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Jan Dibbets (1941)

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One of the first dutch modern artist i learned to appreciate and admire. Also an artist who has had exhibitions all over the world, so a nice selection of his publications is available at www.ftn-books.com

Conceptual artist in the beginning, he began to alter perspectives with modifications of and cutting out elements from photographs and with these new elements he created a new comopistion. A fascinating proces resulting in practically all cases a new way of looking at an object, building or landscape.

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Because i had to read something on Dibbets i encountered something i did not know before. Thanks to Dibbets , the republic of Albania has a small collection of Modern Art. When Dibbets visited Triana in the early nineties he noticed there was no Modern Art at all. He invited his artist friends to make a donation in art and 57 of his friend donated one or more works to start a collection of Modern Art in Triana. Dibbets himself coordinated the transport and thanks to Dibbets, Triana now has its own collection of Modern Art. A great success and important to know that such a small initiative by an artist can give great results.

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Bram van Velde versus Willy Boers

 

Yesterday, i listed a lithograph by Bram van Velde on Kunstveiling.nl and because i searched for the title of the lithograph i encountered another painting by van Velde from an earlier date. The painting is from 1959 and now in the collection of a Belgium collector. ( See a nice article on van Velde at http://hyperallergic.com/182278/failure-as-success-in-painting-bram-van-velde-the-invisible-part-2/).

But what struck me most were the similarities between a painting from another dutch painter …Willy Boers. A painting i know very well, title “Quintessens” and from a much earlier date. A painting which is one of the key works in dutch Modern Art and one which is depicted in the book. DOORBRAAK VAN DE MODERNE KUNST IN NEDERLAND

This Willy Boers painting was made in 1947 and finished in 1948. There are 11 years apart in both works. The Boers painting is strongly influenced by Miro and Picasso, but is it possible that Bram van Velde has seen the Willy Boers painting?

The books are available at www.ftn-books.com

 

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Vasarely at Denise Rene, 1970

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The year….1970…..the exhibition MASTERS OF MODERN ART, location gallery Denise Rene…the invitation…..a special object designed by Victor Vasarely.

This is one of the most impressive invitations ever, because it was made in a limited edition and only a few will have remained during the past 47 years. The invitation is printed in an oblong format and consist on one side of the name of and the artists within the exhibition. The other side is printed with a Vasarely design on which a transparent, but printed design can be placed and moved over the original design. Resulting in an ever changing Vasarely composition. … a spectacular original Vasarely which is available at www.ftn-books.com

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Sol LeWitt….A Tribute …and the Joost Swarte bag

Yesterday, i received an invitation for the opening on the 17th of december 2016 of a Tribute exhibition on Sol LeWitt. There is a long lasting relation between the Gemeentemuseum Den Haag and Sol LeWitt, which collaboration first resulted in the very first European Minimal art exhibition in Europe and later the wall sculptures on the Schamhart wing some 20 years ago. In between exhibitions were held , including his drawings exhibition and of course he made several wall drawings on location.

Because of this relation, Sol Lewitt was invited in 1987 to design one of the plastic bags which was used in the shop of the Gemeentemuseum. Sol designed 2 bags, one in color and one in black on transparent polyethyleen. 2 excellent designs and both were executed and used for a couple of years in the shop. Now the black drawing is used for the invitation of the tribute exhibition. What people forget is that the typography is not done by Sol LeWitt , but it was “borrowed” from an earlier bag designed by Joost Swarte, who designed a plastic bag, including the typography, with the different collection parts in mind. This lettering was used for 100% by Sol for his own designs. So the main part is done by LeWitt but the typography was done by Joost Swarte in his very recognizable lettering. A beautiful bag was the result and only a few copies of this bag remain available for sale at www.ftn-books.com

Exhibition Sol LeWitt a Tribute opens on the 17th of december and runs until the 9th of april, 2017

 

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Pablo Picasso and Guernica

 

schermafbeelding-2016-09-08-om-19-32-09Personally i am not a great fan of Picasso. I understand his importance for Modern Art, but somehow he never appealed to me very much. One exception . In 1937 Picasso painted GUERNICA. The first time i saw this extremely large painting was in 1977 when i visited New York with my father. It was breathtaking!

So much to see in this painting. I shows the city of Guernica while it was bombarded by the Condor legion of the Luftwaffe. Pure panic and chaos on every painted part of the painting. This is a painting you must see in reality, because the sheer size is breathtaking already. It was one memory i brought home with me.

About 12 years ago the Gemeentemuseum Den Haag had the studies for Guernica in a special show and even on these much smaller studies you can see the struggle of the painter and the power of the subject.

A few years ago we went to the Reina Sofia Museum in Madrid and saw this masterpiece again. The same experience…still breathtaking.

When you look at this painting you can see that it has influenced many painters. . For one, there is a dutch painter  ” Willy Boers” who borrowed the theme with the horse and made his own version of chaos and despair. The painting is called “La Quintessence” dated 1947/1948, 10 years after Guernicia was painted and is depicted in DOORBRAAK VAN DE MODERNE KUNST IN NEDERLAND. Can you spot the similarities too?

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wilfried

www.ftn-books.com