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Fred Sandback (1943-2003)

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A very special Minimal artist definitely is Fred Sandback.

Fred Sandback would stretch lengths of colored yarn taut in a space to make people experience it differently, uniquely, unexpectedly. His ingeniously simple sculptures had no weight or mass, no inside or out.

He described is work eloquently in his booklet A Children’s Guide to Seeing made to accompany his 1989 exhibition of yarn sculptures at the Houston Contemporary Arts Museum. His words for kids provide illumination for adults:
We all need a place for play, whether it’s jump rope, baseball, or making a sculpture. I’m lucky enough to have the whole Contemporary Arts Museum in which to build my sculptures that are made out of knitting yarn.

I need a big space like this because I mean my sculptures to take space and make it into a place—a place that people will move around in and be in.

Knitting yarn is great for making the proportions, intervals, and shapes that build the places I want to see and to be in. It’s like a box of colored pencils, only I can use it to make a three-dimensional sculpture instead of making a drawing on paper.

My knitting-yarn sculpture is a somewhat distant cousin to some other string games. Maybe the one that uses the most space is kite flying. But the one that is the oldest, and the most universal, is cat’s cradle. Indians, Eskimos, Bushmen, and many other cultures around the world have had games like cat’s cradle since before anyone can remember.

Often cat’s cradle is about making a little place—just for yourself, or to share with someone. If you don’t know any of the moves, you can probably learn some from a friend, a relative, or from your mom or dad, if they remember them.

If you ask the attendant here in the Museum now, he or she will give you some yarn to use while you are here and to take home. Your fingers might do some thinking while you wander around and look at my sculptures.

And here are a few cat’s cradle ideas.

Cat’s cradle is nice because you can put it in your pocket when you’re busy with something else, and take it out again when you’re not. Although, as you can see, it’s not so hard to build big things like my sculpture. All it takes is a ball of string. If you were feeling a little adventurous, you could even wrap up your whole house.

www.ftn-books is fortunate to have some nice Sandback items available

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Luc Peire (1916-1994)

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Geometric abstract painting. This is the speciality of Peire.  I was late to discover this great Belgian painter who was a contemporary of Walter Leblanc, but since i took an interest in Leblanc, soon afterwards i discovered Luc Peire. If i must describe his art …. mix Geometric Abstract painting with a little Pop Art and the works of Luc Peire emerge. The one painter that reminds me of his work in the Netherlands is Willy Boers who experimented in the final years of his life with “hard edge” painting and made some wonderful paintings. I was fortunate to see the Luc Peire exhibition from 1995 which was held at the Josef Albers Museum in Bottrop, ( poster available at www.ftn-books.com)

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but since, i only have seen the occasional painting by Peire which was collected some 40 years ago for the public collections in the Netherlands and Belgium. Peires works are not that well known, but every time i see work of his, I find them intriguing and timeless. Peire is one of the greats of Geometric Abstraction and will soon be recognized as one of the greatest Belgian artist from last century.

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Edward Quinn (1920-1997)

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Edward Quinn, or “Ted” as his family called him, was born 1920 in Ireland. Starting in the 1950s, he lived and worked as a photographer on the Côte d’Azur, which was a playground for celebrities from the world of show biz, art and business during the “Golden Fifties”. The rich and famous came to the Riviera to relax. But the movie stars recognized the importance of their off-screen image, and Quinn was in the right place at the right time, managing to capture spontaneous and enchanting images that documented the charm, sophistication and chic of a legendary era.

In 1951, Edward Quinn met and photographed Pablo Picasso for the first time. Their friendship lasted until Picasso’s death in 1973. This encounter with Picasso had a lasting influence on Quinn, both personally and in regard to his subsequent work. Quinn is the author of several books and films about Picasso.

Starting in the 1960s, Quinn concentrated his professional activities on artists, photographing such figures as Max Ernst, Alexander Calder, Francis Bacon, Salvador Dalí, Graham Sutherland and David Hockney. In the late 1980s, a close relationship – similar to his friendship with Picasso – developed between Quinn and Georg Baselitz.

From 1992 until his death in 1997, Edward Quinn lived in Altendorf near Zurich with his Swiss wife Gret. She passed away in 2011.

There was a special exhibion of the Quinn photographs he made of Pablo PIcasso at the Quadrat Museum in Bottrop. The exhibition poster is available at www.ftn-books.com

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Josef Albers silkscreens

A great inspiration for Sol LeWitt and considered by many as one of the greatest artists from the 20th Century. Josef Albers is the artist I am writing about this time. In an earlier blog I explained the importance for Minimal art of Josef Albers but this time the blog is devoted solely to the great original silkscreens I am exclusively offering on eBay. The series of 4 comes from a private collector and is from 1973. The silkscreens are executed on a double sheet of paper and are exquisite in the choice of colours. Albers is the true master of matching the best colours. The composition of HOMAGE TO THE SQUARE is always the same but the choice of colours and size make you look at a different work of art the moment you see it. These original silkscreens are 8.1 x 8.1 inch and now available at eBay’s  all international sites.

 

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Robert Adams (1937)

 

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When i first saw an exhibition with the photographs by Robert Adams, i searched my memory and discovered that unconsciously i had seen many of these before. Photographs in which he documented the American way of life in the West, but it was not until i visited his exhibition at the Josef Albers museum, that all fell into place. Here was a very nice number of iconic photographs brought together in one splendid exhibition.

Robert Adams (b. 1937) is a photographer who has documented the extent and the limits of our damage to the American West, recording there, in over fifty books of pictures, both reasons to despair and to hope. “The goal,” he has said, “is to face facts but to find a basis for hope. To try for alchemy.”

Adams grew up in New Jersey, Wisconsin, and Colorado, in each place enjoying the out-of-­doors, often in company with his father. At age twenty-five, as a college English teacher with summers off, he learned photography, choosing as his first subjects early prairie churches and early Hispanic art, subjects of unalloyed beauty. After spending time in Scandinavia with his Swedish wife, Kerstin, however, he realized that there were complexities in the American geography that merited exploration.

In the 1970s and ’80s Adams produced a series of books—The New WestDenverWhat We BoughtSummer Nights—that focused on expanding suburbs along Colorado’s Front Range, books that pictured heedless development but also the surviving light, scale, form, and silence of the natural world. He also examined this mixture of humanity’s imprint and nature’s resilience in the wider western landscape (From the Missouri West) and in the Los Angeles basin (Los Angeles SpringCalifornia).

FTN-books has the exhibition posters of the Josef Albers Museum available at www.ftn-books.com

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Josef Albers ( 1888-1976 ), an invitation

 

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It was sold within 24 hours to a customer in Arizona, but this is so important i want to share this with you. In 1968 there was a Josef Albers exhibition at the Landesmuseum in Munster (Germany). For thiss exhibition. Josef Albers made a special print for within the catalogue and the smaller version for the invitation to the opening. Both were silkscreened prints. If you are lucky you will find a catalogue, but the invitation is probably one of the rarest Josef Albers collectibles and here it is……

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There are other Josef Albers items still availabel at www.ftn-books.com

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Josef Albers Nesting Tables 1926/27

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This set of tables i first encountered at the Josef Albers Museum in Bottrop where two types of these set were sold. One with colored perspex and one set with original italian fabricated glass. I had to had this and i ordered one set direectly from the manufacturer. These are so impressive and 100% like the original set which was originally designed at the Bauhasu by Josef Albers and thnis reedition from 2010 is one of the best small furniture items ever produced. I checked and this set is still available, but not as cheap as it originally was in 2010, but choose this set and you will have the pleasure of looking at one of the greatest functional Bauhaus designs ever made. Klein und More sells the original authorised set in Europe  and the Moma stora sells a set in their store for the US. Josef Albers is one of the artist of whom ww.ftn-books.com sells many items

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Albert Flocon (1909-1994)

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If i must compare Flocon with dutch artist it must be Maurits Cornelis Escher. Where Escher has its roots in geometry and math, Flocon is inspired by architecture and science He even studied at the Bauhaus under Josef Albers. Still Flocon has never become a household name in art.

In March 1965 they finally met.

Escher met the French artist and professor Albert Flocon, lecturer at the prestigious Ecole des Beaux Arts in Paris. Flocon mainly created copper engravings and, like Escher, he was fascinated by the mystery of the perspective. Especially the curvilinear perspective, a form that Escher has also used several times (think of Hand with reflecting sphereBalconyThree Spheres IIDrop (Dewdrop) and Self Portrait in Spherical Mirror). Together with his colleague André Barre, in 1967 he published a book about this special perspective: La Perspective curviligne de l’espace visuel à l’image construite. In 1987 it was published in the US under the title Curvilinear Perspective: From Visual Space to the Constructed Image.The meeting proved to be of great importance to Escher; Flocon ensured that his prints became known in Paris. The professor personally mediated on the sale of prints and an organized Escher exhibition in Paris. In October 1965 Flocon published a ten-page article about Escher in the important monthly Jardin des ArtsA la frontiere de l’art graphique et desiques: Maurits-Cornelis Escher. In it he combined biographical information with analyzes of the prints and quotations from a conversation with Escher. The article gives a good description of Escher’s place in the art world. Previous Dutch art critics never came much further than pointing out that Escher’s work was (too) cerebral. Flocon gave a positive turn to this.

there are not many publications on Flocon, but ftn-books.com has one together with may Escher publications.

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Eduard Steinberg (1937-2012)

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Eduard Steinberg is the first Steinberg i write a blog about. He is far lesser known than his brother in art Saul Steinberg, but for me personally he is the better artist. Where Saul Steiberg leans towards art & illustration, Eduard Steinberg is the abstract artist who “invents” and impresses me much more.

A creator of geometrical abstract paintings, Eduard Steinberg was born into the family of poet, translator, and artist A.A. Steinberg.
Shortly after his birth, his father was arrested by the Stalin regime and thrown into prison. Upon his release, the family settled in Tarusa and Eduard helped his parents in their pursuits, though he had no professional artistic education. He lived in Tarusa from 1957 to 1961, teaching himself to paint by making copies of still lives, portraits and landscape paintings of Tarusa.
Moving to Moscow in 1962, he actively participated in the nonconformist movement.
In the 1970s Steinberg began creating his own version of geometrical abstraction (meta-geometry), where a plastic construction is seen as a consequence of a spiritual impulse.

I did not see the exhibition he had at the Josef Albers Museum and think it is a pity, because exhibitions on Eduard Steinberg are rare occasions. Still www.ftn-books.com has the signed exhibition poster of this important Steinberg exhibition.

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James Bishop (1927)

It was i think our third visit to the Josef Albers Museum in Bottrop when we encountered the works by James Bishop… and…they blew me away!

Large scaled paintings, extremely delicate colors combined in compositions which were part constructivist and familiar and other ways totally different because of the scale,  composition and impact.

I tried to find more on James Bishop , but beside the excellent gallery exhibitions at David Zwirner it is hard to find more on Bishop. Here is a short list of exhibitions in which he was presented.

  • 1963: Galerie Lucien Durand, Paris, France
  • 1966: Fischbach Gallery, New York, New York
  • 1993: Kunstmuseum Winterthur, Switzerland
  • 2008: Staatliche Graphische Sammlung, Munich, Germany
  • 2014: David Zwirner, New York, New York

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This is an artist who grows on you. An artist who is one of a kind. For me he has the same qualities as many better known artists from his genaration, but is not the household name in modern art he should be. Try to see some of his works when you the chance , because this is an artist well worth discovering. www.ftn-books.com has a signed exhibition poster from this artist available.