The Congresgebouw is an architectural icon in Den Haag. It was designed by Hans Oud and J.J.P. Oud and opened in 1969. In 1968 Karel Appel was commissioned a large painting on ceramic tiles and this painting is one of the lesser known Karel Appel paintings because not many people realize that they pass it while entering the Congresgebouw / World Forum ( the name what it is called nowadays).
The extremely large tile painting consists of over 1200 separately painted tiles. These together, making it one of the largest Karel Appel paintings ever. If ever you come to Den Haag , this location is well worth a visit because not only there is the Gemeentemuseum nearby, but beside the tile painting by Appel there are sculptures, by Henry Moore, Auke de Vries and Pevsner in the vicinity.
De Bijenkorf building in Rotterdam is one of the iconic buildings in this city. After the bombardment which destructed its complete city centre in WWII, the city rebuild its centre with help of contractors and world famous architects. Among them Marcel Breuer who designed the Bijenkorf building and had a sculpture by Naum Gabo placed before the building. The sculpture has become possibly even more famous than the building by Breuer and was recently cleaned and restored and now has back its original splendor.
Here is a short biography which can be found at the Tate site
Naum Gabo 1890-1977.Constructive sculptor and painter. Born in Briansk in Russia, named Naum Pevsner; younger brother of the sculptor Antoine Pevsner. Entered Munich University in 1910, studying first medicine, then the natural sciences; also attended art history lectures by Wölfflin. Transferred in 1912 to an engineering school in Munich. Met Kandinsky and in 1913-14 joined his brother Antoine (then a painter) in Paris. After the outbreak of war moved first to Copenhagen, then Oslo; began to make constructions in 1915 under the name Naum Gabo. 1917-22 in Moscow with Pevsner, Tatlin, Kandinsky and Malevich; wrote and issued jointly with Pevsner in 1920 a Realistic Manifesto proclaiming the tenets of pure Constructivism. Lived 1922-32 in Berlin in contact with the artists of the de Stijl group and the Bauhaus. First one-man exhibition with Pevsner at the Galerie Percier, Paris, 1924. With Pevsner, designed the set and costumes for Diaghilev’s ballet La Chatte 1926. 1932-5 in Paris, a member of Abstraction-Creation; 1935-46 in England, first in London, then from 1939 at Carbis Bay in Cornwall. Edited Circle jointly with J.L. Martin and Ben Nicholson in 1937. Moved in 1946 to the USA and settled in 1953 at Middlebury, Connecticut; became a US citizen in 1952. Professor at the Graduate School of Architecture at Harvard University 1953-4. From 1950 onwards carried out several large sculpture commissions, including a sculpture for the Bijenkorf store in Rotterdam 1955-7. Created Hon. KBE 1971. Died at Waterbury, Connecticut.
The question is….why hide a great sculpture behind a sea of 200 flags. The sculpture by Pevsner ( Yes, it is in the picture above…..look closely) was placed on this location shortly after the opening of the Congresgebouw. A modern building with an annex tower designed by JJP Oud. This tower was for a very long time the only high rise building in Den Haag. This all located in the neighborhood of the Gemeentemuseum designed by Berlage. The entrance of the Congresgebouw has a tile painting by Karel Appel.
In the front, in the pond, a beautiful sculpture by Auke de Vreis has been placed some 20 years ago. Excellent works of art that add quality to the buildings and its surrounding.
Now some years ago somebody from the local administration had the “excellent idea” to place 200 flags, 1 for each nation in the world to enhance the entrance to the world forum……wrong idea…..
The flags have to be replaced frequently because of the wear through wind and sun. Costs approx. 2 x 200 x 100 euro = 40.000 euro each year. So please remove the flags and put a spotlight on this great Pevsner that really adds quality to this surrounding.