I have always thought that the large sculpture outside the Congresbouw / World forum( by Oud) in Den Haag was a sculpture by Barbara Hepworth, but just a few years ago i discovered that i was mistaken and that the sculpture was by Pevsner.
My mistake and when you really look more closely there is a large difference between the art of these two artists. The Hepworth sculptures are much more related to the sculptures by her fellow student and contemporary artist Henry Moore and her later husband Ben Nicholson. There are quite a few sculptures of her in the Netherlands because in the sixties several exhibitions were held at which occasions her works were sold. Some of the best Hepworth catalogues are available at www.ftn-books.com
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The Tate gallery has an excellent introductory text on Hepworth which they published on the 2015 Hepworth exhibition. Here is part of tghis text, but you can find the complete introduction at
https://www.tate.org.uk/art/artists/dame-barbara-hepworth-1274/who-is-barbara-hepworth
Who is she?
Barbara Hepworth was a British sculptor, who was born in Wakefield, Yorkshire in 1903. She was a leading figure in the international art scene throughout a career spanning five decades.
Who were her peers?
Hepworth studied at Leeds school of Art from 1920–1921 alongside fellow Yorkshire-born artist Henry Moore. Both students continued their studies in sculpture at the Royal College of Art in London. Both became leading practitioners of the avant-garde method of Direct Carving(working directly in to the chosen material) avoiding the more traditional process of making preparatory models and maquettes from which a craftsman would produce the finished work.
From 1924 Hepworth spent two years in Italy, and in 1925 married her first husband, the artist John Skeaping, in Florence; their marriage was to last until 1931.
From 1932, she lived with the painter Ben Nicholson and, for a number of years, the two artists made work in close proximity to each other, developing a way of working that was almost like a collaboration. They spent periods of time travelling throughout Europe, and it was here that Hepworth met Georges Braque and Piet Mondrian, and visited the studios of Picasso, Constantin Brancusi, and Jean Arp and Sophie Taueber-Arp. The experience was a hugely exciting one for Hepworth, for she not only found herself in the studios of some of Europe’s most influential artists, which helped her to approach her own career with renewed vigour and clarity, but also found there mutual respect. The School of Paris had a lasting effect on both Hepworth and Nicholson as they became key figures in an international network of abstract artists.
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