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IN & OUT of Amsterdam/ Conceptual art

Arguably the best book on Conceptual art from the Netherlands.

Book published with the exhibition and examines approximately seventy-five works by artists of different nationalities relating to travel and the city of Amsterdam, which was the nexus of intense art activities in the 1960s and 1970s, when artists converged there from all over the world. Hanne Darboven, Gilbert & George, Sol LeWitt, Charlotte Posenenske, Allen Ruppersberg, and Lawrence Weiner, among others, spent considerable amounts of time in Amsterdam and often produced works in direct relation to the city. The Suriname-born Stanley Brouwn came to Amsterdam as a young adult in the mid-1950s, where he developed work that plays with the idea of dimensions and distances and prefigures a number of conceptual-based art practices. Reciprocally, some of the most influential Dutch artists traveled abroad extensively before establishing themselves in Amsterdam: Jan Dibbets studied in London, while Ger van Elk and Bas Jan Ader trained in Los Angeles. Because cross-influences between Dutch and American art scenes were so abundant, it is impossible to understand the historical significance of these artists without acknowledging their new mobility. In addition to drawings, installations, wall drawings, and films, the exhibition includes a large number of posters and ephemera.

One of the most outstanding books on the complex world of Conceptual Art in recent years is undoubtedly “IN & OUT of AMSTERDAM/ Travels in Conceptual Art 1960-1976.” This book holds a special place in my heart as it is a veritable treasure trove of ideas and exceptional publications that can still be found on the market. Published by MoMa, the same institution that held the exhibition of the same name in 2009, “In & Out of Amsterdam” showcases the most significant and arguably best works of the following artists: Bas Jan Ader, Stanley Brouwn, Hanne Darboven, Jan Dibbets, Ger van Elk, Gilbert & George, Sol LeWitt, Charlotte Posenenske, Allen Ruppersberg, and Lawrence Weiner. These exceptional artists were all featured in the Bulletins series published by Art & Project, and their publications have now become highly sought-after collector’s items. As these publications have been scarce since their initial release and have now been around for over 40 years, I highly recommend starting a collection of them while they are still accessible. Check out www.ftn-books.com for more information.

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Jaap Berghuis (1945-2005)

 

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To be honest …i lost track of Jaap Berghuis in the last decades. Berghuis was educated at Ateliers 63 and one of the most promising young artists in the Seventies, but somehow after his shows at the gallery Art & Project, the collectors lost interest in his works and to me it now seems that this was not just.

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Recently i encountered a truly wonderful painting at auction (i was outbid) and the amazing Art & Project BULLETIN publications that Berghuis made for van Ravesteijn and van Beijeren in their series of Bulletin publications. It shows now that Berghuis may have been ahead of his time since his painting now look as fresh as it must have been 40 years ago.

berghuis bulletin 130 b

www.ftn-books.com has the Art & Project Bulletin 77, 79, 118 and 130 available

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Lawrence Weiner (1942)

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Lawrence Weiner is one the the leading artists within  Conceptual Art .

The first time i daily encountered a work by Lawrence Weiner was when curator Flip Bool of the Gemeentemuseum had bought a magnificent large one for the entrance hall. I noticed the forms and strong meaning of the sentences used and learned to appreciate it.

Since, i have been collecting books on Weiner in every possible way . Other museum publications, abroad art locations, galleries and auctions all had some in them, so over the years a small collection was formed and some are available at www.ftn-books.com

Later i realized that so many publications were published in the Netherlands, because he frequently stayed over here and made contributions to many other museums in the Netherlands. Notably tothe van Abbemuseum and the Stedelijk Museum have. Both have several works by Weiner in their collections.

The last time i encountered a work by Weiner (unexpectedly) was in Ljubljana, where at the facade of the Modern Art Museum a large Weiner was fixed. It gave me the same feeling as the one in the Gemeentemuseum. It changes the way you look at something and makes you think about its text…..it is great art.

 

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Francesco Clemente (1952)

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There is no larger Modern Art Museum in the world that has no Clemente in its collection. From Amsterdam to New York the works by Clemente have spread all over the world. But for us in the Netherlands, it was important that Clemente had some exhibitions with the Art & Project gallery and from one of these exhibitions a beautiful little book was the publication result edition of only 800 copies). This and other Clemente books are available at www.ftn-books.com.

Clemente’s work spans four decades. His work is stylistically varied, inclusive, erotic, and nomadic. It embraces diverse mediums and diverse cultures as well, aiming at finding wholeness through fragmentation and witnessing the survival of contemplation and pleasure in our mechanical age.

Clemente’s work is rooted in political utopia and expresses an anti-materialistic stance. In the 1970s he moved from photography to drawing and anticipated the return to painting of the 1980s.

His work is also nomadic. In the 1980s he divided his time between India and New York. While briefly associated with Neo-Expressionism he took an interest in collaborative works both with Indian craftsmen and with painters like Basquiat and Warhol, and poets like Robert Creeley and Ginsberg in New York. In an interview with The Brooklyn Rail, Clemente commented “these poets had been looking at the East for inspiration and I was also anxious to evade the materialism of the West.”

In the 1990s Clemente explored intensely erotic imagery, inspired by the Tantra traditions both of India and Tibet, and turning contemporary preoccupations with identity and sexuality into an occasion to ask questions about the nature of the self. In the 2000s Clemente underwent a darker and grotesque phase, returning in recent years to luminous images of repose and transformation.

Since the 1980s until today, Clemente has also chronicled New York intellectual and social life through a great number of portraits, contributing to the revival of a genre until then somehow discredited.

Clemente’s art has been presented in solo and group shows internationally. Major retrospectives have been held in the 1990s at the Philadelphia Museum of Art, at The Royal Academy in London, at the Centre Pompidou, Paris and at the Sezon Museum of Art, Tokyo. Clemente’s art was also featured in 1999-2000 at the Solomon R Guggenheim Museum, New York, and at the Guggenheim Museum, Bilbao. In the 2000s retrospectives were held at the Irish Museum of Modern Art in Dublin, at the Museo MADRE, Naples and at the Schirn Kunsthalle, Frankfurt. An exhibition of self-portraits and of Clemente’s own version of the Tarot Cards was held at the Uffizi Gallery, Florence in 2011. (the text and information above comes from Wikipedia).

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Art & Project and Conceptual Art

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In & Out of Amsterdam

The best book from the last years on the fascinating world of Conceptual Art is by far the book IN & OUT of AMSTERDAM/ Travels in Conceptual Art 1960-1976. A book which i cherish , because this is a treasure trove of ideas and excellent publications which can still be found on the market(s). The book si published by MoMa where in 2009 the exhibition was held with the same name. In &Out of Amsterdam  shows the most important and possibly the best works by the following artists:

Bas Jan Ader

Stanley Brouwn ( see blog)

Hanne Darboven

Jan Dibbets

Ger van Elk

Gilbert & George

Sol LeWitt ( see blog)

Charlotte Posenenske

Allen Ruppersberg

Lawrence Weiner

All excellent artist and all published within the series of Bulletins published by Art & Project.

These publications have certainly become highly collectable items, because during the time they were published and now ( some 40 years ) few have survived. So start collecting them now while they are still available. see www.ftn-books.com