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Deweer Art gallery in Ottegem since 1979

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Some of the galleries are out there for ages. For example Denise Rene in Paris and Willy Schoots in Antwerp but there is also Deweer gallery who have a presence in the gallery world since 1979. When you visit the gallery it is more like a small sized museum than a typical gallery. A huge surface, situated in an old factory with separate rooms, make it suitable to present a diversified collection. Artists from the gallery range from Jan Fabre to Mark Wallinger. www.ftn-books.com carries some sold out Deweer publications from the last decades.

The Deweer site gives the following information on the history of the gallery:

Deweer Gallery (est. 1979) is a leading second-generation gallery specialized in national and international contemporary art. Gerald and Bart Deweer are its owners and directors. The gallery is located in a building with approximately 1,200 m² of exhibition spaces in the rural town of Otegem, in Belgium. Deweer Gallery, representing more than twenty artists, focuses exclusively on work that evinces a combination of critical and poetic qualities. Well-known for its representation of artists such as Stephan Balkenhol, Jan Fabre, Günther Förg, Ilya and Emilia Kabakov and Panamarenko, the gallery has a reputation for building artists. Deweer Gallery has been working together with these artists for more than two/three decades. The early detection of talent is its trademark. It is evident in, among other things, their current supporting of artists such as Melissa Gordon, George Little, Enrique Marty, Benjamin Moravec, Nasan Tur, Anna Vogel and Andy Wauman.

HISTORY

From father to sons

Mark Deweer’s passion for collecting art led to the creation of Deweer Gallery in 1979. Mark was the driving force and the initiator. His nose for artistic talent and his business acumen, along with the unconditional support of his wife Marleen Deweer, made for an ideal combination that would make the realization of his dream possible.

Raised surrounded by art, their two sons, Gerald and Bart Deweer, know the world of art from within. Gradually, they took over the management of the gallery. Gerald and Bart want the gallery to continue to play a dynamic, ambitious and leading role on the international contemporary art scene. They aim to continue to promote artists on the basis of strong internal/external exhibitions and participations in international art fairs such as Art Cologne (since 1995), ARCO Madrid (since 2001) and recently also miart (Fiera Milano).

Building

Since the middle of the 1980s, Deweer Gallery is located in an unusually spacious building that once housed a small industrial enterprise. In 2011-2012, the spaces of the gallery were thoroughly renovated. Far-reaching architectural interventions were carried out, such as a doubling of the publicly accessible spaces (the lobby and three exhibition rooms) to a total area of approximately 1200m². In September 2012, the new gallery opened with the group exhibition ‘Re-Opening’, which clearly showcased the rejuvenation and renewal of the gallery program.

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Robin Winters (1950)

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Robin Winters has had his exhibitions in the Netherlands. Both in museums and galleries he was presented in solo exhibitions during the 90’s. These days, Winters is represented by the Deweer gallery in Belgium, but in the Nineties there were several who thought this artist was interesting enough to develop special publications with Winters. One of these “specials” was produced by Bebert. It is a large cotton sheet printed with heads which are so typical for Winters his art.

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Here is the description as it appears at www.ftn-books.com where this large work is for sale.

Artist/ Author: Robin Winters Title : composition with figures on cotton tissue Published: 1986 Measurements: 150 x 130 cm for the cotton tissue. 16 x 12 cm for the paper print Condition: nm++/ Mint for the large cotton print extra information on this item: Highly collectable multiples by Winters . edition of only 169. Signed and dated with initials on the accompanying paper print.

Later today i will include this beautiful and impressive Robin Winters at www.ftn art too.

Beside this impressive multiple there are some very nice publications published in Europe which are also for sale at www.ftn-books.com

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Robin Winters (1950)

Robin Winters and Europe are possibly a better match than Robin Winters and the US. There have been many shows and important museum presentations in Europe, possibly more than there ever have been in the US. This presence meant a great circle of admirers and some extremely nice publications of which i consider the large printed cotton canvas the very best of them. ( available at www.ftn-books.com ). This extraordinary work measures 150 x 130 cm. and comes with an original Winters drawing printed on paper and signed and dated in pencil by Winters. The cotton work was published in an edition of only 169 copies and shows the best qualities of the art of Robin Winters. Published by publishing house Bebert in 1986.

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the following text comes from Wikipedia

Robin Winters (born 1950 in Benicia, California) is an American conceptual artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. As an early practitioner of “Relational Aesthetics” Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Recurring imagery in his work includes faces, boats, cars, bottles, hats, and the fool.

for an extensive article on Robin Winters please visit https://alchetron.com/Robin-Winters-910625-W

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Jan Fabre and BIC art

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Fabre’s fame began when he was making 100% blue drawings with a BIC ballpoint pen ( 1980). It was the early eighties , but before that he shook the art scene with making drawings with his own blood ( 1978) .Since he made stage designs for plays and dance, movies and many more drawings and objects and of course sculptures….extremely large sculptures. Jan Fabre is considered one of the greatest living artist in Europe.

A short introduction to one of the greatest Belgian artist from this time. For me Fabre and Panamarenko will be remembered as the great Belgian artist from the last part of the 20th century. Both imaginative in their own way and both highly original with an own signature.

There is a huge list of all his activities during the last 3 decades, but the best way to get an impression of Jan Fabre is to read what Wikipedia says about him and visit his site afterwards

site: www.janfabre.be

There is a large selection of Fabre titles available at www.ftn-books.com

Wikipedia text:

Fabre is famous for his Bic-art (ballpoint drawings). In 1990, he covered an entire building with ballpoint drawings.

He explores the relationships between drawing and sculpture. He also makes sculptures in bronze (among them The man who measures the clouds and Searching for Utopia) and with beetles.

His decoration of the ceiling of the Royal Palace in Brussels Heaven of Delight (made out of one million six hundred thousand jewel-scarab wing cases) is widely praised. In 2004 he erected Totem, a giant bug stuck on a 70-foot steel needle, on the Ladeuzeplein in Leuven.

In 2008, Jan Fabre’s The Angel of Metamorphosis exhibition was held at the Louvre Museum.

On 26 October 2012, several media reported how during a shoot in the Antwerp town hall for a forthcoming film on Fabre, living cats were thrown repeatedly several meters spinning into the air, after which they made a hard landing on the steps of the entrance hall. Animal welfare executive chairman Luc Bungeneers said he was having a meeting with his party chairman when he heard howling cats. “To my horror, we found cats were being assaulted in the name of art”, Bungeneers said. “It went on for several hours.” The filming was eventually aborted after protests from the crew’s own technicians. Later that day, Fabre claimed all cats were still in good health and it was a conspiracy of the political party NVA.[1][2][3][4] Mr. Fabre has received 20,000 emails slamming his act. He has also been attacked seven times by men carrying clubs whilst out jogging in the park and been forced to sleep in a different location every night. Antwerp’s deputy mayor for animal wellbeing and the animal rights organisation Global Action in the Interest of Animals also launched complaints about Mr Fabre’s controversial act.

On February 2016, Jan Fabre was appointed by the Greek Ministry of Culture as the Creative Director of the annual Athens – Epidaurus Festival.[5] He resigned less than two months later, on the 2nd of April 2016, after a huge controversy over his plan to turn Greece’s major arts festival into “a tribute to Belgium” and devote eight of the festival’s ten productions to those from his homeland.[6]

In September 2016 Fabre made an attempt to not break cyclist Eddy Merckx‘s 1972 hour record at the Tête d’Or Velodrome in Lyon. Fabre completed a total of 23 km in an hour, compared to Merckx’s record of over 49 km. The attempt was commentated on by Merckx, fellow cyclist Raymond Poulidor, and veteran cycling commentator Daniel Mangeas[7] and was performed as the opening of his “Stigmata” retrospective exhibition organised by the Musée d’art contemporain de Lyon.[8] Fabre described the attempt as “how to remain a dwarf in the land of giants”.[9]