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Hendrik Jan Wolter (1873-1952)

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Hendrik Jan Wolter is not on show in many Museum collections, however his works appear frequently at auctions in the Netherlands. It took at least 20 years of auctioning, but now his works fetch average to good prices ( 1000-5000 euro) and deservedly so, because according to many his impressionist works belong to the best impressionist works made in the Netherlands in the 20th century. he knew Theo van Rijsselberghe, Seurat and Signac and was greatly influencedx by all 3 without becoming a pointilist “pur sang” his works are more a cross between the pointillists and impressionists meeting with Matisse.

Here are some examples of his works:

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Boats in sorts and kinds were his passion, because on the majority of his paintings you will encounter boats. A fascinating artist who becomes increasingly important in the Netherlands. www.ftn-books.com has some nice Hendrik Jan Wolter publications available.

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Henri Laurens (1885-1954)

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A long time i thought Laurens was not that important for Modern Art, but since i have seen his exhibition at the Museum Beelden aan Zee  ( catalogue available at www.ftn-books.com), I changed my ideas about his work. At first i thought him to be heavily inspired by Picasso, but in this show i discovered he really has a personal approach to art and a “signature” of his own.

left Picasso and right Laurens

He was a French sculptor best known for his Cubist collages, sculptures of nudes, and busts. The curving forms and simplified features of his oeuvre are reminiscent of ancient greek sculptures, though he also drew influence from his friendships with contemporary artists Georges Braque, Amedeo Modigiliani, Juan Gris, and Pablo Picasso. Born on February 18, 1885 in Paris, France, Laurens first worked as a stonemason before taking drawings classes and developing a strong interest in the works of Auguste Rodin. From 1914–1915 and extending until after the First World War, Laurens experimented with still lives and various new media, using wood and iron and eventually graduating to terracotta and bronze. He then went on to participate in the Venice Biennales of 1948 and 1950, and had a retrospective at the Musée National d’Art Moderne in Paris in 1951.

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the very best the book on Robert Mapplethorpe

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A few weeks ago i posted a photograph of some books i bought for my inventory. Among them a book on Robert Mapplethorpe which was published on the occasion of his 2016 traveling exhibition. I have the german version in front of me and after studying , reading and admiring the very large and thick publication in the last few weeks, there is only one conclusion to be made.

THIS IS BY FAR THE VERY BEST PUBLICATION ON ROBERT MAPPLETHORPE EVER

This needs some explaining.It is not only a very large publication, which is beautifully printed and designed, but the book shows all the subjects for which Mapplethorpe has become famous, but not only that ..more important it includes studies , studio settings and much more so it gives an almost complete impression of Mapplethorpe as a person, photographer, friend and artist.

The book is in the german version available at www.ftn-books.com

MAPPLETHORPE schirmer

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Jean Bilquin (1938)

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I do not know what to say. Is Henk Visch the dutch equivalent of Jean Bilquin or is it the other way around? Certain is that both artists are inspired by the same objects and surroundings.

Another influence must have been the sculptures by Brancusi because a returning object is the portrait sculpture Brancusi has made in several versions.

But there is much more to discover in the works by Jean Bilquin. When you leaf through the catalogue which was published on the occasion of the Kunsthal exhibition ( 2008 ). You really feel that you are discovering an artist. An artist who is inspired by nature and people. Both subjects combining in a very personal kind of art on larger sized canvasses. This is the kind of work which always attracts me and which i want to discover further after i have visited the exhibition. The catalogue ( available at www.ftn-boooks.com) shows exactly why these works have a rare quality. The catalogue has several fold out pages which make the scale of these large paintings somewhat visible.

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Another rare Constant Cobra title

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Bibliotheque d’Alexandrie Paris # CONSTANT # 1959, NM+++/Mint–

This is how it is described in the headline of the object in my internet store at www.ftn-books.com

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You will have a hard time in finding this title on the internet and if you find it, my guess it is it will be in less condition than the one i have on offer. This is an extremely rare title and an absolute ” must have” for all serious Constant (book) collectors. It is not that thick but its contents is highly important and one of the first special Constant publications that was published on Constant.

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Bettina Rheims ( 1958 ) another controversial title

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Here it is…another rarely encountered Bettina Rheims title. It is LES ESPIONNES.

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Published by one of the best photography publishers Gina Kehayoff, it stayed a rather obscure title and was rarely reviewed nor it was ordered by the regular Bookstores. My guess is the editions stayed under 1000 copies of which a few hundred were sold. What becomes of such an edition.? Not sold through the regular sales channels, only a handful loyal collectors who ordered it and certainly no interest by companies to have an imprint with their name on the cover. The reason…it is clear to me ..the subjects are transgenders who posed and were photographed by Bettina Rheims during the process of their transition. This has become one of the most important titles by Bettina Rheims and i was lucky to buy me a small stack of these important photography documents. The book is available through www.ftn-books.com and is still in mint sealed condition.

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Klee / Kupka and music

 

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Two totally different painters with a complete different background. Both rose to fame in the Interbellum and booth were very much inspired by music and the rhythm of it.

In a time that exhibitions were developed around a theme. btw. the Spiritual in Art was such an exhibition, one of the most iconic exhibitions of the Eighties was presented in Germany. its name VOM KLANG DER BILDER. An exhibition in which the relation between music , sounds and rhythm and the influence they had on paintings was tried to be explained. It is for certain that music has been of influence to artists and both Klee and Kupka were the artist who made paintings in relation to music . Kupka is perhaps the artist who has been influenced by Music the most, but certainly Paul Klee has become known for his music inspired paintings and drawings.

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Klee perceived a clear visual connection to the structural articulations found in music. Focusing on polyphony and counterpoint, Klee produced his watercolor Fugue in Red in 1921.

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This early attempt to achieve a synthesis between music and art exposes a number of floating forms, either figurative or as abstract derivations. Overlapping shapes float over a two-dimensional surface, with the temporal aspect graphically represented by a gradual shift in color. Moving from the dark background to maximum transparency, the visualized counterpoint combines in a cosmic harmony that reaches towards a new sense of spirituality. Although essentially structural in approach, this painting embodies Klee’s believe in “harmony, autonomy, and universality in humankind.” As a musician and a painter, Klee essentially created a harmonious arrangement that echoes a universal order. www.ftn-books.com has on both artists several publications available.

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Just a walk in PARIS 2009…. and Fluxus

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It was about 9 years ago that me and my wife Linda visited Paris. Dropped our son together with my sister in law, nephew and niece at the gates of Disneyland Paris and went to the city.

I know Paris well and took Linda for the first time to some “arrondissements” she had never visited before. There was the 16th where i had lived for almost a year and the Rue de Seine , the Modern art district .

At one of the galleries a FLUXUS exhibition was being held with art by BEN and Saito. To make this exhibition known to the outside world an extremely nice FLUXUS poster was published. Because i had a hunch that these posters would become important i asked if i could take 4 of them with me. NO problem….. and now 9 years later there is only one of these rare posters left and available at www.ftn-books.com and in time they have proven that i was right about them. They have proven to be important and highly collectable.

 

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BMW (Jeff Koons) and art cars

 

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I love cars and really appreciate when a car has a beautiful design and a futuristic technique, but if there is one car make that i personally truly detest it is BMW. It not the cars that i think are detestable but more the drivers who drive a BMW. The cars have a fairly good designed exterior and a beautiful “top in class” interior, but the drivers are arguably the worst there ar on the road. In general they think they are invincible and superior to any other driver, drive to fast and are rude in traffic. That said … there is an aspect to BMW i like instead. The BMW company has a large art collection and because they value art, famous artists are invited to decorate their cars. Because the car itself represents the design of an era , the invited artist can enhance such a design. In the Netherlands a BMW was decorated by Herman Brood, but the factory BMW art program is from another level.

The best modern artists are invited to make the most spectacular designs. Among them….the late Andy Warhol and more recently Jeff Koons who worked on several of the latest BMW cars.

There are other car manufacturers that have a comparable program, but the quality of the BWW art program stands out from the rest. There is a nice book on cars and art available at www.ftn-books.com

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Beuys published by Bebert

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Pablo van Dijk is an illustrious name in dutch publishing. van Dijk founded the publishing house Bebert ( named after the cat of Celine).

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This publisher took the initiative to publish many , now famous and widely collected, art publications. There were the Pandora boxes ( named after his former wife Pandora) containing a multiple of works by contemporary artists. Among them Mapplethorpe and Vautier, but there were also lesser prestigious publications commissioned by art institutions and one of them was EEN GESPREK. An interview with Joseph Beuys by longtime admirer and collector Frits Bless. The book was published on the occasion of the van Reekum exhibition in 1987. A typical Bebert publication, spiral bound with carton cover and with an original photograph on the cover by Caroline Tisdall.

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The edition….only 1000 copies so pick this up while there are still copies available. Two are available at www.ftn-books.com