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Enrico Castellani (1930) / Edizioni Flaviana…Serie Minimultipli.

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Manzoni, La Pietra, Colombo, Christo and Enrico Castellani. What do they have in common?. Yes , they were all artists who started their careers in the early sixties, but an another lesser known fact is that they were all chosen to publish within the Minimultipli series by Edizioni Flaviana a small, but also art collection worthy, work of art. The ones which i added today to the inventory of my store are considered to be the best of the series. Tomorrow the Ugo de La Pietra. But here is the Superficie Oro by Enrico Castellani from 1967.

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This Enrico Castellani is believed to have been published in an edition of only 1000 copies ( others within the series were published  also in 1000 copies) of which few will have survived as good as this one. The “envelope”, plastic covered inlay and the multiple are all in exceptional condition . Published in 1967. This Castellani is a true ZERO work of art. He encountered many dutch and german artist who belonged to the ZERO and NUL mouvements in Germany and the Netherlands and he himself , as his friends Fontana and Manzoni, were influenced by the ideas of these groups of artists. The ” Superficie Oro” shows it in the smallest scale possible, but even at this size, it truly is an outstanding work of art and now available at www.ftn-books.com.

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Yvan Theys (1936-2005)

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For me it is still a mystery why Theys has not become world famous with his paintings , but remained one of the lesser known Belgian painters from his generation. Yes, there are Raveel, de Keyzer and Elias. And yes , many people know that he is one of the founders of the NEW FIGURATION mouvement, but for most that is all and they really do not remember enough his qualities as an artist. He was a gifted sculptor , but above all he could depict women in a very sensuous way and include so many abstract elements in the painting that from a distance it almost looked completely abstract.

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For those that admire Theys …there are frequently auctions held which include his works and the nice thing about them is that in most cases it is still very affordable and beside their quality as a work of art, are highly decorative colorful elements in any interior.  Take notice of  Yvan Theys whenever there is an auction or gallery exhibition. He was an artist who deserves to be known and appreciated by many. There are some excellent books available at www.ftn-books.com

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John Heartfield ( Helmut Herzfeld 1891-1968) ….a DaDa artist

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John Heartfield is considered as one of the inventors of the PHOTOMONTAGE. Together with George Grosz he experimented with this new technique. Because of this  new technique he made some of the most powerful anti Nazi statements in art.

On the back of a photograph which was taken in 1912 his name is written as “Helmut.” While living in Berlin, in 1917, he anglicised his name from “Helmut Herzfeld” to “John Heartfield,” an English name to protest against the anti-British fervour sweeping Germany. In 1916, crowds in the street were shouting, “Gott strafe England!” (“May God punish England!”)

In 1917, Heartfield became a member of Berlin Club Dada. Heartfield later became active in the Dada movement, helping to organise the Erste Internationale Dada-Messe (First International Dada Fair) in Berlin in 1920. Dadaists were the young lions of the German art scene, provocateurs who disrupted public art gatherings and ridiculed the participants. They labeled traditional art trivial and bourgeois. Heartfield was a member of a circle of German titans that included Erwin Piscator, Bertolt Brecht, Hannah Höch, and a host of others.

Heartfield built theatre sets for Erwin Piscator and Bertolt Brecht. Using Heartfield’s minimal props and stark stages, Brecht interrupted his plays at key junctures to have the audience to be part of the action and not to lose themselves in it.

He is best known for the 240 political art photomontages  he created from 1930 to 1938 to expose fascism and The Third Reich. These famous works of political photomontage were an astounding cohesive critique of the rise of fascism.

Heartfield’s artistic output was prolific. His 240 political montages appeared as covers for the Arbeiter Illustrierte Zeitung (AIZ, Workers’ Illustrated Newspaper) from 1930 to 1938, a popular weekly whose circulation (as large as 500,000 copies at its height) rivaled any magazine in Germany during the nineteen thirties. Heartfield’s anti-nazi photomontages were featured monthly on the AIZ cover, an important point, because most copies of the AIZ were sold at newsstands. His anti-fascist art mocked Hitler, fascism, and The Third Reich on major street corners throughout Berlin where Heartfield lived until he nearly escaped assassination by the SS in April, 1933.

It was some 30 years ago that the art / photomontage were first recognized as true works of art and the van Abbemuseum presented them in a special exhibition of which the catalogue is available at www.ftn-books.com

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Jeff Wall (1946)…coincidence or staged?

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The scenes that Jeff Wall photographs look random and by chance, but reality is …..they are completely staged.

Since the 1980s, Wall  ( Born in Vancouver/Canada) has produced critically acclaimed work in the form of color transparencies backlit by fluorescent light strips and presented in lightboxes. He was one of the first artists to make photographs on a large scale. The standard lightbox was created for the primary purpose of outdoor advertising. In Wall’s work, this medium became a platform for his figurative tableaux, street scenes and interiors, landscapes and cityscapes. Wall explores themes such as the relationships between men and women and the boundary between metropolis and nature. He offers social commentary on violence and cultural miscommunication, and conjures seductive nightmarish fantasies and personal memories. These scenes provide the basis for photographic reconstructions of Wall’s experience. They derive their inherent suspense from a combination of extreme realism and sometimes elaborate artifice.

www.ftn-books.com has some important publications by Jeff Wall available.

 

 

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Rene Daniels (1950)

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His first exhibition was in Dusseldorf in 1977, but he nver joined the NEUE WILDEN . A group of painters who were in vogue in those days. He felt himself more comfortable when compared with painters like Broodthaers and Picabia, who had an extra layer in their paintings.

His paintings look abstract, but when you study them in more detail you see that they are a complete abstract reproduction of reality. . Piccadilly/London, WTC New York and old houses in Gent can all be distinguished when you look long enough at the paintings.

The paintings look simple, but in reality they are very thought over and are complex and typical Daniels.

Rene Daniels has not had a long career …in 1987 he had a stroke and because of that had to finish his career at that moment as a painter. Since 2006 he paints again , but his style and approach to painting has changed, because of his motor skills are far less than before. But what he made in that very short period of nearly 10 years is of the highest quality and the museums that have work by Daniels should feel lucky to have it in their collections. You can find work(s) by Daniels in the collections of a.o. the van Abbemuseum, Gemeentemuseum Den Haag, Stedelijk Museum, Dordrechts Museum, Groninger Museum and Bonnefanten Museum

and of course www.ftn-books.com has some nice titles on the artist

( and search on the site to find more Rene Daniels contributions to group exhibitions in which he participated)