Posted on Leave a comment

Eugene de Kermadec (1899-1976)

Schermafbeelding 2021-05-17 om 11.42.09

There is not much information to be found on this french artist, but he was part of the younger generation supported by D.H. Kahnweiler / the Galerie Louise Leiris.

Eugène de Kermadec was born in Paris in 1899. His father, a teacher, was from Guadeloupe, and Eugène spent his childhood there. Returning to Paris in 1915, he trained in sculpture at the Artc Décoratifs, and in drawing at the Beaux-Arts. In 1920, Kermadec became a friend of Soutine’s who gave him several pictures, Modigliani and Desnos were also among his friends. He showed at the Paris Salon des Indépendants in 1920, and in 1927 became one of the Kahnweiller’s regular artists.
The Simon Gallery in Paris showed his work in 1929, but he mainly showed at the Leiris gallery, with exhibits in 1946, 1957, 1973, 1977. Many shows of his work were held abroad as well : Berlin 1929, Tokyo 1933, Toronto 1949, Stuttgart 1960. He was also well known as a tennisman, later becoming an international Tennis umpire. Another of his friend was Francis Ponge whose book “le verre d’eau” he illustrated with lithographs in 1949, of the 110 copies printed, not a single one is to be found today. Eugène de Kermadec died in 1976

I like his art…. it is playfull, filles with color and the abstraction feels far more contemporary than the late Fifties in which his art became well known through the presentations at the galerie Leiris. www.ftn-books.com has a galerie Louise Leiris catalogue from 1957 available.

kermadec a

 

Posted on Leave a comment

Roberto Fanari (1984)

 

Schermafbeelding 2021-07-30 om 16.36.04

Italian artist Roberto Fanari  imagined such a vivid story-telling collection of sculptures Seconda B 2012. Each piece forms itself  in a barely visible outline. Sweet subjects are wrapped in iron wire, appearing more dense toward the feet, hands, and head. Royal placement sets some high on a pedestal where a bit of romance introduces a ceramic glazed gentlemen.

An excellent expose on the art of Roberto Fanari is found at this site:

The sign of the material

a signed copy of his Nella MIa Foresta publication is available at www.ftn-books.com

fanari

 

 

Posted on Leave a comment

Imre Reiner (1900-1987)

 

Schermafbeelding 2021-07-30 om 16.25.30

Imre Reiner is most known for his typograohic innovations and fonts, but recently i added a book on his Ziffernbilder to my inventory. It shows that he was beside as typographic artist a very talented graphic artist too.

Born August 18, 1900 in Versec (Hungary), died August 21, 1987 in Lugano. Staatliche Bildhauerschule Zalatua (Zalatua State Sculpture School) and Kunstgewerbeschule Frankfurt (Frankfurt School of Arts and Crafts), from 1921 Kunstgewerbeschule (School of Arts and Crafts) in Stuttgart (Prof. F. H. Ernst Schneidler).

1923 to 1925 – worked as a graphic designer in London, Paris, New York and Chicago. Until 1927 – master-class student of F. H. Ernst Schneidler. From 1931 worked in Ruvigliana near Lugano as painter, graphic designer and illustrator.

Fonts: Meridian (1930), Gotika (1933), Corvinus (1934–35), (1938), Symphonie (1938), Floride (1939), Reiner Script (1951), Contact (1952), Reiner Black (1955), Mustang (1956), Bazar (1956), London Script (1957), (1957), (1959).

Matura, Mercurius Script and Pepita are trademarks of Monotype Typography.

the book below is available at www.ftn-books.com

Posted on Leave a comment

Oscar Lourens (1973)

Schermafbeelding 2021-07-30 om 14.41.40

The following text comes from the site of Oscar Lourens. This is not the standard artist i follow , but one who’s works grow on you when you one have seen them on location.

THE ARTIST AS ARCHITECT
Oscar Lourens employs photography and film as means to bring the reduced space back to human dimensions. For the exhibition ‘Vormen van aarden / Ways to root’ (Apeldoorn, 2005) he draws upon the principle of magnification: using a scaffold construction and whitewashed plywood plates, Lourens creates ‘a new house for Helene’. Referring to the live-sized pinewood-with-cloth models that Helene Kröller-Müller had built on the Ellenwoude mansion near Wassenaar, which functioned as studies for the to-be-built museum. Likewise, Oscar Lourens’ creation is a blown-up but otherwise exact replica of one of the models of La Lue. But this ‘new house for Helene’ isn’t a study for the future architecture, but a new artistic attempt to realize the miniature model in original size. In 2005, Oscar Lourens trades his role of artist for that of an architect. For the owners of the La Lue farmstead he designs a square tower of 5 by 5 by 12 metres. The tower with a pointed roof consists of three floors on which two people can cook (ground floor), live (first floor) and sleep (second floor). The dimensions are loosely based on existing rooms in the La Lue buildings. Important to Lourens is also the choice of a compact and slender tower that fits the landscape. The materials, style and position to the other buildings and the landscape are chosen accordingly. This is the first time Lourens creates a new architectonic space of his own design. Herewith, his miniature art has grown to true architecture in which the wandering spectator/visitor is able to truly experience the actual space. That the building has left the realm of art and entered that of architecture is also clear from the reactions of neighbours and visitors of La Lue. Many of them think the tower is a restored building that has been a part of the farmstead all along. The tower led me to ask Oscar Lourens whether he hadn’t rather chosen for the profession of an architect instead of being an artist. After an initial hesitation, he confirms. This hesitation is very understandable, because my question is like that of the farmer of the Lewis Caroll’s novel, who asked Mein Herr to accept the existing landscape as the best possible map. For is the tower of La Lue not the best means to truly take possession of architectonical space?

the book Possessing Space is available at www.ftn-books.com

lourens a

 

Posted on Leave a comment

Harry van Kruiningen (1906-1996)

Schermafbeelding 2021-07-28 om 16.04.34

Harry van Kruiningen is one of those dutch artist who’s importance grows by the year. He was a multi disciplined artist. Painting, etching, sculpting….he did everything. Personally i think his etchings and illustrations belong (arguably) to the very best that were made during the second half of last century in the Netherlands.

They all have something mystical and when you see where his inspirations was coming from ( African masks) one can see the mystic  and recognise the mysticism in his works.

 

 

 

Posted on Leave a comment

Reindert Wepko van de Wint Den Helder, (1942-2006)

Schermafbeelding 2021-05-03 om 15.43.58

Without knowing, many people have encountered work by R.W. van de Wint. The large vertical paintings in the dutch National Assembly are paintings by R.W. van de Wint.

Schermafbeelding 2021-05-03 om 15.45.32

RWVDW will become increasingly imortant for dutch art because  he bought a piece of land in the year of his death , meaning to turn this into a outside museum in which he and his friend artist could develop their works in an outside situation. Much like Ian Hamilton Finlay intended to do in the same your 2006. he also died in the year he started his developments, but there is a difference too. The Dutch municipal government of Den Helder embrased the plans and is now building a nice compact museum beside the sculpture garden.  The building is delayed because of the pandemic and the park/garden is not open yet, but this will be our first museum visit after the museums reopen. A great initiative and i can only recommend the park because personally i consider sculpture gardens among the most accessible and high valued cultural desitinations.

Schermafbeelding 2021-05-03 om 15.54.17

Schermafbeelding 2021-05-03 om 15.55.06

Schermafbeelding 2021-05-03 om 15.55.20

On the first initiative, Arlette Brouwes designed this “bidbook” for the Nolen project in 1986. The idea is now 35 years in development and soon, the project will have been completed. Meaning a start for a collection of which RWVDW must have dreamed a very longtime.

wint nollenproject

 

 

Posted on Leave a comment

Enrico Baj ( 1924-2003)

Schermafbeelding 2021-07-25 om 12.09.17

Enrico Baj was born in Milan on October 31, 1924, and studied at the Accademia di Brera. In 1951 he, along with Sergio Dangelo and Gianni Dova, promoted the Nuclear Movement, and had his first solo exhibition in Milan at the Galleria San Fedele. Upon meeting Asger Jorn in 1953, the two founded the International Movement for an Imaginist Bauhaus, which reacted against the forced rationalization and geometry of art, and the following year organized the International Ceramics Meetings at Albisola in Liguria, Italy.

Baj’s artistic experiments resulted in multicolored collages made from many different materials. On one hand, his work emphasises the joyful experience of painting with diverse materials; however, it also provides a social commentary and strong criticism of the contemporary world. Such is true for his Generali and Parate militari of the 1960s, and it is even more evident in works dating from the 1970s, such as I funerali dell’anarchico Pinelli (1972) and Apocalisse (1979). In the 1980s, he abandoned collage temporarily and made a series of works called Metamorfosi e Metafore (1988) in which his images were based on imagination and fantasy. In 1993, he started his Maschere tribali cycle, which consisted of assemblages that used waste materials of modern civilization to create ironic and brightly colored masks. These pieces were followed by Feltri (1993-98) and Totem (1997).

Throughout his life, Baj was in close contact with poets and intellectuals, both in Italy and abroad, and collaborated on numerous occasions to produce prints or original multiples for several artist books. In 1999, the artist once again reconfirmed his strong links to literature by producing a series of 164 portraits inspired by the Guermantes of Marcel Proust. He also collaborated with many artists, including Lucio Fontana and Piero Manzoni. In 2001, he started a series of works dedicated to the history of Gilgamesh, the King of the Sumers. Enrico Baj died in Vergiate (Varese), Italy, on June 16, 2003.

Enrico Baj publications are available at www.ftn-books.com

Posted on 1 Comment

Giovanni Nicolai, (continued)

Another painting by Giovanni Nicolai which picture was send 2 months ago. I received this and i was even a liitle scared by the subject. Nicolai wrote to me that it was inspired by Symbolist and nude art and he tried to incorparate this in this painting. I think he succeeded and i will continue to follow this italian artist with great interest. for more information on Giovanni Nicolia please refer to wilfriedvandenelshout@gmail.com

Schermafbeelding 2021-07-18 om 11.54.48

Posted on Leave a comment

Thomas Struth (1954)

Schermafbeelding 2021-04-28 om 14.34.48

One of the aspects i noticed in the works by Thomas Strutch that this photographer includes in many of his photo’s another art object. Making this part of his own composition. An excellent example is this scene from the Chicago Art institute. Also just do a Google searcjh and notice the family group photographs which include in almost all cases another work of art.

Schermafbeelding 2021-04-28 om 14.36.33

Thomas Struth was born 1954 in Geldern, Germany and currently lives and works in Berlin. He is best known for his genre-defying photographs, though he began originally with painting before he enrolled at the Kunstakademie, Düsseldorf in 1973. Struth has developed his individual photographic practice, often penetrating places of the human imagination in order to scrutinize the landscape of invention, technology, and beyond (as in his recent CERN and Animal images). Celebrated for his diverse body of work—Unconscious Places, Familienleben (Family Life), Museum Photographs, New Pictures from Paradise and Nature & Politics—Struth continues to advance his vocabulary with each new series, while maintaining the same principles core to his practice.

Recent comprehensive exhibitions of Struth’s work include the major touring exhibition Thomas Struth: Nature & Politics exhibited at the Museum Folkwang, Essen, Germany; the Martin-Gropius-Bau, Berlin, Germany, the High Museum, Atlanta, Georgia; the Moody Center for the Arts, Houston, Texas; the St. Louis Museum of Art, Missouri and the MAST Foundation Bolgna, Italy (2016-2019) as well as Figure Ground which opened at the Haus der Kunst, Munich, Germany and traveled to the Guggenheim Museum, Bilbao, Spain (2017-2019).

www.ftn-books.com has the catalogue available which was published for his Stedelijk Museum exhibition.

Posted on Leave a comment

Bart de Vogel (1948-2020)

Schermafbeelding 2021-04-28 om 13.48.45

The reason of this blog is not because Bart de Vogel is such a famous name in dutch art, but because i recently discovered some original photographs from 50 years ago in which de Vogel is at work at his glass furnace. He attended the Rietveld academy and was known for his clay sculptures and glas objects and at some time in 1970 these photographs were taken by Foto J. Cupido for an article in the Sixties dutch newspaper HET VADERLAND. Now i have these in my posession and the original photographs are a true document for glass artists in the Netherlands in the Sixties. The original photographs are for sale at www.ftn-books.com