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Charlotte Salomon (1917-1943)….Leben oder Theater

I remember it well. Together with a huge publicicty campaign the Book by Charlotte SALOMON, Leven of Theater? / Life or Theater? was published on a worldwide scale. In the Netherlands it was pub lished by Meulenhoff and in the US by Viking press. My estimate is that there were several 100K book printed and published, but it is remarkable that this title is a rare find nowadays. The one i finally have in my inventory is a 1st printing by the original publisher of the work GARY SCHWARZ. Book is in english and a highly collectable item. here is the blog from some years ago i wrote on Charlotte Salomon

The Joods Historisch Museum in Amsterdam shows the complete set of “LEBEN ODER THEATER” the magnificent works by Charlotte Salomon . It is the equivalent of a written diary of her life in Auschwitz before she was murdered. The complete original set is now on show at the Joods Historisch Museum until the 25th of March 2018, but…. not only the complete set is on show, there is another way of viewing the set…..for those who are interested and live to far away you can view the complete set at :

https://charlotte.jck.nl/section

This is what makes the internet worthwhile, so visit this site and convince yourself why this is not only a historical important work, but also a great work of art by a gifted artist.

www.ftn-books.com has the very rare first dutch publication on Charlotte Salomon availablle at www.ftn-books.com

charlotte salomon schwartz

 

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Erté / Romain de Tirtoff (1892-1990)

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It was at the time i was living in Paris, that i frequently walked the rue du Seine , it is the place where all the art galleries used to have their exhibitions. Among them there was one who was showing the most beautiful Erté drawings and gouaches. I wondered why a gallery in Paris had such a huge selection (they had a few hundred of these drawings in stock ) but later i realized that the reason probably was that many of the theaters in Paris commissioned Erté their costume designs for their plays and shows. If i had known at that time that Erte was going to be one of the most important Art Deco artists i should have borrowed some money and bought me some Erté’s .

Later i managed to buy 2 drawings at auction at a fair price and these are sold some 20 years ago, but the memory of these walks along the gallery window in the rue du Seine remains.  I should have kept these auction drawings too, but decided at that time to make some profit on them.

As it is …. there are only a few publications that rest me and all these are available at www.ftn-books.com

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Jan Fabre and BIC art

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Fabre’s fame began when he was making 100% blue drawings with a BIC ballpoint pen ( 1980). It was the early eighties , but before that he shook the art scene with making drawings with his own blood ( 1978) .Since he made stage designs for plays and dance, movies and many more drawings and objects and of course sculptures….extremely large sculptures. Jan Fabre is considered one of the greatest living artist in Europe.

A short introduction to one of the greatest Belgian artist from this time. For me Fabre and Panamarenko will be remembered as the great Belgian artist from the last part of the 20th century. Both imaginative in their own way and both highly original with an own signature.

There is a huge list of all his activities during the last 3 decades, but the best way to get an impression of Jan Fabre is to read what Wikipedia says about him and visit his site afterwards

site: www.janfabre.be

There is a large selection of Fabre titles available at www.ftn-books.com

Wikipedia text:

Fabre is famous for his Bic-art (ballpoint drawings). In 1990, he covered an entire building with ballpoint drawings.

He explores the relationships between drawing and sculpture. He also makes sculptures in bronze (among them The man who measures the clouds and Searching for Utopia) and with beetles.

His decoration of the ceiling of the Royal Palace in Brussels Heaven of Delight (made out of one million six hundred thousand jewel-scarab wing cases) is widely praised. In 2004 he erected Totem, a giant bug stuck on a 70-foot steel needle, on the Ladeuzeplein in Leuven.

In 2008, Jan Fabre’s The Angel of Metamorphosis exhibition was held at the Louvre Museum.

On 26 October 2012, several media reported how during a shoot in the Antwerp town hall for a forthcoming film on Fabre, living cats were thrown repeatedly several meters spinning into the air, after which they made a hard landing on the steps of the entrance hall. Animal welfare executive chairman Luc Bungeneers said he was having a meeting with his party chairman when he heard howling cats. “To my horror, we found cats were being assaulted in the name of art”, Bungeneers said. “It went on for several hours.” The filming was eventually aborted after protests from the crew’s own technicians. Later that day, Fabre claimed all cats were still in good health and it was a conspiracy of the political party NVA.[1][2][3][4] Mr. Fabre has received 20,000 emails slamming his act. He has also been attacked seven times by men carrying clubs whilst out jogging in the park and been forced to sleep in a different location every night. Antwerp’s deputy mayor for animal wellbeing and the animal rights organisation Global Action in the Interest of Animals also launched complaints about Mr Fabre’s controversial act.

On February 2016, Jan Fabre was appointed by the Greek Ministry of Culture as the Creative Director of the annual Athens – Epidaurus Festival.[5] He resigned less than two months later, on the 2nd of April 2016, after a huge controversy over his plan to turn Greece’s major arts festival into “a tribute to Belgium” and devote eight of the festival’s ten productions to those from his homeland.[6]

In September 2016 Fabre made an attempt to not break cyclist Eddy Merckx‘s 1972 hour record at the Tête d’Or Velodrome in Lyon. Fabre completed a total of 23 km in an hour, compared to Merckx’s record of over 49 km. The attempt was commentated on by Merckx, fellow cyclist Raymond Poulidor, and veteran cycling commentator Daniel Mangeas[7] and was performed as the opening of his “Stigmata” retrospective exhibition organised by the Musée d’art contemporain de Lyon.[8] Fabre described the attempt as “how to remain a dwarf in the land of giants”.[9]