of a tipping point as well. We must make choices regarding climate and migration, issues that are impacting our lives more and more intensely.

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Momentum brings together more than thirty works that embody this tension. This selection from our collection unites new and established names working in a wide range of media. Together they offer insights into the personal and collective challenges of our time. With works from artists including Anish Kapoor, Rineke Dijkstra, Jacco Olivier, Esther Tielemans, Ryan Gander, Gabriel Rico and Mona Hatoum.

new scenes

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Andy Goldsworthy (1956)

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Andy Goldsworthy, British sculptor, photographer, environmentalist,  seems like a perfect choice for his personal quest is to be intimate and create with Nature. What flows through him, flows through the landscape and his goal is to feel, experience,  understand,  and then to create with this energy.

In his collaborations with nature, Andy works with whatever comes to hand: twigs, leaves, stones, snow and ice, reeds and thorns, creating site-specific installations, exploring the very essences of these materials.  In his process, he first must become attuned to his environment mentally, physically, and emotionally.  He listens, he observes, and then when he seems to be drawn to the way the materials express themselves he creates.  He takes these very materials and reweaves them back into the environment in a deliberate manner then lets the effects of the natural conditions have their way with them.  For example, near a stream, he sews together leaves with pine needles and allows the current to carry them as if it were a new inhabitant making its way in the flow.  Another example he creates a structure from sandstone or shale at the sea’s edge then observes how the tide interacts with it, carries it away, melts it, or simply flows over it.  In this manner, he is exploring change, transformation, mutability, permeability, the unknown and impermanence.

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As an audience, we feel the sense of birth, life and death with great anticipation and curiosity and a sense of triumph.  Andy will photograph his process and this is mainly the only means he has to show that he actually created and collaborated with nature.  There are exceptions such as rock walls he constructs but even they will not stay as he created them.  So, the photographing of his installations tell the story, a small drama as it were.  And he is always uncertain of the exact metamorphoses of his pieces.  On film he captures the infancy stages of creating them, the majestic full bloom of the mature piece, and then the decline and demise that comes with time.

His works of our art are not for eternity, but because he documents them extremely well, video’s and photographs remain and are proof that at one time the work existed and amazed those who saw it in reality. www.ftn-books.com has the much sought Staatsbosbeheer publication for sale.

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Michael Raedecker (1963)

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Michael Raedecker records the memories held within spaces and objects in his enigmatic and dream-like paintings. Suburban homes, tree houses and empty rooms and vacant chairs, all float in haunting isolation. Muted hues are penetrated with thread and needle where the artist hand-sews forms into textural materiality. Raedecker mines art history and popular culture, sourcing compositions from 17th-century garland paintings, obscure magazines, and film stills.

this filmed portrait on Raedecker is by Franz Weisz

Since the beginning of his career as a painter Raedecker has incorporated embroidery into his works as a visual counterpoint to his washed-out paint application. His elaborate needlework adds linear definition to representational forms and the thread and paint visually mix together in areas of dense detail or abstraction. The absence or suggested loss of human presence invites the viewer to contemplate architecture as a mental or emotional space, where the domestic realm is detached from practical implications, yet deeply personal. Images of flowers, food and textiles with darkly ambiguous titles bring the domestic associations of his stitching into play with his subject matter, and show his interest in the Dutch tradition of still-life and Vanitas paintings. Raedecker’s distinct formal language explores the relationship between the formless, complex nature of our emotions and the vessels we use to contain them.

www.ftn-books.com has some nice Raedecker titles available.

raedecker

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Karen Sargsyan (1973)

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First there was this catalogue that struck me. It was the Thieme Art published catalogue from 2008 to commemorate the winning of the Thieme Art price by Sargsyan. The title is THE TOUCHING and the art shown in this publication is totally original, Fragil paper and aluminium sculpturen build with this layers of material into moving figures. Their actions seems to be frozen to be captured by the artist. This is not the kind of art you would present in your living room, but fill a museum with these figures and you will be amazed with every corner you turn and encounter a new composition of almost true life action figures.

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Karen Sargsyan’s sculptural installations are made of paper aluminium and refer to the materials’ importance in the history of international communication. His sculptures personally materialize history, characters, events, and nature through this simple material.

sargsyan

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ART Museum announcements

It has been a long time hobby of mine to collect and take with me the announcements for the planned exhibitions at the museums I visit. In the past 25 years, I have collected some of the most wanted announcements. Among them Basquiat, Erwin Olaf and Niki de Saint Phalle and Jean Tinguely. What makes these folders stand out is that in many cases their design is done by the designer who is also responsible for the exhibition catalogue. It is if you are looking at a miniature version of the exhibition catalogue. www.ftn-books.com has some of the mentioned exhibition folders at this moment available.