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van Abbemuseum Virtual BODYWORK exhibition

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In these times of the closure of dutch museums due to the COVID-19 measures. Many of the dutch museums find alternative ways to present themselves on the internet and make their exhibitions available to their public. One of them i would like to point out is the van Abbemuseum in Eindhoven who have their exhibition ‘ BODYWORK” made available in a virtual tour. For those interested here is the link:

https://vanabbemuseum.nl/onderzoek/uitgelichte-projecten/virtuele-tour-bodywork/

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and for those “old school” visitors, www.ftn-books.com has many van Abbemuseum catalogues available in its inventory

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Luc Hoekx (1964)

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An artist who i did not know, but because of the excellent catalogue published by the Hein Elferink gallery in 2006 i learned to know and discover ( http://www.luchoekx.be). Luc Hoekx. A long career and some great places he exhibited at passing by without being noticed by me. Entirely my fault of course, but his exhibitions in the Netherlands were scarce . In retrospect i could only discover two. One in Helmond and the other in Staphorst. Not the worldly places one visits to find some great art. But now , because of the Elferink catalogue, i discovered an artist who’s art i like and that made me sent him a message to inquire after 2 works that were on his site.

So let ‘s wait and hope that these are reasonable priced, if not……no problem it takes some years but eventually something will come to the market and who knows it will be mine after the final bid.

luc hoekx

 

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Margaret Leiteritz (1907-1976)

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The following excerpt comes from Wikipedia, because in a few sentences it explains what Leiteritz works stands for and means for art in general, but…..

I have made a small study of Leiteritz and her works and when you look at these you can see that her works are a link between the Bauhaus of Kandinsky and the hard edge paintings of Kelly.  In between somme 40 Years but her works bridge this period perfectly. Somewhere between the Bauhaus Kandinsky and the hard Edge Kelly from the Seventies you must place Leiteritz, because she transformed herself into an artist who embraced abstraction and made rythm part of her paintings . Her works are definetely inspired by rythm and music.

 Margaret Leiteritz (1907–1976) was a German painter who studied at the Bauhaus in Dessau from 1928 to 1931.[1]

In the 1960s and early 1970s, Leiteritz produced ‘painted diagrams’, which drew heavily from the scientific articles and books in her care as she was a professional librarian before becoming a painter.

Many of her works were strongly influenced by chemical engineering, and especially the field’s graphs which depicted physical properties of substances. Leiteritz’s paintings typically reworked a mundane graph using large expanses of colour and a bold abstract theme, changing it into a dynamic painting. Other works are reminiscent of Bunsen burner flame or DNA gel.

leiteritz info

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Edward Quinn (1920-1997)

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Edward Quinn, or “Ted” as his family called him, was born 1920 in Ireland. Starting in the 1950s, he lived and worked as a photographer on the Côte d’Azur, which was a playground for celebrities from the world of show biz, art and business during the “Golden Fifties”. The rich and famous came to the Riviera to relax. But the movie stars recognized the importance of their off-screen image, and Quinn was in the right place at the right time, managing to capture spontaneous and enchanting images that documented the charm, sophistication and chic of a legendary era.

In 1951, Edward Quinn met and photographed Pablo Picasso for the first time. Their friendship lasted until Picasso’s death in 1973. This encounter with Picasso had a lasting influence on Quinn, both personally and in regard to his subsequent work. Quinn is the author of several books and films about Picasso.

Starting in the 1960s, Quinn concentrated his professional activities on artists, photographing such figures as Max Ernst, Alexander Calder, Francis Bacon, Salvador Dalí, Graham Sutherland and David Hockney. In the late 1980s, a close relationship – similar to his friendship with Picasso – developed between Quinn and Georg Baselitz.

From 1992 until his death in 1997, Edward Quinn lived in Altendorf near Zurich with his Swiss wife Gret. She passed away in 2011.

There was a special exhibion of the Quinn photographs he made of Pablo PIcasso at the Quadrat Museum in Bottrop. The exhibition poster is available at www.ftn-books.com

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Jacek Malczewski (1854-1929)

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There are not many Polish artists who have made a name for themselves in the western art world. But since a few decades some Polish artists emerge in the established museums in western Europe and Malczewski is one of them. He was presented in a retropective exhibition at the Drents Museum in 2003 and for me it was the first time i heard of this Polish artis and saw some of his better works. He is considered to be a symbolist painter and he certainly is, but in my opnion he more is a realistic artist who paints and draws every day life and people from his surroundings but frames them in a symbolistic way.

There is hardly any symbolism in the foreground of his art and the people he depicts, but look at his paintings and you will discover that there is symbolism and symbolistic elements, everywhere and even at some moments complete symbolic scenes in the background. This is how good art has to be and this is certainly true for Malczewski’s art. To discover this Polish artist the Drents Museum catalogue is a perfect starting point.

The Drents Museum catalogue is now available at www.ftn-books.com

malczewski a

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Daniel Spoerri ( 1971 poster)

Just leaving the path of Crouwel /Sandberg designed posters for this Daniel Spoerri designed extraordinary poster for his 1971 exhibition at the Stedelijk Museum. In the early Seventies the Stedelijk Museum commissioned some of the exhibiting artist to design their own publicity posters . Tinguely was one of them and so was Daniel Spoerri, who made one of the very best Seventies posters ever. Just for your self…..

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Together with the exhibition, 2 publications were published , both designed by Wim Crouwel. All three items are now availablel at www.ftn-books.com

 

 

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Theo van Hoytema (1863-1917)

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Born in DEN HAAG too, van Hoytema was one of the first artists I encountered in the collection of the Gemeentemuseum Den Haag. A bird artis “pur sang” who is considered to be one of the founding members of the Art Nouveau movement in the Netherlands.

I have lost my interest in the artist and the Art Nouveau period, because I shifted my interest towards modern art, but the fact remains that the artists and his illustrated books and calendars are still very popular among collectors worldwide. In the time i worked at the Gemeentemuseum I had a yearly contact with Mrs. Schoonderbeek who published through the years all Hoytema material including a famous yearly calendar. Edition run ….over 100.000 each year and this made it possible for her to publish van Hoytema until some 20 years when she had to stop. Now i have found a delightful book on van Hoytema and his calendar and it shows exactly why his calendars stayed popular through the years.

The book is now available at www.ftn-books.com

hoytema cal a

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Barbara Nanning (1957)

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If i remember well , Marjan Boot was the curator who proposed to collect the works by Barbara Nanning  fro the Haags Gemeentemuseum and Titus Eliens continued to follow her works closely and purchased some more important works for the collection of the Gemeentemuseum . At the time  of the first purchase i immediately was  a great admirer since her approach to ceramics was totally different from the ceramics i had seen before.

The circle has always been an important starting point for Barbara Nanning (b. 1957). Her forms and structures derive from a circular motion that she allows to solidify in glass or ceramics. She has been creating objects and installations in this way for precisely 40 years this year. Featuring twenty pieces by Nanning, the exhibition will illustrate her unique visual idiom that links the organic and the inorganic.

Nanning originally worked in ceramics before turning to glass. She graduated from the Gerrit Rietveld Academy in Amsterdam in 1979, at the same time as Geert Lap and Babs Haenen, who along with Nanning formed the core of a new generation of Dutch ceramicists who would become internationally renowned. In 1994 – at the invitation of the National Glass Museum and Royal Leerdam Crystal – Nanning experimented for the first time with what for her had been an unfamiliar and remote material. She shaped her first glass sculptures by sawing the blown glass objects and then grinding and polishing them.

Over the past 25 years Nanning has built up an impressive body of work in glass that now features in museum and private collections in the Netherlands and abroad. Many of the objects and installations she creates suggest spontaneous growth, like crystals, jellyfish, flowers and microorganisms. They evoke tension and show that the contrast between ‘formed by nature’ and ‘handmade’ is not quite as rigid as we tend to think.

www.ftn-books.com has a few Nanning titles available

 

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Anton Pieck in fashion again.

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People from my generation remember the many Post and Christmas cards by Anton Pieck each family received . I even remember my parents chosing a stork with baby in his beak as a birth announcement. Pieck was huge….Piewck was popular and …Pieck stood for the most famous fairy tale park in the Netherlands…..de Efteling….

But after i few decades people got tired of the romantic scenes, populated by Dickens figures. Yes, the “DE EFTELING” attraction park was still there, but only because it had grown into a full blown entertainment park and the fairy tale forrest was almost forgotten.

But some 15 years ago , because some originals fetched excellent prices at auction, people started to notice Anton Pieck again. All because they recognized the quality of his great illustrations and drawings of town scenes and landscapes. There was of course a small  Anton Pieck Museum, but the Frans Hals Museum / de Hallen in Harlem was the first to dedicate a retrospective to Anton Pieck, the artists, in 2008.  A popular well attended exhibition which published a great catalogue together with the exhibition. ( now available at www.ftn-books. com) and these days i am selling Anton Pieck books all over the world and people collect and appreciate them. Anton Pieck is in fashion again.

anton pieck hallen

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Piet Dirkx…the new acquisition “l’Idee”

This is what if ound on this 1991 Piet Dirkx. Signed by Piet and titled “l’idee”.

This work belonged for a long time to the collection of Otto Schaap, who purchaseed it at Galerie Loerakker around 1991. It was part of this collection for nearly 3 decades and now it has found a new home in our collection. This is what we had when unpacked.

 

and this is the complete work presented on two nails as indicated by Piet. 51 cm apart, with the yellow “sandwich” on the right.

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and here it is between some other works by Piet Dirkx.

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for those interested in Piet Dirkx , please note that publications, cigar boxes and paintings are for sale. Please inquire at ftnbooksandart@gmail.com