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Giovanni Nicolai ( continued )

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With a unregular frequency of once a year i receive an overview of some of the new works by Giovanni Nicolai. He certainly is rooted in classical Italian art from the middle ages until more recent art. Just look at the two paintings below and i saw an immediate resemblance between the two female figures.

Giovanni was one of my first customers who had an interest in Massimo Rao and bought one of my special publications i had in stock on the artist. Since, we have a regular contact in which he sends me by mail pictures of his latest works. Of course there are more than the 4 paintings i have depicted with this blog. But these are now available at reasonable prices. So if interested do not hesitate to contact me and receive your best offer Giovanni and I can give you on this original Italian art. ftnbooksandart@gmail.com

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van Gogh and Ruscha by David B.

It was a few days ago that David B. published on Facebook some photographs he had taken. Without knowing  where these were taken I immediately ralized that these could have been made some 50 even 120 years ago.

I refer to the Hollywood sign paintings by Ed Ruscha and the landscapes around Arles by Vincent van Gogh.

Without knowing, we have learned to look at objects, landscapes and forms like we are our own artists and  these observations must have influenced us in the way we look at the world around us and take and create our own art with the many pictures we nowadays can take with camera’s and phones. It even proves that art is important for those who have an open mind towards it. Learning from the art and artists they have encountered in museums and galeries, to create their own interprations of the world around them.

www.ftn-books.com has some very nice Ruscha and van Gogh titles available.

 

 

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Dan Reisinger (1934-2020)

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At auction i bought a small collection of design books , previously owned and collected by Ben Bos, one of the founding members of the Total Design agency. Bos was presented with this chinese edition on Dan Reisinger who wrote a personal note and letter to Ben Bos. These are both included and the book is now fro sale at www.ftn-books.com.

Born in 1934 in Kanjiza, Serbia, Reisinger lost several family members in the Holocaust, including his father. He survived the Nazi occupation in a hideout and as a teenager became active in the partisan Pioneer Brigade, immigrating with his mother and stepfather to the new State of Israel in 1949. Reisinger initially lived in a transit camp and then worked as a house painter in order to earn money from almost any source. He later attended Jerusalem’s Bezalel Academy of Art and Design as the youngest student accepted to the school at that time.

In 1954, Reisinger served in the Israeli Air Force, where he put his design skills to use art directing military publications. During this time in the Air Force he attended a class on postage-stamp design taught by the British graphic designer Abram Games, who became his mentor and friend. Subsequently, Reisinger travelled, studied, and worked in Europe: from 1957 in Brussels and then onto London where, from 1964–66, he studied stage and three-dimensional design at the Central School of Art and Design. He designed posters for Britain’s Royal Mail, and worked for other clients while making intermittent visits to Israel. In 1966 he returned permanently to Israel and established his Dan Reisinger Studio in Tel Aviv. The same year he was commissioned to design the Israeli Pavilion at the Expo ’67 in Montreal.
Reisinger soon became one of the most prolific Israeli designer of his generation and won many prizes. He designed a new logo for El Al (1972), and the 50-meter-long aluminium-cast relief of a biblical quotation in Hebrew on the exterior of Yad Vashem, Israel’s official memorial to Holocaust victims in Jerusalem (1978). He designed three Israel Defense Forces (IDF) decorations: the Medal of Valor, the Medal of Courage and the Medal of Distinguished Service. He also created the logos for the Tel Aviv Museum of Arts, Tefen Museum of Arts, and Habima National Theatre, and the symbol and posters of the 9th-15th Maccabiah Games.

He had his first solo exhibition at the Israel Museum Jerusalem and Tel Aviv Museum of Art in 1976-77, and has since exhibited his works in Israel and around the world in numerous group and one-person exhibitions. In 1998 Reisinger was awarded the Israel Prize – one of the state’s highest honours – the first designer to be the recipient of such an award, exactly 40 years after his first award, the 1958 Brussels Expo first medal for poster design. For his 70th birthday, the Hungarian Government honoured Reisinger with a comprehensive one man show at the Museum of Applied Arts in Budapest.

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Mark Kadota (1951)

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A video, performing, sculptor and painter, artist Mark Kadota splits his time between his homes in Hawaii and the Netherlands. “Living in two very different places allows a unique observation of each place with a new and fresh view.It also lets me get a different perspective of each place,” he says. Kadota’s art covers visual recording and performing arts in the broadest spectrum. He has been on exhibit in galleries throughout the world and his collections are to be seen in several museums in Europe and Hawaii.His video artworks have been shown at the Beijing and London Olympic exhibition halls and have been acquired by Stedelijk museum in ‘s-Hertogenbosch, Netherands. Appointed the honorary city artist for Honolulu USA he is presently finishing a commission for the renovation of the Honolulu city hall

In his Dutch landscape series Kadota updates the concept of documenting landscapes void of any human content in an effort to find spaces of refuge in an age of overpopulation. His main motivation is to create artwork of universal languages, searching for common truths that unite rather than separate. His artwork, at its best, mirrors society and our interior selves, raises questions, and presents communication and reflection. He makes his messages human, poetic, inclusive, humorous, accessible and comprehensible to everyone. As a conceptual artist, Kadota uses both traditional and non-traditional media to explore idea which he expands upon using video, painting, photography, installations, performance, movement, music, poetry, kinetic stage sets, sculpture, ceramics and film. Like many artists he tends to work in series. Kadota cites “I explore the concept through the series of work till I exhaust the idea. Usually I move to the next concept and at times return to former concepts with newfound ideas.”

kadota

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Georg Gerstner (1928-2019)

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Georg Gerster is considered as one of the true masters of Aerial photography and the best way to prove this is to have one look at the series he made for Swissair. This is sheer brilliance and all posters feature a photograph which you must study first to understand. In many subjects there is a form of abstraction , but the reality is it is just  a compostion from a photograph taken from high above the subject. He started this way of Photography in 1963 and visited over 100 countries to make his fantastic photographs. He is considered as one of the pioneers in this metier  and will be remembered for many “classic’ aerial photographs

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Between 1971 and 1996 the swiss master of aerial photography Gerster created 60 poster for swissair, together with graphic designer Emil Schulthess, Hans Frei or Karl Gerstner.

He was born in Winterthur, Switzerland, on April 30th, 1928 and studied classical languages at his local grammar school, before reading German and English at Zurich University, where he also received his doctorate. From 1950 to 1956 he was science editor of the Zurich Weltwoche. Since 1956 he has been a freelance journalist specializing in science reporting and aerial photography. He has undertaken extensive visits to every part of the world, including Antarctica.

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By pursuing this line of reasoning, Georg Gerster has turned aerial photography into something more probing, something that, with luck, may prove a contemplative, philosophical instrument encouraging greater reflection.

His way of viewing the world has caught on and found many imitators. Georg Gerster consoles himself with the thought that imitation is still the sincerest form of flattery.

For two decades Georg Gerster’s aerial photographs for Swissair’s posters and calendars had contributed substantially to the airline’s image.

Gerster worked on a regular basis for the Neue Zürcher Zeitung and the Washington-based National Geographic Magazine. Today he works for the Swiss online news platform Journal21. Further his works are known among Photography- and Artlovers and are part of several Art Portfolios.
Georg Gerster died 90 years old, outside Zurich on February 8th, 2019. 

gerstner swissair

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Esther Tielemans (1976)

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Her first major exhibition was at the Stedelijk Museum, but her best publication by far is the one which was made for her exhibition at the Museum Bommel van Dam in 2011.

(available at www.ftn-books.com) Great publication, designed by Adriaan Mellegers and printed by one of the very best printers in the business, Lecturis. Tielemans works differ in size. From intimate small sculptures to a room filled with installed sculptures altering and reconstructing the room in a fascinating way.

Her work is now part of the exhibition Momentum at the Voorlinden Museum.
Our world is poised on the brink of a tipping point as well. We must make choices regarding climate and migration, issues that are impacting our lives more and more intensely.

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Momentum brings together more than thirty works that embody this tension. This selection from our collection unites new and established names working in a wide range of media. Together they offer insights into the personal and collective challenges of our time. With works from artists including Anish Kapoor, Rineke Dijkstra, Jacco Olivier, Esther Tielemans, Ryan Gander, Gabriel Rico and Mona Hatoum.

new scenes

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Kenny Scharf (1958)

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It has been a very long time since i first encountered the works by Kenny Scharf at the Groninger Museum in the early Eighties. During  the famous Grafiti exhibition the works by Scharf were among the ones i admired most. Comic like , huge paintings that impressed, but somehow…. over the years ….did not stick with me.  Last month i encountered a catlogue by the Tony Shafrazi gallery. It was the Scharf 1983 catalogue and i was fascinated again. the same powerful comic like figures , but over the decades they have matured into great timeless art. The catalogue is available at www.ftn-books.com

scharf 1983 a

scharf 1983 c

scharf 1983 d

Here is what Angelica Jardini says on Kenny Scharf and i can fully agree with her.

If you like to have fun, you’re going to like Kenny Scharf.

The American painter sources his fantastical creations from retro cartoons, like The Jetsons and The Flintstones, and popular science fiction. His style is completely unique, and once you know his colorful, animorphic creatures, you’ll see them everywhere.

No, literally. Scharf does tons of murals and public art. This ties in with his manifesto to make art for the people- works that anyone can enjoy, not just stuffy academics or rich collectors. And his vividly playful tableaux live up to his goals.  Whether he’s picking Instagram followers for “Karbombz,” where he spraypaints one of his signature critters on your car for free, or reimagining a picnic table as a psychadelic atomic bomb, Scharf breaks down the elitist barriers of the art world by implementing his vision in lots of places outside the gallery and museum.

And boy is he prolific. He’s collaborated on a collection with fashion designer Jeremy Scott, creates immersive blacklight installations called “cosmic closets” for parties, and even designed this hilarious pool toy

Though a lot of his work references serious subjects like apocalyptic nuclear warfare, he somehow makes it lighthearted. One of his newest series of paintings features shining cartoon donuts, some of which are hurtling through space. Homer Simpson and I were both tickled pink (with sprinkles). 

Scharf hit it big in the 1980’s art scene in a little place called the East Village, in Manhattan. He was friends and roommates with famous street artist Keith Haring, and it’s easy to imagine them tagging up the town, brightening city streets and commuters’ days with their creative graffiti.

Now you’d assume most famous artists with famous friends would let success go to their head, but when we met Scharf at an event he graciously passed the time chatting with us about his life and work. Over ice cream tacos, we learned he likes to ride his bike and that he released his pet turtles to a local turtle sanctuary where he visits them often.

Like his art, the guy makes you smile.

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Andre Volten ( 1925-2002)

 

Schermafbeelding 2020-11-18 om 16.53.14.pngOver the years I have seen many Wim Crouwel designed catalogues. But one is definitely in my personal top 10 of Crowel designed catalogues.

It is the 1966 ANDRÉ VOLTEN catalogue he made for the Voltens Stedelijk Museum exhibition. Just some features of this great catalogue. The size. It has never been better than the size of the catalogues he designed in the early Sixties. The back has that typical Crouwel designed element. The lettering. Just look at the E of Andre. is has a hardly noticable accent aigu making it the perfect É. And than there is this graphical element taken from a Volten sculpture . It is there , but it also underlines is a very subtle way the name of Volten.

Than there is the inside cover. A shiny silver  . Just that one page but a very very powerful elemnt in the catalogue. All pages have a tranquility with lots of space, making the catalogue breath. Photography is top with a brilliant Volten portrait in his studio at work…… a lovely and highly collectable catalogue and still for sale at www.ftn-books.com

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Joan Soler (1963)

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Born in Mallorca in 1963, Soler was unknown to me until we visited the FUNDACIO PILAR i JOAN MIRO some decade ago and we encountered within this museum teh paintings by Soler. We learned that some time before they had held an exhibition to show the relation between Soler and Piet Mondrian whose works i know very well from my time at the gemeentemsueum Den Haag. I took an interest in this artis and liked the way he uses color with his absytract compositions. Both use geometric forms and lines , but the differnce there is a stronger sense of 3D.

Solor builds his paintings with layer upon layer, realizing this a way a 3D image. Fascinating to see. The catalogue in which Soler travels the road Mondrian took is available at www.ftn-books.com.

soler mondrian

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Andy Goldsworthy (1956)

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Andy Goldsworthy, British sculptor, photographer, environmentalist,  seems like a perfect choice for his personal quest is to be intimate and create with Nature. What flows through him, flows through the landscape and his goal is to feel, experience,  understand,  and then to create with this energy.

In his collaborations with nature, Andy works with whatever comes to hand: twigs, leaves, stones, snow and ice, reeds and thorns, creating site-specific installations, exploring the very essences of these materials.  In his process, he first must become attuned to his environment mentally, physically, and emotionally.  He listens, he observes, and then when he seems to be drawn to the way the materials express themselves he creates.  He takes these very materials and reweaves them back into the environment in a deliberate manner then lets the effects of the natural conditions have their way with them.  For example, near a stream, he sews together leaves with pine needles and allows the current to carry them as if it were a new inhabitant making its way in the flow.  Another example he creates a structure from sandstone or shale at the sea’s edge then observes how the tide interacts with it, carries it away, melts it, or simply flows over it.  In this manner, he is exploring change, transformation, mutability, permeability, the unknown and impermanence.

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As an audience, we feel the sense of birth, life and death with great anticipation and curiosity and a sense of triumph.  Andy will photograph his process and this is mainly the only means he has to show that he actually created and collaborated with nature.  There are exceptions such as rock walls he constructs but even they will not stay as he created them.  So, the photographing of his installations tell the story, a small drama as it were.  And he is always uncertain of the exact metamorphoses of his pieces.  On film he captures the infancy stages of creating them, the majestic full bloom of the mature piece, and then the decline and demise that comes with time.

His works of our art are not for eternity, but because he documents them extremely well, video’s and photographs remain and are proof that at one time the work existed and amazed those who saw it in reality. www.ftn-books.com has the much sought Staatsbosbeheer publication for sale.

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